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For Those Who Chant, a record by trumpeter Luis Gasca that was published in 1972 and recorded at Columbia Studios in San Francisco, included a "who's who" of the city's A-tier musical scene from that time period with the participation of musicians. Carlos Santana and a pre-Journey Neal Schon on guitar, a rhythm unit consisting of Lenny White on drums, Stanley Clarke on bass (who were about to leap into a new band named Return to Forever), and the indefatigable Joe Henderson on tenor saxophone, t…
*2024 stock* A group of musicians invited by Devin Brahja Waldman and Ziad Qoulaii for a recording session in Montreal, QC. This music speaks about freedom and evolution of consciousness. The album could be categorized as improvised Gnawa Jazz Krautrock: a combination of sounds we are able to discover for the first time thanks to the artists involved.
New vinyl edtition as part of the "Luminessence" Series, presented as a tip-on gatefold including new photos from the archive. “I personally feel this is a great record and recommend it to everyone. It’s positive and hot and simply excellent.” – Gary Burton
Pat Metheny had debuted at ECM as a member of Gary Burton’s band on the album Ring in 1974, but Bright Size Life, his first studio recording as a leader, was the album that decisively put him on the map as a bright new force, with something…
Placebo's debut album "Ball of Eyes" is a remarkably focused Soul Jazz record, without the experimentation or Free Jazz moments which were still in vogue during the first half of the '70s. Excellent covers of Marvin Gaye's "Inner City Blues" and Sam & Dave's "You Got Me Hummin'" as well as his own compositions make "Ball of Eyes" a perfect example of the genius of Marc Moulin and his incredible band.
The "1973" album continues in the same vein as "Ball of Eyes", though it's definitely funkier and head boppin' than the debut. The real-ear grabber is the superb Moog soloing by Moulin. Placebo is grooving your socks off in the first half of the album and a more concentrated jazzy swing can be found on the second half
** mini LP replica with OBI & Japanese insert ** First time ever on CD around the world. Marc Moulin (1942 - 2008) was a Belgian musician and journalist. In the early '70s, he was the leader of the Jazz-Rock group Placebo. Moulin was one of Belgium's jazz legends, making jazz-influenced records for over 30 years. Marc Moulin's three Placebo albums are the 'Holy Grail' for the rare groove crowd, a sector of music fans who love that unique '70s style of cool.Placebo's eponymous third album is glos…
Joining their newly launched Luminessence audiophile vinyl-reissue series, the legendary imprint, ECM, digs deep into their own vaults and comes up with an absolute gem: the guitarist John Abercrombie, the bassist Dave Holland, and the drummer Jack DeJohnette’s groundbreaking 1975 LP “Gateway”. Rooted in approaches drawn from free jazz and unquestionably springing from both Holland and DeJohnette’s time working in Miles Davis’ electric fusion band at the end of the 1960s and early '70s, it’s a r…
An early masterpiece under the name of Count Buffalo – this is legendary drummer Akira Ishikawa’s first record, from 1969! Genuine jazz, rock and African groovy sound. A rare groove album with a soulful arrangement throughout, with Kozaburo Yamaki and Hiroshi Takami as arrangers. Essential!
Akira Ishikawa is renowned as a super funky drummer in Japan, earning praise for his ability to freely explore and blend jazz, rock, and African music into a unique musicality. Throughout his career, which spans from jazz rock to rare groove, this particular work stands out for its exceptional song selection and exhilarating musicality. "Let's Start" delivers a tight cover of Fela Kuti's Afro-funk, "Bongo Rock" presents a dynamic song with drum breaks, and "Pick Up The Pieces" offers a jazz-funk…
After their debut album the most multifaceted and unpredictable musical collective in Italy – Addict Ameba – come back with their sophomore album, “Caosmosi”. Faithful to the aim of bringing together different paths, traditions and horizons in their music, the band moves between desert-blues and afrobeat landscapes, with latin rock rides and ethio-jazz parentheses. The vision of the album is further enriched by two absolutely valuable features: Joshua Idehen, Anglo-Nigerian poet and singer and p…
"Favorite Recordings returns with the second edition of its compilation series: Fusion Global Sounds. Comprising eight rare and hidden tracks produced between 1976 and 1984 in various parts of the world, this hot-off-the-plate comp delivers a mighty-fine array of dynamic, soul-feeding jazz, soul, disco, jazz and funk delicacies. As a fine collector of jazz-funk and fusion for many years, curator Charles Maurice can be credited for sourcing the ingredients for and cooking up this fine spread of f…
*300 copies limited edition* Tucked away in a corner of northwestern Europe and so small you could drive through it in minutes without noticing you were ever there, Luxembourg is often overlooked. This is also true for Luxembourg’s music scene, and even more so in the early 1980s. Aside from a string of victories at the annual Eurovision song contest or the mighty Radio Luxembourg that had for decades been blasting jazz, rock and other modern music into stolid Western European ears, very little …
*300 copies limited edition* The very unique Basque scene of sound experimentation has had two main hubs for more than twenty years: the highly regarded and sorely missed Larraskito in Bilbao, and the iconic and resilient Matadeixe / Matadero in Azkoitia (Gipuzkoa). Mikel (Conteiner, Killerkume, Loan, Orbain Unit) from Bilbao and Joseba (Autoa, Fernalia, Paezur) from Azpeitia are two fundamental pillars in this great story, thanks to their multiple musical projects, their skills as listeners and…
*2023 repress* There can be little more exciting or rewarding than listening to a band playing live and firing on all cylinders at the absolute peak of its powers, and the live performances presented here by Nucleus are no exception. They capture the group in arguably its finest incarnation right at the start of its long career, exhibiting a staggeringly high level of musical discipline matched by an equally impressive ability to improvise and solo.
Nucleus began its long jazz-rock journey in 19…
Established by members of the British brass-rock outfit IF with the former Osibisa percussionist Loughty Amao, Zzebra was a forward-thinking hybrid mixing jazz, rock, and world music. Chief songwriter/saxophonist Dave Quincy keeps the arrangements complex and Loughty injects the African element, former Elastic Band keyboardist Gus Yeadon and guitarist John Terry adding layers of melodic inventiveness. Yielding a progressive jazz style that roped in funk, blues, and west African rhythms, this ent…
Established by members of the British brass-rock outfit IF with the former Osibisa percussionist Loughty Amao, Zzebra was a forward-thinking hybrid mixing jazz, rock, and world music. Chief songwriter/saxophonist Dave Quincy keeps the arrangements complex and Loughty injects the African element, former Elastic Band keyboardist Gus Yeadon and guitarist John Terry adding layers of melodic inventiveness. Yielding a progressive jazz style that roped in funk, blues, and west African rhythms, this ent…
The 1970 album For Children by Eero Koivistoinen was originally released by the book publishing company, Otava, which was responsible for his earlier two albums as well. Jazzpuu/Sähkö Recordings reissued For Children in 2006 as did we in 2016, yet both of these releases have been hard to find ever since. This time around Svart brings this important piece of Koivistoinen's career, a successful amalgam of acoustic jazz and funky fusion back on the market on a limited Svart exclusive blue vinyl ed…
"Fantastic debut LP by this severely talented instrumental duo, currently based around Hampshire College unless I am much mistaken. Living Window is comprised of drummer Cameron Mitchell and guitarist Mila Dorji, who have create an album of pile-driving avant garde hunch reminiscent of pre-Mahavishnu McLaughlin’s slow-hand recordings with Tony Williams or Billy Cox.
Mitchell drumming mixes rock and jazz attacks in equal measure, either drawing out rhythms or pounding them straight into pumice. A…
Blurt was founded in Stroud, UK, in 1979 as part of the post-punk movement by poet, saxophonist und puppeteer Ted Milton along with Milton's brother Jake, formerly of psychedelic group Quintessence, on drums and Peter Creese on guitar. After three albums Creese left the band to be replaced by Herman Martin on synthesizers who, after a year of constant touring left the band, and was replaced by Steve Eagles, former member of Satan's Rats, The Photos and Bang Bang Machine. Shortly thereafter Jake …
Edition of 400, on black vinyl. This is pure gold for the electro-Miles Davis’s lovers. The great saxophonist Gugliemo Pagnozzi directs his band in compositions built on improvisation flows that unfold starting from a minimally organized accompanying rhythmic cell in continuous transformation and in the making, which in turn is developed and modified during the executive-improvisation flow chasing instant dialling. Pressed at Optimal Media.