Jazz /
Tribal Dance
Los Angeles bass titan Henry Franklin is bestknown for the two Skipper LPs issued by Black Jazz in 1972-74; 1977’s Tribal Dance is more obscure and arguably the best of the bunch, the spiritual jazz given an extra propulsive dimension via the excesses of Sonship, banging complex rhythms on his elaborate self-made drums, as heard on the opening title track and the extended ‘Cosmos Dwellers.’ Elsewhere, ‘Eric’s Tune’ has flamenco undercurrents, ‘Spring Song’ is a slow piano meditation, and ‘Prime …
Elegua
Latin music, with all its spirit, all its intensity, and all its magic, expresses itself in the decade of the seventies as a cultural revelation. Europe recognizes, listens, and dances to our music, the United States jumps to the sound of it. Latin America is letting its roots be felt. Elegua is a part of this happening. It originated in Boston as a result of the collective efforts of musicians concerned about the direction to be taken by the Latin American musical forms. Elegua essentially deal…
Excavated Shellac: An Alternate History Of The World's Music
100 recordings on 4 CDs; 184-page hardcover book printed on artbook-quality paper; Packaged in a deluxe gloss-laminated box. It begins with a South African choir from 1930 and a song about police brutality; it ends in Cuba with dreamy innuendo. This collection is about music that is often invisible in today's world, the incredible world of global recordings that aren't jazz, blues, country, rock n' roll, R&B, or "classical." This physical edition of the box set, eight years in the making, conta…
City Of Mirrors
Songs of resistance and gratitude in a Latin pop mode from Chicago’s Dos Santos, one of the longest running groups on International Anthem Recording Company. Vintage-sounding, but polished to modern tastes, ‘City Of Mirrors’ feature the septet playing to their latin heritage in a style that will appeal to all members of the extended family. It’s rich with melody and impassioned vocals, driven by coolly urgent tresillo rhythms and equally given to elegiac ballads that wouldn’t sound out of place…
Pelo De Rata
"Hey, there's this new guy around that plays like Herbie Hancock!!". When Chilean pianist Matías Pizarro arrived in Argentina fleeing Pinochet's dictatorship, word spread like wildfire in the local jazz scene. In the two short years that Pizarro spent in Buenos Aires, he became one third of the Viejas Raíces project alongside local jazz heroes Jorge López Ruiz and Pocho Lapouble, recorded with famed Italian trumpeter Enrico Rava and released his own solo album, Pelo de Rata ("Rat's hair"). Pizar…
De Repente
In 1970, the Virgilio Armas Trio released De Repente on the tiny Discos A&B label, very likely a one-off, self-financed project. Virgilio Armas recalls: “The nightlife in Caracas of the 1950’s and 1960’s inspired me to record an album in 1970, with songs influenced by the Jazz, Bossa and Latin genres. De Repente was created with my beloved Piano, and my long-time musical partners Rodolfo Buenaño (bass) and Guillermo Tariba (drums).”
The style is very much influenced by the harder post-Bossa Nova…
Espejismo
We Are Busy Bodies announces the reissue of the rare and sought-after 1973 Venezuelan jazz album Espejismo ('Mirage') by Virgilio Armas Y Su Grupo, offering a fascinating snapshot of the thriving music scene in early 1970's Caracas, until now largely undocumented because of the musical dominance of Venezuela’s far larger southern neighbour, Brazil. Pianist and bandleader Virgilio Armas skilfully combined Latin Jazz, post-bossa swing (Balanço), with home-grown variants of Son Cubano, Montuno, Mer…
1976
Never broadcasted and unreleased sessions by Dutch keyboard players Rob Franken and Jan Huydts alongside Scope drummer H. Zomer. Session which took place in Feb. 1976 and were stored in VPRO archives untill discovered by journalist Frank Jochemsen who searched for material to use for a radio special about Rob Franken..Check soundbites and discover these unheard and never broadcasted dope jazz funk sessions which will in particulary appeal to fans of the Fender Rhodes piano.
Rob Franken was a tal…
Jazzberry Patch
Originally released as an obscure private-press LP by the Florida trio of Ben Champion, Ken Burkhart and Danny Burger. Special guest on this super rare funky jazz outing is Mike Longo who says a few words on behalf of the group on the back cover, and sure enough he contributes scorching Rhodes in the style of his early 70s Greasy Groove sides for Groove Merchant and Mainstream. Also on board are Kelton Champion on guitar, Gary Champion on Bass, Mickey McGann on keys and David Winters on Congas a…
Natural Sources
"Some albums show you right away what kind of spirit backs them. Ronald Snijders solo debut from 1977, Natural Sources, is one of these. It begins with a free improvised, sometimes scatting flute and while the flute goes more and more crazy some scat vocals join in to make this first track a kinda strange affair. Jazz, free and spirited, seems the way but Ronald Snijders, son of Surinamese composer Eddy Snijders, outwits us in all our tiny minded expectations with the next song already. An everg…
African Suite
Impressive session led jointly by Herbie Mann and John Rae. On side A, the group incessantly shifts from soft vibes-and-flute jazz to percussion-heavy Afro-Cuban rhythms to classic "Blue-Note" hard bop. Side B is the African Suite, a percussive trip across the Sahara.
Jazz En La Universidad
**2021 stock. In process of stocking** Jazz trios have an economy that makes them risky. Yet it’s that risk that makes them exciting; how to get the most out of three musicians. Trios made up of rhythm instruments – piano, drums and bass – are particularly special. In the case of Ruben ‘Baby’ López Furst, the Argentinian pianist, and the trio session for ‘Jazz en la Universidad’, that special feeling is abundant. The balance of lightness and air with muscularity and drive makes the album worthy …
Music For Small Hours
*2022 stock* Had it not been for the post-war migration of many top American jazz musicians to Europe, it is quite likely that the legendary Clarke-Boland Big Band might never have come into existence. As it happened, when Gigi Campi set up the first big band record date in Cologne on December 13, 1961, (Jazz Is Universal for the Atlantic label), he was able to call upon such distinguished self-exiled jazz stars as Benny Bailey (originally from Cleveland, Ohio), Sahib Shihab (Savannah, Georgia),…