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Jazz /

Pour Alto Seul
Pour Alto Seul is Johan Arrias’ first solo work. It came about as a result of a work period early 2018 and does not claim to provide a comprehensive picture of the artist, but is an exploration of more specific ideas. In eight tracks with strong musical identities Arrias explores the saxophone as a sole voice and sound source and, to some extent, his own identity.The recordings create an atmosphere of being alone among ruins; a desolate environment, a harsh but promising and exiting place full o…
Close | Quarters
**300 copies** "Close | Quarters is a seven-track slice of often compacted and angular improv for viola and prepared chamber. The two players here are Benedict Taylor and Anton Mobin. Taylor is a British improviser / avant musician who has been active in the scene since the early 2000s releasing a good body of work, as well as becoming a respected name, and Frenchman Mobin has once again been active since the early 2000’s making a name for himself as both an improviser and sound artists.The albu…
Piano Works
**2019 stock** Piano Works is Lisa Ullén’s most ambitious work so far – a triple CD of solo recordings capturing the breadth and depth of her singular musical vision. Ranging from 49 seconds to almost fifteen minutes, the 27 pieces collected share the distinction of sounding thoroughly composed and yet instantaneously sculpted (as they are) at the same time. There is a precision to her playing which brings out every note, fixes it and makes it sit there on the musical canvas, even as the figures…
Catenary Oath
**300 copies** NoBusiness Records delivers the latest Anthony Coleman solo piano album recorded on February 14th 2018 at Jordan Hall, Boston by Jeremy Sarna. Coleman is an avant-garde jazz pianist; during the 1980s and 1990s he worked with John Zorn on Cobra, Kristallnacht, The Big Gundown, Archery, and Spillane and helped push modern Jewish music into the 21st century.Recording session produced by Ted Reichman. Music by Anthony Coleman, except Something To Live For by Billy Strayhorn, Just Frie…
Su Mimmi non si spara!
The music of Italian cellist Francesco Guerri obliterates the line between contemporary classical music and free improvisation, sculpting spontaneous invention into startling, unpredictable compositions.On his striking third album, Su Mimmi non si spara!, Guerri presents a dozen innovative pieces that span a wide range of stylistic approaches and technical challenges, invigorated by the physicality of his virtuosic playing and the deep emotional bond he maintains with his instrument. Su Mimmi no…
St( )ma
Outstanding freeform blow-out by Free jazz percussionist, experimental composer, and all-round awesome dude Cristiano Calcagnile. The album features Calcagnile’s technically-brilliant drumming accompanied by a menagerie of found objects, glockenspiel, aerophone instruments and electrified metal sheet. The resultant is utterly unique. A vibrant album that blazes a trail of rhythmic intensity taking in many styles on his journey, also incorporating combustible electronics and effects in complex bu…
Odyssey
**A labor of love, this marvelous self-produced six-disc set collects trumpeter Bill Dixon's previously unreleased solo recordings since the 1970s.** 2001 release. Odyssey is the definitive compendium of solo trumpet music by Bill Dixon, as compiled by the artist. Dixon (1925-2010) was known primarily for his small and large ensemble masterpieces of the decades between Intents and Purposes (1967) and Tapestries (2009). While he appeared infrequently in solo performances, he was continually evolv…
Lot 74 Solo Improvisations
Reissue of Derek Bailey's 2nd Incus LP from 1974, fully remastered to bring Derek Bailey's uniquely personal improvisation style clearly into the 21st century. "In 1974, when Derek Bailey was planning his second solo LP on Incus, he decided to include a side-long solo using his stereo electro-acoustic set-up. Unfortunately, he never seemed to have a 20-minute stretch of time free of interruptions in his home, so he asked if he could record it at my place. After a fairly lengthy drive across Lond…
Hydro
300 copies. Devoting most of his time to performing with various international groups, Liudas Mockunas is hailed as an ambassador of Lithuanian jazz. He is a multi-reeds player and composer, whose name stands for masterly performance and intriguing compositions. His 'natural' idiom is an explosive mixture of free jazz, lyricism and expressionism combined with highly unconventional performance techniques. His in-depth exploration of the properties of sound and possibilities of harmonic series lea…
Sensor
Joe Morris is primarily known as a guitar player, but he's equally good on bass, with a somewhat different approach. He started playing double bass in the year 2000 only, and this album celebrates his 10th anniversary on the instrument.  Other Joe Morris albums on which he plays bass as the leader are "Wildlife", "High Definition",  or as co-leader with "The Flow" or "The Story Of Mankind", and playing bass with other artists such as Jim Hobbs, Steve Lantner, Petr Cancura, Rob Brown and Whit Dic…
10.11.12
300 copies. All compositions by Howard Riley (PRS / MCPS), except “Lush Life” by Billy Strayhorn. Recorded live at VDU Jazz Festival Kaunas on the 10th November, 2012 by Areas Zujus. "Brilliant work from pianist Howard Riley – the British modernist who's been making amazing music for decades, but often through very obscure records like this! Riley's got this sense of balance, tone, and timing that sits justly in a legacy that starts with Herbie Nichols and runs up through Alexander Von Schlippen…
Etwa
Early alto & soprano saxophone solo Recorded in 2004 inside two french chapels. "There are no tricks here, first and foremost ; Bertrand Gauguet has simply developed a weird array of techniques for his alto and soprano, which he exploits via close-miking. There are seven untitled tracks in 42-minutes, each one relentlessly exploring a different technical area : the restrained breath noises of the opening track, the superb low-end growl of the fourth, the chasm-like whooshing of the third, or the…
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