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Recorded in one mystical night during Ramadan in 1982, The Night of Power (Laylatu'l Qadri) is a prophetic tapestry of politically and spiritually conscious poetry and revelatory home-studio electronic jazz.
Many artists achieve greatness but very few produce work that is so moving it's considered sacred. Whether you choose to call them hymns, psalms or spirituals, their songs are a healing force for troubled times. Jazzman's Spiritual Jazz series would not exist without the inspiration and leadership of the spiritual messiah that is John Coltrane. It can therefore only be right and proper that a whole album is dedicated to his legacy and lasting influence. Spiritual Jazz 15: A Tribute to 'Trane shi…
Tip! The word Asapani is part of the artistic vocabulary of Paolo "Batà" Bianconcini, percussionist of the La Scimmia Records collective, founding member of the Circolo Psiconautico and part of the Neapolitan bands Parbleu, Funkin' Machine and Nu Genea. This ancient-sounding term is a creation of the artist, who defines it as a word of nature, but also the (italian) acronym of Listen to the Silence, Listen to the Peace, Listen to the Inner Nothingness. More than a simple term, an exhortation. T…
Karma is Pharoah Sanders' third recording as a leader, and is among a number of spiritually themed albums the Impulse! Record label released in the late 1960s/early 1970s. Although it is followed by the brief "Colors", the album's main piece is the 32-minute-long "The Creator Has a Master Plan", co-composed by Sanders with vocalist Leon Thomas. Some see this piece as a kind of sequel to Sanders' mentor John Coltrane's legendary 1964 recording A Love Supreme (whose opening it echoes in a muscular…
Bomb! Khan Jamal doesn't need much introduction: Born Warren Robert Cheeseboro, he was a jazz vibraphone and marimba player from Philly. He founded the band Sounds of Liberation in 1970 with Byard Lancaster. In 1974, during one of his many trips to the old continent, he recorded this album in France at Jeff Gilson's Palm studio. It is a delicate game of lucid and intense contrasts between Christian Vander's drums provides a rock oriented touch, the marimba and the vibes with influences from the …
**333 copies, one-time pressing** Volume 11. 2 disc set documenting the Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - April 27, 1980. This is the eleventh and final concert that Tom Albach recorded at Immanuel United Church of Christ. Easily ranking as one of our favorite performances of the series, its also destined to be considered one of the greatest Arkestra live recordings, brimming with intense energy and culminating in the 1-2 punch of a blazing “Lelan…
** 333 copies, one-time pressing ** 2CD SET in gatefold slipcase 2 disc set documenting the Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - November 25, 1979. This is the eighth in a series of eleven concerts recorded at the church. This month sees the Arkestra stretching out and reaching blissful heights… the 30+ minute long version of “Carnival” is worth the price of admission alone, but the same could be said for the monumental “Nation Rising” or the deep ta…
*200 copies limited edition* Volume 2 is the long awaited followup from the all-star Chicago trio of Quin Kirchner, Daniel Van Duerm & Matthew Lux. Although it's been three years since their debut, Volume 1, KVL has continued to hone their brand of call-it-whatever-you-want jazz, keeping many of the same meditative and ambient qualities as their previous album, but expressed in new and different ways - Van Duerm's repetitive and winding organ lines on "Absent Crash," Kirchner's steady & insisten…
This bundle includes coloured versions of the two following albums from Cinedelic's Orient Series:- Masahiko Togashi, Isao Suzuki "A Day of the Sun" LP, 1979- Takeshi Inomata & Sound Limited "Innocent Canon" LP, 1971Masahiko Togashi, Isao Suzuki "A Day of the Sun"A spiritual jazz masterpiece full of poetry by two geniuses of the Japanese musical scene. Masahiko Togashi and Isao Suzuki, pivotal figures in jazz with a unique talent and sensitivity that transcends conventional jazz forms and styles…
** Coloured Vinyl edition ** A spiritual jazz masterpiece full of poetry by two geniuses of the Japanese musical scene. Masahiko Togashi and Isao Suzuki, pivotal figures in jazz with a unique talent and sensitivity that transcends conventional jazz forms and styles. In addition to being skilled performers they demonstrate extraordinary compositional talent that transcends their sensibilities and wisdom of more conventional jazz.
They are together a wonderful combination of techniques, but witho…
Big Tip! Known for her contributions to the Black Arts Movement of the 1970s, Sarah Webster Fabio published a plethora of poetry collections and works of cultural criticism. Together to the Tune of John Coltrane’s “Equinox” is her fourth and final record for Folkways, and sees her vivid language and distinctive voice becoming enmeshed with a dynamic backdrop of exploratory jazz. Fabio pays homage to Black jazz and blues musicians Duke Ellington, Bessie Smith, Billie Holiday, and John Coltrane. F…
Big Tip! Jujus/Alchemy of the Blues is Sarah Webster Fabio’s third album for Folkways. Funky riffs and jazz arrangements written and performed by her children and their band Don’t Fight the Feeling underpin Fabio’s poetry, giving her words gravity. "I feel that these [poems] represent the epitome of my experimenting with the integration of music and poetry in a Black idiom taken from the rich source of inspiration welling from the Black experience here in America,” explains Fabio in the album’s …
* Deluxe vinyl reissue mastered from the original analogue master tapes pressed on heavy-weight 180 gram vinyl at The Vinyl Factory in the UK. Faithfully reconstructed and restored artwork on a heavy-weight matte card and wrapped in the signature Arc Records bellyband. Includes a full-colour 4-page insert with brand new sleeve-notes featuring words from Charles Tolliver & Gary Bartz * Arc Records are overjoyed to reissue pioneering jazz drummer Max Roach’s legendary 1968 album Members Don’t Git …
*2024 reissue* Transversales Disques proudly presents Rahsaan Roland Kirk - Live in Paris (1970). Gifted multi-instrumentalist Rahsaan Roland Kirk at the height of his powers, backed by his Vibration Society, including long-term cohorts pianist Ron Burton, powerhouse percussionist Joe Habao Texidor, Dick Griffin on trombone, drummer Jerome Cooper and Vernon Martin on Double Bass. First ever official reissue of this rare ORTF recording performed live at studio 104, Maison de la Radio Paris, with …
*Limited Edition* Experience the musical journey of Japanese trumpeter Terumasa Hino in this 1970 recording from his early New York trip. With a sextet, including Reggie Workman on bass, Hino explores two expansive tracks, "Gongen" and "Peace & Love," revealing a post-Coltrane spiritual exploration. Taking more musical risks than before, Hino showcases a shift towards a future-oriented jazz approach for the 70s.
Carried by a blast of pure joy comes Black Sweat’s latest LP, the self-titled debut by the mysterious Milan based ensemble Fusione. Channeling free and spiritual jazz, funk, and a globally minded ear, all carried by heavy dose of druggy psychedelic experimentalism, it’s one of the most exciting sonic journeys that we’ve taken all year.
*Limited Edition* Japanese trumpeter Terumasa Hino delivers an exceptional moment in this early '70s session recorded in America, featuring the brilliant contributions of Gary Bartz on alto saxophone and Reggie Workman on bass. Unlike Hino's later fusion-based American dates, this album embodies a sublimely spiritual style with extended tracks that echo the energy of Bartz's early works. The music, much like Bartz's, stretches out without veering too far into avant-garde territory, maintaining a…
*2023 stock* Takehiro Honda joins forces with Reggie Workman on bass and Motohiko Hino on drums in this outstanding trio session. The album showcases a freer side of Honda, exploring open and lyrical modes that were gaining prominence in Japan during that period. Despite the freedom, a strong rhythmic sense prevails. While one track features Honda on electric piano, the acoustic numbers stand out with a proud and righteous energy.