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Princess Mononoke (1997) is set in a mythic late-medieval Japan of iron foundries and forest gods. The young prince Ashitaka, cursed while killing a boar god maddened by hatred, travels west and finds himself caught between the people stripping the forest and the wolf-raised girl San who defends it, a story Hayao Miyazaki refuses to resolve into simple sides. Joe Hisaishi's music met that scale with his grandest and grimmest writing for Miyazaki to that point.
The film score, recorded with the T…
2026 Stock. Kiki's Delivery Service (1989), drawn from Eiko Kadono's children's novel, follows a thirteen-year-old witch who leaves home on the night of a full moon, settles in a European-looking seaside town with her cat Jiji, and turns the one thing she can do, fly, into a delivery business. It was the first Studio Ghibli film given an official release in the United States, carrying Hayao Miyazaki's unforced storytelling to an audience that had seen little like it.
The score is by Joe Hisaishi…
The first time on any format for Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen. Three weeks before the scandalous release of "Salò, or The 120 Days Of Sodom", Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote 'Addio a Pier Paolo Pasolini' (Goodbye to Pier Pa…
Quartet Records, in collaboration with Cinevox, presents the premiere CD edition of the cult score composed by Daniele Patucchi (Los Amigos, Eutanasia D’un Amore, Pane E Cioccolata) for the obscure mondo-slasher shockumentary Dimensione Violenza (1985), directed by Mario Morra, about death, destruction and weird customs around the world.
During the 1980s, mondo movies were given a new lease on life by the emerging VHS market which allowed filmmakers to be even more gruesome. Although mondo movie…
Waxwork Records, in partnership with Back Lot Music, presents Obsession Original Motion Picture Soundtrack by Rock Burwell. Obsession follows a hopeless romantic that finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price.
“A big focus while composing Obsession was the idea of exploring the uncanny valley, finding the space where emotions get warped into something disorienting, where you’re no longer sure what’s real" Burwell notes. "C…
"Watching a movie by Tati is a surprising experience; in his films, sound and music speak more than do words, overtaking the conventional discourse – and boredom – of adulthood. Hulot remains silent, or mumbles. Tati knows all about the noises of the modern world: beeps, rings, crackles, pneumatic drill, cars, mechanical, electrical and rubbery sounds, the high heels of secretaries and typewriters, factory noises, creaking doors, sighing chairs, machines and technical machines, franglais, vacuum…
On Il ras del quartiere, Goblin reroute their horror‑prog DNA into neon‑lit funk and sleek electronics, rescuing a cult 1983 Vanzina film from VHS purgatory with a newly remixed, visually lavish edition that finally gives these four pieces their own stage.
Big Tip! LP, 140-gram black vinyl, limited edition of 300. The film belongs to the golden run of the Italian poliziottesco, folding crime, political intrigue and social criticism into a cynical portrait of corruption and institutional power set against the unrest of the Years of Lead. Luis Bacalov, who would later win an Academy Award for Il Postino and whose Django theme is part of the western canon, answered it with one of the most distinctive scores of his prolific career.
Moving easily betw…
The premiere vinyl release of Giovanni Fusco's 1968 score for Ugo Liberatore's Il Sesso degli Angeli, prepared in full stereo as it was meant to appear in 1968 but never did.
Mariachi parodies, experimental jazz, lounge cues for party scenes, and a main theme that returns in five different versions. Composed in 1972 for Duccio Tessari's aviation comedy, the score to Forza "G" is one of the least visited corners of Ennio Morricone's busiest year, and now arrives on vinyl for the first time, as part of Cinevox's new Hidden Gems series.
Quartet Records presents its fifth newly recorded release of a classic film score, and its third devoted to the music of John Barry, following Séance on a Wet Afternoon and the three television films starring Katharine Hepburn. The unforgettable music of this five-time Oscar-winning composer continues to be celebrated around the world, and the impact of his innovative scores for dozens of films from the 1960s through the ’90s still reverberates today. The Ipcress File, directed by Sidney J. Furi…
*100 copies limited edition* A driving Italian soundtrack from the height of the cop/crime years – done with really full arrangements by Franco Micalizzi, in a way that easily rivals some of the best American work of the genre in the 70s! This score from 1976 (here reissued on wax) features an amazing band, spacey grooves, some jazz atmospheres, timeless brass-crescendos, the charm of '70s funk and the untameable talent of the maestro! Most of the orchestrations are quite bold – upbeat rhythms w…
On Coffy, Roy Ayers turns Pam Grier’s 1973 vigilante flick into a vibraphone‑driven fever dream, fusing slinky funk, string‑soaked soul and jazz finesse into a soundtrack that’s as deadly on its own as any of the film’s set‑pieces.
On Heavy Soul Dance Party, Saint Tropez Orchestra boil their library‑funk fantasies down to pure floor business: 11 cuts of raw, four‑track psych‑soul and break-heavy grooves that sound like they’ve been beamed straight from a 1972 basement to your local sound system.
On Thèmes et Atmosphères Volume Two, Saint Tropez Orchestra turbo‑charges its fake‑soundtrack brief into a sweat‑slicked library‑funk fantasia: breaks, bass and Hammond‑driven strut custom‑built for crate‑diggers, b‑boys and imaginary 1970s spy reels.
White vinyl edition. Gatefold cover with extensive liner notes. A prog band that topped the Italian singles chart. A horror soundtrack that sold over a million copies and sat in the charts for a full year. A group of Roman session musicians who, almost by accident, invented a new language for cinema. Goblin's story is full of contradictions, and the 7-inch single - that most concise, most commercial of formats - turns out to be the sharpest lens through which to view them all.
The Singles Collec…
Pearly light blue vinyl edition. 30x30cm insert with extensive liner notes. An origin story, pressed in wax. Before Profondo Rosso. Before Suspiria. Before the name Goblin became synonymous with the sound of Italian horror cinema. There was this.
Amore Libero - Free Love is the first film score ever composed by Fabio Frizzi - written in 1974 when he was just twenty-three, for Pier Ludovico Pavoni's sun-drenched erotic drama of the same name, shot entirely on location in the Seychelles. The film …
Reissue of the OST by Luciano Michelini for the dramatic film Anna, quel particolare piacere (aka Anna: The Pleasure, the Torment and Secrets of a Call Girl), directed in 1973 by Giuliano Carmineo with screenplay by Sauro Scavolini, Francesco Miliazia, and Ernesto Gastaldi, photography by Marcello Masciocchi, editing by Eugenio Alabiso, music by Luciano Michelini, production by Dania CC Champion, distribution by Interfilm, and starring Edwige Fenech, Corrado Pani, Richard Conte, Antonio Casale, …
Quartet Records, in collaboration with GDM and EMI General Music, presents a reissue of Ennio Morricone’s iconic album Colori, celebrating its 55th anniversary. In the summer of 1971, Morricone entered the legendary Orthophonic Studios in Rome alongside his longtime collaborators Bruno Nicolai, Alessandro Alessandroni and Edda Dell’Orso, and recorded a selection of ten tracks drawn from some of his recent film scores, many of which had not yet been released. He remixed some cues and re-recorded …