We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Joe Colley as Crawl Unit: sound events composed and constructed in Sacramento between January and July 1997, with one track recorded live at Sound Culture 96 in San Francisco. Original Povertech Industries CD in digipak.
Thirteen pieces from Eric Lunde's first decade, 1983-1991, from cassettes, 7-inches and live tapes, assembled by Joe Colley for his Povertech Industries in 1997. Original CD in digipak with booklet.
Compressed Happiness pairs Eiko Ishibashi with the Japanese noise project K2 across two pieces, Cold Pastoral and Sweet Paranoia's Heaven Version 3. Limited edition CD on Phage Tapes, 2014.
*200 copies limited edition* This year’s Aube tribute release from advaita records is Entangle Spirant, originally released in 1995 by Drahtfunk-Products. Using only steel wire as its sound source, this unique noise—in which various friction sounds i…
The Merzbow 108 CD Box turns Merzbow’s vast archive into a monument of productive excess: 108 discs spanning lost albums, alternate mixes, outtakes, rehearsals and recent work, assembled by Slowdown Records across nearly a decade. Its Buddhist number…
Cyess Afxzs presents Poetland, a raw and immersive album exploring the unstable territories of **noise, experimental music, and tape manipulation. Built from distorted textures, fragments, feedback, and degraded sound, Poetland turns the cassette med…
The sounds on Ile-Ife are made with tapes, mixer, feedback, and curiosity. Working with the physical qualities of recorded media and the unpredictable behavior of electronic feedback, Piercing creates a tactile and exploratory sound world in which te…
On Avian Hydraulics, Merzbow compresses four decades of noise praxis into a rarefied 10". A liquid-filled, rainbow-variant disc mirrors the music’s churning pressure: Masami Akita’s latest Munemihouse recording converts imagined bird-machines and flu…
Urashima gathers Merzbow's complete nine-volume cycle in a single box, in an edition of 199: 26 tracks filtering noise through the Japan of haiku and ukiyo-e. Nine vinyl-replica CDs and two Leporello inserts on fine Japanese paper. Noise as contempla…
Emil Beaulieau, the persona of RRRecords founder Ron Lessard and America's Greatest Living Noise Artist, on a 7" lathe cut: two untitled sides of turntable abuse and recycled sound, thirty numbered copies on black, clear and white vinyl.
*10 copies limited edition* Made as an act of mindfulness, Linear Contact emerges as JCKSN’s debut foray into the genre of ‘harsh noise’. Across these four tracks, the erratic sound of household clatter paired with bit crushed field recordings, resid…
*100 copies limited edition* Originally released in 1986, Folk Music stands as one of the most uncompromising statements to emerge from the Japanese industrial underground. Created by Jun Konagaya after the dissolution of White Hospital, the album ma…
** 2026 Stock ** If Laptop Noise looks forward into the blinding glare of the digital, Tapestry of Noise looks outward and backward, unspooling an expansive grid of analogue and hybrid recordings that show how Merzbow’s classic language was woven to…
** 2026 Stock ** Laptop Noise zeroes in on the period where Merzbow’s long‑running practice of junk‑metal abuse, feedback and tape saturation is rechannelled through the seemingly modest frame of a computer. Across six discs, this edition amplifies t…
"The curtains are drawn back, the sheets are pulled up over your face, the tape is fizzing out - you hear a familiar voice, a beeping, a chirping, a long hallway voice of lights - damn, feels like a breeze over marble headstones and you recognize wha…
With Antibes, The New Blockaders compress twelve years of activity into a fiercely curated 4CD set, 100 copies only, each hand‑signed and uniquely defaced. It plays like a late‑period labyrinth: alternates, rarities, and lost shards arranged as a sin…
On Succès De Scandale, The New Blockaders exhume and reframe their own history, collaging a feral 1984 Morden Tower performance with later materials into a single, rust‑coloured slab of anti‑music that feels like the group’s original sabotage reactiv…