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On Tropos of Entropy, MNEM pushes Finnish experimental noise into a slow implosion: corroded tape loops, collapsing pressure systems and unstable, cosmic atmospheres sketch a world where structure erodes in real time yet focus never wavers.
The Christmas Factory was a live piece performed by MJE during November 21 - 23, 2025. Contained here are three preliminary tracks or movements followed by an in-studio rehearsal. During each iteration of the performance, the preliminary tracks were ordered in accordance with a system of chance procedure, with additional room for improvisation using the equipment listed below.
Here's some new material for you as promised. Please have a listen if you like, and let me know what you think. Much of this was recorded live-in-studio, there's less cut-and-paste going on than there was on Perverted Architect -- although there is some still, especially on tracks 2 and 4.
The recordings at the beginning of tracks 1 and 4 were recorded at an emergency clinic around 2am last summer, of a drunk man who had been beaten up but was being turned away without being seen by a doctor. Yo…
A three way sound clash between some of Pittsburgh's finest current noise artists. Each artist brings a solo slice of noise, finished off with a collab track. Blending blown out harsh noise, fast paced cut ups and piercing electroncs. Inside collage by Ken Geiger.
“Music To Listen To Other Tapes By” is the essential work of clip art noise and american xerox prodigy Croiners AKA James Levine, originally self-distributed as part of the 1980s cassette culture underground and often regarded as a highlight of that era.
Muzak and industrial assemblages are processed via tape loops, samplers, and an adoption of now-archaic MIDI hardware, being one of the originating noise acts to utilize the digital technology in their live performances. Said gigs were riotous, …
Heppakirjat is a fairly new Finnish noise project with a handful of self-released tapes and split cassettes circulating. Satatuhatta is now extremely proud to present the debut LP, Dust Of This World. The album is simply beautiful, poetic in tone and spirit. It’s filled with rural textures, hissing and minimal tape sounds, a hint of spirituality, and an insightful musical touch, all carefully thought out in composition.
H.Ö.H. returns to Satatuhatta with Pimeä Alue, a 20-minute mini-album of some of the harshest material yet. Over-the-top crude ferro sound, shattered mixer feedback, and recycled tape abuse for the signature H.Ö.H. sound on CD!
Psychic Mud Wrestling is the second release of Nick Forte’s Flamingo Base Jumpers project, diving even deeper into textured raw noise, heavy tape mangling, and the use of crude, destroyed samples that shake hands with dreamlike, hazy exotica and warped American nostalgia.
Warlord is the latest full-length album from Kjostad, the follow up to last year's Extinctionist released on Chondritic Sound. This is the evolution of Kjostad's approach in every aspect, an attempt to distill 7 years of development into the project's finest work yet. The place-based field recordings are more intimate. The environmental explorations are more harrowing. Hissing tape loops collide with pulsing electronics. The noise clatters, clangs, and grinds across six tracks that investigate a…
Master Grave Services proudly announces the release of its debut album, "Mausoleum," a sonic collaboration between acclaimed experimental artists J.D. Evans (Confounder) and K. Geiger (Dead Door Unit). This highly anticipated CD offers a unique blend of avant-garde soundscapes, enriched by special guest appearances from noise legends John Olson and Joe Roemer. "Mausoleum" marks the first full-length release from Master Grave Services, merging the visceral sound manipulations of Evans and Geiger …
Years in the making, the first full length album by Piercing follows releases on notable labels such as No Rent and Detachment Programs.
Output by this project has been somewhat limited and selective due to it's time consuming nature and nitpicky process of preparing loops derived from specific source sounds, which are then painstakingly shaped into melancholy and melodic tape degraded noise compositions that strive to put the listener in a palpably surreal or transcendent atmosphere. All of the…
There's a slow dreamlike flow to this album. Broken sounds emanating out of nowhere, slithering along to a pulse of their own on a course set for utter depletion. The wild shifts, the timbre and textures will be familiar to anyone who's followed his output, but this is still something else. A restrained, somnambulant and perhaps even heartfelt piece of work.
Renowned for some beautiful guitar work, as Translucent Envelope, Portland based artist Bob Desaulniers explores the more abstract side of sound managing to hold together a sparkling synthesis of agitation and precision, detail and roughness, perfecting a formula that has already been leading phenomenal releases out on Chocolate Monk, among others.
Tip! Mold is back, now on vinyl! This collaboration between two modern masters of tape noise unites their forces in a live recording session, resulting in their most uncompromising and relentless harsh noise album to date. Primal, saturated textures collide with howling, strangled feedback from dying microphones, creating a whirlwind of harsh, broken, and distorted micro-universe crackling with short circuits. It feels as though the tape itself is melting under the weight of intense, overdriven …