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Huge Tip! **300 copies, comes with a printed insert** Back in 2021, we bore witness to the reissue, by Dialogo, of the Rome based ensemble Spirale’s lone 1974 self-titled LP, a towering obscurity of 1970s Italian jazz. Made of up Gaetano Delfini (wind instruments, vocals, percussion), Giancarlo Maurino (saxophone, flute, percussion), Corrado Nofri (piano, marimba, mbira, siren, Jew’s harp), Giuseppe Caporello (contrabass, guitar, percussion) and Giampaolo Ascolese (drums), the band ranks among t…
Digipack CD. The second LP in Black Sweat’s latest batch, ‘I Tarantolati’ the first outing of Antonio Infantino with his band, Il Gruppo Di Tricarico, while very different in its musical approach, belongs to the same wild ferment around Folk Studio in Rome, and was issued by the Folkstudio label the year prior in 1975.
Antonio Infantino was poet and singer, who operated in circles connected to Beat literature and Italian performance and gestural music circles, alongside figures like Sylvano Buss…
Huge Tip! Since the 1970s Mario De Leo works as a musician and visual artist. His mechanical paintings are hybrid works that reveal the cosmic spiritualism hidden in the meanders of electronics. With Riccardo Sinigaglia (Futuro Antico, Correnti Magnetiche, Doubling Riders) De Leo consolidates an artistic and human partnership with Lettera Cosmica, a work unpublished to date, produced and recorded in 1981. In a wacky electronic vision of the succession of time, the tracks trace the four seasons i…
2022 Repress Very often, the greatest artists just don’t fit. They stand out there on their own, and fall in strange, unexpected zones, often occupied only by themselves. This is was certainly the case for the American harpist, Gail Laughton, who’s lone, the 1969 LP, Harps of the Ancient Temples - long championed and hunted by record collectors - is finally receiving the vinyl reissue treatment after roughly a half century out of print. A truly stunning and visionary piece of work with almost no…
* Limited LP version. Brazilian Reissue* Reissue, originally released in 1983. O Mistério dos Quintais was released originally in 1983 via some sort of crowdfunding, before the term itself and even the existence of internet. Supporters who invested in the project had their names in the acknowledgements on the first edition insert. Stemming from a great legacy of poetry, Quintal de Clorofila was a duo from the south of Brazil composed by two musician brothers, Dimitri and Negendre Arbo, who turne…
Niagara's third LP Afire is the rarest one from kraut drummer, formerly of Sunbirds, Klaus Weiss' band. An astonishing album which returns to the minimal sounds based on percussion and rhythm of their first album, yet retaining a feel of harmony all through it - this time not provided by the brass instruments that had been added in S.U.B., but though to the high emphasis put on combining a variety of drums each tuned to their perfect pitch, and the contribution of Embryo's bass player Dave King.…
Tip! Melodi is the second album from captivating duo Kit Sebastian (aka Kit Martin and Merve Erdem). Those familiar with the band's cult classic 2019 debut record 'Mantra Moderne' will instantly recognise their unique sound that blurs boundaries of world music, jazz and psychedelia. Not to be content replicating the same album, sonically the feel of ‘Melodi’ is a maturation. It is more diverse and provides glimpses into many different worlds from the Italian Riviera to the mountains of the Cauca…
Ebalunga!!! presents a new bomb for all lovers of old rare music! First reissue of the second and last album by legendary Soviet Kazakh "Vocal and Instrumental Ensemble" licensed directly from the band’s leader Murat Kusainov. Restored original artwork and old-stylish vinyl.
The album was recorded in 1982, released in 1983 and re-released in 2019! For now, this is one of the most wanted and important records of the Old Soviet Rock scene. Ten finest songs with shining melodies, rich arrangements,…
Compilation Concept Licensed from Grey Past Records. Finally back on Vinyl! This is one of the most anticipated as well as unexpected compilations from the global depths of 60s and 70s rock’n’roll: The Persian scene. Let alone coming across with a representative compilation, even solid evidences of such a scene has not been seen until now and has been largely suspected, maybe save for a select few of eager garage and psychedelic record collectors and enthusiasts of worldwide rock, who have been …