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The 1st release by Third Ear Band from the UK. Shorter tracks than found on later albums, the band here makes excursions into improvised chamber music. Guitar meets recorder and violin in a disharmonic free jazz summit that fades away before building into a trancy mini-crescendo. Reissued with a pasted gatefold hardboard sleeve.
The Peel Session is a collection of recordings by Syd Barrett. The album contains the five songs he performed for the John Peel Top Gear show, recorded on 24 February 1970 and broadcast shortly after.
»Carpet Of Fallen Leaves« is an introduction to the folk-pop world of Eddie Marcon. It follows in the footsteps of other collections of Japanese artists on Morr Music, such as yumbo, Andersens, and the »Minna Miteru« compilations. »Carpet Of Fallen Leaves« draws together songs from Eddie Marcon’s twenty-two-year history, including fragile, yet rich in melody material, collected from a prodigious run of limited edition, self-released CD-Rs.
Eddie Marcon is the project of Eddie Corman and Jules Ma…
*2025 stock. LP miniature* A road paving, agency grabbing, '69 girl group garage band trip! Nashville, 1966: five young girls teach themselves their instruments playing along to the radio. Initially named 'The Pivots' and by the end of '67 christened as The Feminine Complex, they were playing out and developing a local following including radio and television appearances. They created their own versions of popular songs, a style that reflected their need to express their own experience of girlho…
*2025 stock. LP miniature* "A black-magical Devendra Banhart in a different time/place long before this freakfolk thing hit, the English bard Simon Finn released Pass The Distance, a sprawling, fractured, dense brew of dark acid-folk... The album’s centerpiece is “Jerusalem”, a six-minute, shiver-inducing crucifixion-of-Jesus exorcism that anticipates Current 93 as well as a bevy of lesser apocalyptic folkies. By its ecstatic, organ smashed final strains, you can’t but help imagining Finn sweaty…
This recorded autobiography of Catherine Howe, age 20, briefly appeared in 1971. Too young for memoirs, most artists have barely established any sort of musical competence by the age of legal adulthood, let alone compositions matching the maturity and complexity of Howe's. What A Beautiful Place, however, is a prodigious effort wrought from the melancholy ruminations of post-adolescence. The album's twelve songs unfold like a classic bildungsroman, beginning in the smoke-stained industrial count…
One of truly iconic figures in the Japanese alternative rock scene ever! Originally released in 1973 this was Magical Power Maco’s highly visionary debut album. An eccentric mix of psyche, folk, kraut elements wisely filtered with Oriental sensibility.
2024 limited restock, last-ever copies. "Yodeling Astrologer (aka: Color By The Number) could be considered an anomaly, a one-off or a miracle of circumstance in the history of psychedelic pop music. Mij, a.k.a. Jim Holmberg was discovered by ESP-Disk owners while playing in Washington Square Park in the summer of 1968. His style and persona mesmerized the label heads, and he explained to them a recent auto accident had fractured his skull but left him changed. He perceived sound, color and visi…
Deluxe 180gr edition. Lee Hazlewood's second album for MGM had something of a split personality, though both sides were an accurate depiction of various sides of his musical mind. Released in 1967, Lee Hazlewoodism: Its Cause and Cure opens with five story-songs, most of which are dramatic narratives in which Hazlewood speaks rather than sings, approaching his recitations with all the seriousness he can muster, while Billy Strange's arrangements provide elaborate but understated accompaniment. E…
Turning their gaze to the buoyant culture of wyrd, modernist German folk music, Quindi welcome a spectacularly idiosyncratic offering from Johannes Schebler, aka Baldruin. Bewildering narrative twists, high drama and intricate delicacy make Mosaike der Imagination an engrossing listen from the outset, as baroque atmospheres and tumbledown drums intertwine with tactile string plucks and needlepoint synthesis in an authoritative bridging of ancient and hypermodern sonic sensibilities. Schebler's c…
Debut standalone VHF LP by the Elkhorn duo of Drew Gardner and Jesse Sheppard, a tight set of six studio recordings in a variety of moods and featuring a lot of new sound textures. Elkhorn’s prolific stream of releases since 2016 has highlighted their mastery of sprawling long-form, acoustic-driven hypno-jams, with an emphasis on live performance (including on their collaboration with Pelt’s Mike Gangloff on the Shackamaxon Concert LP). The Red Valley is a more layered and composed-sounding set,…
Delicate and beautiful music from the combined forces of the recently ubiquitous East-Coast psychedelic combo Elkhorn and Pelt’s Mike Gangloff, laying down two epic raga-like performances captured on a 2022 collaborative tour. Gangloff - fresh from the triumph of his VHF solo fiddle LP “Evening Measures” - has found a distinct instrumental voice, blending drone music and trad influences in a way that really advances the tradition into new areas.
“East Dauphin Suite” builds patiently on the inter…
*Comes in a CD-sized papersleeve album replica (gatefold), with obi-strip and insert of notes mostly in Japanese..2024 stock* Second album released in 1968 by Pentangle, who with Fairport Convention led the British fark/trad scene, as a two-disc set containing a live performance at the Royal Festival Hall in June 1968 on disc 1 and a studio work on disc 2. Live performances and newly recorded songs, richly expressed through a high level of musicianship with elements of folk and jazz. Definitive …
*Comes in a CD-sized papersleeve album replica (gatefold), with obi-strip and insert of notes mostly in Japanese..2024 stock* Debut release from Pentangle, who with Fairport Convention led the British folk/trad scene and were introduced in Japan in 1968 as the standard-bearers of new rock. With two guitarists, Bert Jansch and John Renbourn, the band absorbed elements from jazz, and the vocals of Jackie Maxey added colour to the record. Definitive release in paper jacket, SHM-CD, 10 bonus tracks,…
*Comes in a CD-sized papersleeve album replica (gatefold), with obi-strip and insert of notes mostly in Japanese..2024 stock* Released in 1971, this was the fifth and final album on the Transatlantic label. Following on from the previous album, this album, with Bill Reeder as producer, aimed to break new ground by adding an American element to the traditional Pentangle style. The depth of Bert Jansch's and John Renbourn's guitar playing remains the same, and this is a good album that will appeal…
** LP version includes 12 page booklet with unpublished manuscripts, drawings, photographs, and sheet music of the songs from the album.** The first ever reissue of the work of American composer Dorothy Carter, master of the hammered dulcimer, zither, and other instruments of the hammer chord zither/psalterium family. A true musical vagabond, Dorothy was born in New York in 1935, though her spiritual pursuit of an expansive musical knowledge would take her to monasteries in Mexico, conservatorie…
2024 repress. Wewantsounds is delighted to announce the reissue of Omar Khorshid's highly sought after instrumental album 'Giant + Guitar' originally released in 1974 in Lebanon and recorded at Polysound Studio by famed Lebanese engineer Nabil Moumtaz. The album features Khorshid's unique electric guitar sound mixed with arabic melodies over superb psych arrangements. The album has been newly remastered and comes with the original 'Voice of Lebanon' artwork and a 2 page insert featuring liner no…
*2023 stock* "Big Jim Sullivan's rock'n'roll credentials go back as long as British Rock's family tree existed. Big Jim's career started in 1959 after meeting Marty Wilde in the 3'i's coffee bar. He's played on fifty nine number one UK hit singles, and his lengthy career included stints with Tom Jones and the James Last Orchestra. Naturally, his Sitar technique was far superior to virtually anyone elses in the western world (yes even Bill Plummers!), although he still is no Ravi Shankar of cours…
Multifaceted San Francisco psyche-delic band It’s A Beautiful Day drew on aspects of folk, classical, jazz and world music, their outstanding differences driven by the lead vocalist and violinist David LaFlamme, his keyboardist wife Linda, and harmony singer Patti Santos. This engaging compilation joins the anthem ‘White Bird’ and the spirited ‘Hot Summer Day’ with ‘Don And Dewey’ (based on ‘Wring That Neck’ by Deep Purple, who nicked one of their musical themes for the intro to ‘Child In Time’)…
Non-standard prog act Gryphon made their mark by incorporating abandoned instruments and ancient classical elements in their work, giving their self-titled 1973 debut outstanding differences to standard rock fare. With co-founder Richard Harvey on recorders, mandolin, harpsichord, and glockenspiel and Brian Gulland, on bassoon, crumhorns, and vocals, backed by guitarist Graeme Taylor and drummer/percussionist Dave Oberlé, GRYPHON expertly channelled contemporary English folk through forgotten me…