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Packaged in a mini LP sleeve with obi. "With Magma, Faust was one of the most important of all the European groups of the '70s. Compiled from 'lost' and unreleased material, originally released as Munich & Elsewhere on the 10th Anniversary of their disbandment (inc. prophetic pre-dub mixing) as well as most of the unreleased Faust Party 3 LP. Intense, eccentric, hypnotic, a true timeless classic." 180 gram vinyl.
(After the Manor House recordings in 1972)... then chaos: Faust splits: some of us …
Packaged in a mini LP sleeve with obi. Faust stand among the most influential creative forces to have emerged from Germany in the late '60s and early '70s. Along with Can, Agitation Free, Neu! and others, they rejected the Anglo-American norms of rock 'n' roll to start a back-to-basics and uniquely Teutonic revolution in sound – later dubbed by the UK press with the semi-derogatory term "krautrock." They would reach near-mythical status through a series of classic albums recorded between 1970 an…
Double CD. Comes in a gatefold mini LP replica with obi, folded Japanese liner and folded poster. Released in 1970 as a double album, “Yeti“ was a major achievement for Amon Düül II. In England they won over cult DJ John Peel as friend and supporter; for the readers of the German magazine “Musik Express“ the guys from Munich were the most popular underground band, and “Yeti“ was voted best album of the year. A double album on vinyl, Yeti consists of a set of structured songs and a second disc of…
Double CD. Packaged in a mini LP sleeve with obi. There aren't many double art-rock albums from the early '70s that have stood the test of time, but then again, there aren't many albums like Tanz, and there certainly aren't many groups like Amon Düül II. While exact agreement over which of their classic albums is the absolute standout may never be reached, in terms of ambition combined with good musicianship and good humor, the group's third album, is probably the best candidate still. The music…
Comes in mini LP replica with obi & Japanese insert. Originally released in 1969 by Liberty. Remastered and remixed at Neon Duell Studio, Munich. Amon (from the Egyptian sun god) Düül (a German-Turkish derivative of Moon) were a 60s student hippy commune based in Munich, in what was then West Germany. Among their various expressions of free living they occasionally performed rudimentary music where anything went, and being at all proficient was more of a hindrance than a way in to one of their p…
Packaged in a mini LP sleeve with obi, Japanese liner notes, 2-page insert with corrected track details and anti-static CD sleeve in a resealable clear plastic sleeve. Ohr present a reissue of Amon Düül's Paradieswärts Düül, originally released in 1971. In 1968, the Münchner Kommune, formed in 1967, had applied to Rolf-Ulrich Kaiser, the organizer of the Essen Songtage, for a gig there. When the Düüls arrived in Essen, already two bands of this name in the meantime, since three members had split…
** CD digipack, with 4 bonus tracks ** Since its founding during the mid-1990s, the Spanish imprint, Guerssen, has remained a defining force in the reissue market, excavating remarkable forgetting gems - many of which were originally issued by the artists themselves in tiny editions - from the histories of psychedelia, folk, experimental music, and beyond. With a catalog currently extending well into the multiple hundreds, it’s continuously startling how consistently they turn up gold from the m…
"An Ivan The Tolerable album is a journey that is visceral, expressionistic, and full of heady intentions."
"Going into an Ivan The Tolerable album it's best to expect the unexpected. His music swings and swerves from psychedelic flights of fancy to free jazz explorations to cosmic drone swirls, sometimes all in the same song. An Ivan The Tolerable album is a journey that is visceral, expressionistic, and full of heady intentions.
Time Is A Grave, the latest from Ivan The Tolerable (aka Oli Heff…
Lilac Angels was a German krautrock band active in the seventies. Made up of friends of NEU! and La Dusseldorf frontman Klaus Dinger, who also co-produced and their debut album, released on his record label 'Dingerland'. However, it was a relative commercial failure and Dinger had pressed three times as many copies as he meant to. Dinger became bankrupt and as a result founded La Dusseldorf in a last gasp attempt at succes. La D. got #3 on the German music charts for their debut single and Lilac…
** 500 copies. Limited 50th Anniversary Edition: embossed, reverse board, hand numbered, limited edition red vinyl ** On the red album, Conrad Schnitzler laid down the direction his musical artistry would take. The blue album (Blau) offered confirmation of his intent. Maybe the Rot and Blau tracks were recorded in the same session. The structure, sound, and timbre of both LPs are so similar as to suggest that this was the case. Far more important than this historical pedantry is the fact that Sc…
LP version. The 1960s weren't just about The Beatles, the Rolling Stones and hippies; they also ushered in new forms of art: happenings, Fluxus, Neo-Dada, video art, to name just a few. As borders blurred, pop influenced art and art influenced pop. Many protagonists of the time chose to ignore borders altogether. This chaotic, euphoric atmosphere of extreme innovation lasted well into the 1970s and continues to resonate today. All manner of trailblazers shaped the soundscape of the era. Conrad S…
My Solid Ground were a German progressive rock band active in the 1970s. This obscure krautrock album called “My Solid Ground” from 1971 has long been considered a classic of the genre. The first track, the 13-minute ‘Dirty Yellow Mist’, certainly lives up to its reputation as the group embark on a dark space rock journey. It sounds like a mixture of psychedelic rock and progressive rock. With lots of long keyboard tones, a crunchy guitar riff, some acid guitar sounds and distorted chanting as w…
Limited Anniversary Edition: 180g vinyl, hand numbered, 1000 copies. In 1974, Cluster entered the sugar era. This doesn't mean that they had finally arrived in their promised land, but they had simply moved from Berlin to the country, to a small place called Forst on the river Weser. Many a thing had changed for band members Moebius and Roedelius since Cluster II: They had moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set up their own studio an…
Reissue of this German rock classic album from 1971 by Hamburg quintet Alcatraz, coming with an additional track, recorded in 1972 at the Windrose Dumont studio in Hamburg. Alcatraz largely instrumental music was related to Miles Davis "In A Silent Way", early King Crimson and Soft Machine. Most successful was the 12 minutes "Simply Headphone Mind". The 13 minutes title track was a long improvisation with lots of fuzz guitar. According to Dag Erik Asbjornsen "Vampire State Building" is currently…
Ezra Feinberg’s third album Soft Power sees the composer-guitarist enlist an impressive array of fellow musicians including Mary Lattimore, David Moore (Bing & Ruth), Jefre Cantu-Ledesma, Robbie Lee and share the life affirming lead single ‘Future Sand’.
Defined by its abundance of melodies, repeating figures and ecstatic improvisations, Soft Power exudes an enlightened and transformative spirit to empower the listener. Feinberg, a practising psychoanalyst and former founding member of the San …
Grey-area reissue of Organisation's Tone Float, originally released in 1970. German rock band, Organisation, is often referred to as the prototype or predecessor of Kraftwerk -- the godfathers of electronic music. In fact, it was the first iteration of Kraftwerk and if the band had managed to overrule its record label, RCA, Tone Float would have been credited as such. But given that the album was to be released only in the United Kingdom, the label opted for the more Anglicized name, "Organisati…
"Live in Aston 1977" is a completely new lens through which we can see a unique band with a seemingly inexhaustible energy for live performance. It comes at a difficult time for Can; their recently released eighth studio album, 'Saw Delight', was was poorly received and although posterity has been kinder, the reviews at the time of release have been savage. One might expect the live performances of this period to reflect some of the criticism levelled at the album, that they were slowing down, p…
Jazz Rock ensemble from Munich led by German drummer Klaus Weiss and Austrian pianist Fritz Pauer and found in 1971. When Pauer presented Weiss some new songs, the two of them gathered Belgian guitarist Philip Catherine, Dutch flutist Ferdinand Povel and American drummer Jimmy Woode (R.I.P.) and formed Sunbirds. The recordings of their debut took place at the Union Studios in Munich on 24th August 1971. Weiss had good connections with various labels and the album was eventually released on MPS …
*2024 stock* Musical collective from Munich (Germany), founded in 1969 by Christian Burchard and Edgar Hofmann. Considered as one of the most important German jazz-rock bands during the 1970s. In 1981, Uve Müllrich and Michael Wehmeyer left Embryo to form "Embryo's Dissidenten" who soon became Dissidenten. Embryo have continued for over 50 years with Christian Burchard always in charge and an ever changing international cast of musicians including talents from North Africa, India, China, etc., a…
*2024 stock* After Uli Trepte had left the band, Guru Guru had one of their first gigs with Bruno Schaab on bass in the assembly hall of the Germania-Heim in Wiesbaden on November 4th, 1972. They played in front of about 200 to 300 people. The whole concert was recorded expertly and in stereo, with the consent of the band and the promoter, Robert Huth, by Muck Krieger, sharing a flat with Xhol (Caravan), a band they were friends with and which had just broken up. The equipment used - an Uher tap…