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Marcus Schmickler's music is designed for multi-channel sound projections and references German electronic music tradition, spectral music, experimentalism as well as 1990s club music. His artistic practice explores avant-garde trajectories in electronic music composition, formal systems, sonification and psychoacoustics. EMEGO 296 features two new major works from this audacious sound explorer.
Sky Dice / Mapping the Studio premiered at Donaueschinger Tage fur Neue Musik 10.20.2018 having being…
AC Hello has been practicing sound poetry for more than ten years, alone or accompanied by musicians. What plays out in their performed reading is a struggle between what is literally (the written text, worked to provide the reader with a textual and definitive object) which is very fact of living, and of which the body is the place.Melmac has been an instrumental group in perpetual motion for almost 20 years. His music accompanies the listener on a tormented and chimerical journey to the fronti…
Sergio Zevallos, a Peruvian artist based in Berlin, has been active since the 1980s, when he was a member of the Chaclacayo Group, one of the most radical artist collectives in Peru, dedicated to performance art. Since then, Zevallos has been interested in composing his own soundtracks, writing scores with invented notation, working with recitation of texts and recordings of people talking, elements that he later used as raw material for his compositions.
Zevallos' work has been developed in a m…
Bent Lorentzen is widely considered one of the key figures and pioneers of early Danish electronic music and he was one of a few classically trained composers seeking out the possibilities of the new technology in the 1960’s. Lorentzen composed a fairly large number of electronic works, – mainly in the 60's and 70'es. Furthermore, he developed a significant educational practice in and around electronic music, conducted workshops, taught at courses, and published articles in both national and int…
**350 copies** The world of Mireille Capelle is one of music and theatre. She has performed as a singer in numerous European opera houses, under the artistic direction of the foremost stage directors and conductors. She is member of the artistic board of HERMESensemble. Mireille Capelle has a particular affinity with contemporary music and art, characterized by many encounters with the most important contemporary composers. Blue Veil is a sonic architecture composed for the exhibition I Fortuny.…
I’d Rather Be Lucky Than Good is a new recording collaboration of Sam Ashley and Werner Durand. Sam Ashley’s mystic parables imbued with benevolent humor are drawn from a lifelong pursuit of a present-day shamanism. Werner Durand’s wind work on invented and traditional instruments stems from the minimalist tradition, routed through his unique study of obscure world musics. The two artists first met in Berlin in 1984 while Sam was touring Atalanta with Robert Ashley’s opera company, with whom he …
Double LP on black vinyl. Recorded between the release of Sand (1977) and Lost Secrets (1981), Symphonic Songs is a formerly unreleased work that chronicles the dynamic shift and development in experimental Swedish composer Ragnar Grippe’s canon. Following his seminal release Sand in 1977, Swedish experimental composer Ragnar Grippe worked on various art and performance commissions, often returning to Stockholm during the summer months to focus his efforts on his compositional practice. It was t…
** Edition of 300 copies on black vinyl, with recycled cardstock die-cut inner sleeve and three panel folded 12" by 12" printed insert inside an embossed cover ** The cycle of compositions collected under the title Plane/Talea reflect Alessandro Bosetti interest in vocal polyphonic music. They envision an “impossible choir” constructed through the sampling of thousands of fragments and pieces of voices, my own and those of others, and their recomposition into polyphonic garlands and textures. Th…
2021 restock. "Includes liner notes & archival photographs. 1970 was an important year in Eliane Radigue's musical life since it was the year just before she acquired her ARP 2500 synthesizer. Since 1967, she had been using the feedback as a material; feedback from two tape recorders reworked through intensive studio techniques: slowing down, alteration, superimposition, montage. In 1970, the last year she dedicated to feedback, several milestone pieces saw the light of day: Omnht, a wonderful s…
This release reissues Robert Rutman's Pogus Lp (P201-1) and includes an additional track. Rutman (b. 1930) has been building and performing on his homemade metallic instruments for many years. This recording features his buzz chime, steel cello, and bow chime, along with tabla, Tibetan horn, and Rutman's vocal chants. Rutman caresses the metal, drawing out eerie drones and overtones that buzz and trumpet. The music in turn can be as fragile as glass or reach the depths of resonance, as if one ha…