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*Edition of 200 copies* Les Levine is a naturalized American Irish artist, born October 6, 1935, in Dublin, Ireland. Known as a pioneer of video art and as a conceptual artist working with mass communication. In 1967, he won first prize for sculpture in the Canadian Sculpture Biennial. He designed the cover of the beat poets like John Giorno (founder of Giorno Poetry System). Levine was one of the first artists to work with video and television. His work was to become a precursor to the new gene…
Take a step back in time to 1951 with these 4 charming dramatizations. Their purpose is to offer guidance to grown-ups on how to have important conversations with children about sexuality, including masturbation, menstruation, the miracle of new life, and the wonders of marriage. With a playful and engaging tone, where the young ones are full of questions and the grown-ups are warm and understanding, it presents an idyllic world in which adults and children are wonderful.
*In process of stocking* Buckle up for some wild extraterrestrial tales on this tape! You'll hear from those who claim to have been whisked away by aliens in their shiny saucers. First up, we have the classic Betty Hill's Zeta Reticuli escapade, the OG of alien abduction stories. But wait, it gets better! We also have Elizabeth Klarer, who says she had a love affair with an extraterrestrial, resulting in a family of three. And more out of this world stories.
*2022 stock. Limited edition of 100 copies.* To start AMT and Tarab exchanged materials and objects. AMT exchanged a single sound sculpture for Tarab’s collection of small objects. This material exchange led to activity. AMT manually manipulated, Tarab also, but more often than not he placed the sculpture in situations and let them work on it. Once again exchanges took place, this time of audio material. Elements where then selected and arranged and further rearranged; some left untouched and so…
In 1978 Having Been Built on Sand was conceived as a vinyl edition and released by the Rüdiger Schöttle gallery in Munich with sleeve design by Weiner. The piece consists of eight untitled tracks. Lawrence Weiner, Tina Girouard, and Britta Le Va recite text with Dickie Landry’s woodwinds, all recorded in the natural reverb of Robert Rauschenberg’s studio, a former mission and chapel in Lower Manhattan. Layering Girouard in English, Le Va in German, and Weiner in English and German blocks of rela…
*2022 stock* Kurt Schwitters’ “Sonate in Urlauten” [Sonata in Primal Sounds] is the prototypical work at the border between speech and music. The concise title of the work alone forges a suggestive link between language material and the musical form of the sonata; the "Ursonate" almost proverbially stands for sound poetry. For Schwitters, who was actively involved in promoting his sound-poetical opus magnum, even as his own interpreter, it was difficult to imagine that his work could survive wit…
Two compositions conceived mainly from researches on the inaudible and the unspeakable, as part of a series devoted to the representation of infraliminary sound phenomenons of the reality, of everyday life.
"How does the present time, physically so unspecified, become so unique for us? " - Etienne Klein"During these past years, exploring my daily environment and also my archives, I have discovered a missing part of my listening : beyond the threshold of my hearing, or my measure. I was intereste…
*Limited edition of 300 copies*
During Spring 2015, Eamon Sprod and Eric La Casa spent one week to record on waste grounds, at the north east of Paris, and along the canal Ourcq. Spaces which are somehow both inside yet apart from the city; waiting spaces from which to listen to the threshold of the city.
I’d Rather Be Lucky Than Good is a new recording collaboration of Sam Ashley and Werner Durand. Sam Ashley’s mystic parables imbued with benevolent humor are drawn from a lifelong pursuit of a present-day shamanism. Werner Durand’s wind work on invented and traditional instruments stems from the minimalist tradition, routed through his unique study of obscure world musics. The two artists first met in Berlin in 1984 while Sam was touring Atalanta with Robert Ashley’s opera company, with whom he …
**Edition of 200** Here, Asha Sheshadri and Christian Mirande record together as Open Corner. Vocal accounts of mundane suburbia and human despondency by Asha, under a woven forest of pops and cracks and creaks courtesy of Christian. In a way the texts are reminiscent of Robert Ashley's Au Pair pieces -- from the second Atalanta CD (LCD 3303CD) -- overrun by the swamp of a broken dishwasher and a leaking wine fridge. Emotionally and sonically claustrophobic. A unique take on voice and sound: in-…
Smells Like Teen Spirit is premised in a haptic interrogation of each of the label's previous editions. Berlin-based and Mexico City-born multi-disciplinary artist Mario de Vega occupied the gallery space of Rumpsti Pumsti (Musik) for three consecutive days in October 2016 with a hitherto complete Tochnit Aleph catalog, sanding machine, hammer, and recording equipment. Conflating acts of "playing" with destruction, de Vega took to the recorded works and assorted media with his Spartan too…
Another crucial excavatio from the elusive The Balsam Flex legendary catalog is now available again thanks to Jan Van Toorn Slowscan imprint. Balsam Flex was a cassette label run by the artist Erik Vonna-Michell in the late 1970s and early 1980s, and evidence of a relatively overlooked moment when a number of London-based British poets were producing work that was influenced by performance art, conceptual art, sound art, text-sound composition, Fluxus, and situationism.
Publisher and poet …
First ever sound-edition by famous Swiss sculptor and conceptual artist Roman Signer (b.1938). Recorded 1982 in the River Steinach, St. Gallen, Switzerland. One-sided LP, transparent vinyl.
Over the past three decades, the Swiss artist Roman Signer has exhibited his work in hundreds of solo and group exhibitions and public performances around the world. For Signer, each work is an event, an experiment in which a force such as wind, water, gravity or fire transforms everyday things like umbrellas…
Site recordings from Berlin by audio explorer Peter Cusack, documenting evocative locations throughout the city based on an inquiry into Berlin resident's favorite sounds, with a booklet detailing the 31 recordings and the scope of the project. A beautifully realised sound homage to the city of Berlin, presenting its signature sounds, exquisitely recorded, in a carefully documented and evocatively designed package. There’s not a lot more to say; This does exactly what it says on the cover.
This 2CD is essentially a retrospective of Max Eastley's Installation work. As such, it updates and adds many new examples to the 1975 release 'New and Rediscovered Musical Instruments', which was released as a split LP with David Toop on Brian Eno's Obscure Records. This is Eastley's first solo CD. Of the 35 tracks, only the last 2 have any guests or 'playing' (the most virtuosic moment being George Lewis playing a grass blade). All the other pieces are either powered by the natural forces of w…
Double CD, comes with 12 page booklet. Britain's best-known sound poet is Bob Cobbing, but it's hard to come up with a list of other sound poets working in Britain in the '60s and '70s. It's equally difficult to think of any female sound poets working anywhere. Lily Greenham was Danish, but spent her childhood in Vienna. After several relocations across Europe, she settled in London in 1972 with her British husband (musician and poet Peter Greenham), where she lived until her death in 2001. Near…
*2025 stock* "My listening project (about controlled mechanical ventilation in new buildings) is multiple : it can function as a sound study, a sonic data bank, a CD of environments, and finally as a music. This CD isintended to be an object without distinctive function. This is precisely what interests me: the question of listening, at home. "
"As his installations have repeatedly demonstrated, Eric La Casa has a keen ear for those phenomena of regular (or less) occurrences whose musical chara…