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Sound Art /

Presto D-7
* 2-Sided hand cut 10" Mono lathe recording on lacquer with laser etching. Full color archival pigment print sleeve and insert. * Cutting Groove (gummy bears/swedish fish) tracks Lary 7 and Leif Elggren’s experiments with a 1940’s Presto lathe. As the cutting head carves their conversation into plastic discs; they meditate, over bottles of wine, on the multi-colored “gummy” strands gathering on the spinning platter. On the flipside, Leif Elggren recites an excerpt from his 2005 work “Geneaology”…
Related Ephemera
An album that aligns itself aesthetically with Nurse With Wound’s Soliloquy For Lilith, Philip Jeck’s more languid collages, and even some of Harry Bertoia’s sculptural atmospherics
Index (CD + Book)
* Matte laminated and embossed CD with insert card plus 32 page book featuring an in conversation between Marina Rosenfeld and Lawrence English, and archival photographs and other materials.  * For over two decades, New York-based artist and composer Marina Rosenfeld has pioneered a specific language for turntable music, based on an ever-expanding collection of dub plates she creates. The dubplate is a one-off, hand-cut record. Each dubplate can be made to contain any array of sounds decided on …
Beyond Enclosures
On his captivating new solo album, is an Ireland-based, Australian-born Robert Curgenven - highly regarded for his majestic, coruscating pipe organ through to feedback, immersive resonances via turntables and custom-made vinyl, as well as carefully detailed field recordings, experimental turntable techniques inter-woven with piano and extended pipe organ techniques with an enveloping, often ecstatic and mystic effect recalling resonances and sound intended as a physical field of perception.The 3…
ɅV – A Sound Writing Tool
ɅV (phonetic transcription for ‹of› or ‹off›) is a vinyl record consisting of spoken words, which can be used as a DJ-tool to compose artifical dialogues. It makes use of 32 monosyllabic words on each side recited by two synthetic voices which were collected from the website of the New York Times and the Politically Incorrect subforum of the messageboard 4chan, thus mirroring two opposing extremes of current online debate in the materiality of an LP. Mixing two copies of this record in a DJ-setu…
Temporal Shift / Irregular Flux
2 x 10“ Vinyl (incl. poster-booklet + risograph prints) 191 locked grooves* and 4 special tracks. Sonic and visual contributions by: Shabnam Azar, Juan Cano, Ali Chakav, Nicolas Epe, Tobias Grewenig, Pedro Ramirez, Random Supply, Sebastian Thewes, Dora Tomic.
Circular Movements
**50 copies, white marbled vinyl** Maulex (moniker of René Middelhede) tiny re-edition of his “Circular Movements” focused on alternative use of record players. "With this project, I have focused on alternative use of record players and the aesthetic errors that follow. The shape of the circle has been my compositional starting point. Musically, all the content on this record is produced by alternative use of record players, but without any use of vinyl records. In addition to the record players…
Cirkelmusik
**50 copies** Cirkelmuzik consists of two identical 12" records which contain 10 locked grooves on one side and embossed dots, with no grooves, on the other side. In each locked groove, scratches were etched by hand, creating more complex rhythms for each locked groove. To play back the dotted 'granular' side, adjust turntable weight and anti-skating. A steel needle is included so the records can be altered by the listener.
Tistre
Tistre is the first outcome of an experimentation with textile supports, made by Andrea Borghi in 2018, during a residency at Lottozero textile laboratories in Prato. Fabrics and yarns are the materials with which he creates discs the shape and size of a LP. He plays them with a prepared turntable, in order to exploit the reliefs of the weft and the warp as a surface from which to produce the sound with the use of special self-built styli and electronic treatments. Tistre follows the path taken …
Re/cycling Rectangle
Two short sides of sound collage from Tokyo's masterful sample artist Otomo Yoshihide. These pieces are made up of short sound samples of almost any instrument imaginable: saxophone blasts, cello strokes, short metallic chord bursts, single plucks of the guitar as well as the noises made by hand movements all set to a metronomic sampled drumbeat. Quite interesting, but not a fully realized work. If Otomo chooses to continue this process, it could potentially have wonderful results.
Minenhund
Music created through the use of old, modified, Lenco turntables, modified and manipulated in countless ways. But it has more in common with the anti-electronica of Pan Sonic or the early minimalism of Steve Reich, than to other experimental turntablists.
One plus one
The turntable has enjoyed a varied history in the realm of performance and experimental music. From the early phonographic works of John Cage to the spliced cut-ups of Christian Marclay in the 1980s, the device has proven to be a versatile tool for the creation and transformation of sound. Following a joint billing at Brisbane’s Metro Arts Space in 2002, Melbourne based composer Philip Samartzis and sound artist Lawrence English shared a 30-minute performance that was to become the beginning of …
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