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Four CDs from Jon Rose's Rosenberg Museum, the decades-long project around the violin: homemade and hacked string instruments, true and invented violin stories, and 37 tracks from the museum now housed in central Australia.
Second duo LP by Sarah Hennies and Tristan Kasten-Krause: two sidelong pieces grown from a live work played in darkness, singing bowls, gongs and double bass drifting into waltz-like pulses and field recordings. Numbered edition of 200.
Companion to the expanded Comme à la Radio: unreleased ORTF radio sessions from 1969-71 with Areski Belkacem, plus four unissued studio takes, among them two instrumental versions of the title track and a full 10-minute "Leo" with the Art Ensemble of Chicago.
Lustmord's Trinity, built from location recordings at Los Alamos and White Sands and archive audio including Oppenheimer's voice, now on CD with a 48-page hardcover art book of photographs from the Los Alamos National Laboratory archive.
Gli atti del convegno NoMus 2025 per i settant'anni dello Studio di Fonologia Musicale della Rai di Milano: saggi e testimonianze su Berio, Maderna, Nono, Zuccheri, radiodramma, televisione e pioniere dell'elettronica, con 165 immagini d'archivio.
Second volume of Miúin's Kilkenny Electroacoustic Research Laboratory anthology, turning to the music cultures around the lab, including commissions by its engineer Tony Quinn. Cassette with book and A3 poster, curated by Neil P. Quigley.
Dani Gal fed recordings of his own brain waves during sleep into the EMS Synthi 100 at Radio Belgrade, under voices reading the dreams of people living under political oppression. Record #08 of Ediciones Inauditas with n.b.k.
Mary Jane Leach's Pipe Dreams II and III, recorded on the organs of Miry Concertzaal, Gent (2023) and Kunst-Station Sankt Peter, Cologne (2024): beating tones and antiphonal clouds of sound, following the 1989 original issued by Blume.
Jean-Michel Jarre's illustrated history of electronic music, built on his own collection of instruments: 150 machines from modular synths to one-off prototypes trace a century of electronic sound, with contributions from Vince Clarke, Gary Numan, Gillian Gilbert, Richie Hawtin and Hans Zimmer.
The complete Jonestown "death tape" (FBI Q 042), recorded on 18 November 1978. Second pressing of 500 copies, dedicated to Christine Miller, the one voice that argued against the poison.
The Faust vaults through Jean-Herve Peron's eyes. Songs, sabotage and tender strangeness sit side by side, a personal cut of the krautrock legends' boundless, unruly tape archive.
Faust's vaults, opened by the band itself. Co-founder Gunther Wusthoff curates unheard tapes and fragments, motorik grooves, collage and pure invention from krautrock's great disruptors.
Taco weaponise the very idea of “tako” - octopus, kite, bunion, drunk, bald head - into a mutating post‑punk organism, a rotating guerrilla cell whose songs behave like incidents rather than compositions.
On Revolutionary Pekinese Opera, Ground Zero - under the ferociously precise direction of Otomo Yoshihide - detonates a cut‑and‑splice orchestra where free improv, noise, opera and plunderphonics collide with undimmed urgency.
On Wa Wave: New Wave Sounds from the Land of the Rising Sun vol. 1, various Japanese artists are rescued from flexi‑disc oblivion, weaving a sharp, off‑kilter panorama of New Wave, No Wave and skeletal electronics from the most radical corners of Japan’s underground.
Eleven radio tales made by Brunhild and Luc Ferrari for Südwestfunk in 1990-1994: the couple talk in French and German around Luc's pieces, turning memories, anecdotes and music into new radiophonic works. 4CD box.
Peel Sessions 1973-74 is a unique collection showcasing the legendary German experimental rock band’s dynamic live performances captured for BBC Radio 1’s John Peel sessions. This album brings together raw, electrifying recordings from 1973 and 1974, highlighting Can’s groundbreaking sound that blended psychedelic rock, avant-garde, and improvisational music. Fans and newcomers alike will experience the band’s creative energy and innovative spirit in an intimate setting outside the studio.
Featu…
In Radio Experiment Rome, February 1981, Robert Wyatt dismantles the barriers of song structure in a playful, vulnerable encounter with live radio. Captured in RAI’s studios, this session documents his real-time creative process as fragments of melody, vocal improvisation, and tape trickery mingle in a tapestry of radical intimacy.
Building upon the ground of their previous “Infra”, “Scanning”, and “Tektra” collections, Reiger Records Reeks continues its dedication to Roland Kayn’s monumental back catalog, delivering “Elektroakustische Projekte & Makro”, a towering 5CD box set reissuing two of the composer’s most important bodies of work for the very first time since their respective original releases in 1977 and 1981. Fully remastered from the original analog tapes by none other than Jim O’Rourke - allowing a number of th…
Spanning five pivotal years, Live and Radio Recordings 1957-1962 captures Krzysztof Komeda at the edge of Polish jazz’s modernist awakening. These performances surge with lyricism and quiet provocation, showcasing a composer whose restlessly poetic imagination reshaped European jazz sensibilities.