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Whistle and I’ll Come To You by Death and Vanilla is an evanescent, cinematic dream-pop companion to the cult 1968 BBC ghost story film. Through shimmering synt…
West and East Baying by Oakland Reductionist Orchestra investigates the porous boundaries between acoustic improvisation and electronic sound, favoring the subt…
Seeing the Way the Mole Tunnels by James McKain, Damon Smith and Weasel Walter immerses listeners in an unmediated environment of spontaneous improvisation, whe…
Femme le soir immerses listeners in Betsy Jolas’s world of memory, inquisition, and fleeting radiance, performed by Anssi Karttunen (cello) and Nicolas Hodges (…
This double portrait places Chopin’s beloved Préludes in nimble counterpoint with new ensemble works from Ramon Lazkano, translated by Maroussia Gentet and Ense…
Tzimtzum imagines four sweeping new orchestral canvases from Sarah Nemtsov, weaving Ensemble Nikel’s hybrid-electric force with WDR Sinfonieorchester’s expressi…
Éclat-Multiples unmasks Pierre Boulez’s music at its most mercurial and sensorial. Michael Wendeberg leads Collegium Novum Zürich and Ensemble Contrechamps thro…
Selected Works 1985-2005 by Gabrielle Roth & The Mirrors assembles eleven transformative pieces from two decades of percussive ambient innovation. This 2025 rep…
New Conference Call brings together Gebhard Ullmann, Uwe Oberg, Joe Fonda and Dieter Ulrich for an engaging session rooted in deep listening, spirited interplay…
2025 Stock. Sir Richard Bishop returns with another chapter in his ongoing exploration of solo acoustic guitar territories. Solo Acoustic Volume Eight presents …
2025 Stock. The Work emerged from the dissolution of Henry Cow in 1979, formed by saxophonist Tim Hodgkinson, guitarist Bill Gilonis, bassist Mick Hobbs, and dr…
2025 Stock. 180g vinyl with insert. Ossification is like an amazing party held at This Heat's Cold Storage studio, with friends like Felix Fiedorowicz, Tom Cora…
Death in the Urban Jungle by Lance Austin Olsen is an expansive electroacoustic tapestry, weaving copper plate, shruti box, tape fragments, and wordless voice i…
Liminal Spaces, by Ed Jones and Emil Karlsen, sketches a quiet but complex dialogue between saxophone and percussion. Their communication is fluid, as fleeting …
Moon sees Simon Rose and Nicola Hein map a shifting terrain between breath and electricity. Baritone saxophone and microtonal guitar unfurl in subtle layers, cr…
The Duke of Wellington is a vivid portrait of Derek Bailey and John Stevens in spontaneous conversation, recorded live at a London pub in 1989. The set captures…
Recorded in St. James Norlands church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the …
As trans-Atlantic alchemists pulling from a shared dialectic that somehow encompassed both postmodern deconstructionist tendencies and a delightfully subversive…
A landmark in the history of European experimental rock, the third 'Cow' work, originally released on Virgin in 1975, represents the second act of joined forces…
"Is Spring a Sculpture?" is a collaboration between David Toop and Rie Nakajima, released as a limited edition CD and book on Lawrence English’s Room40 label. T…