AMM
AMM music is supposed to admit all sounds but the members of AMM have marked preferences. An open-ness to the totality of sounds implies a tendency away from traditional musical structures towards informality. Governing this tendency -reining it in- are various thoroughly traditional musical structures such as saxophone, piano, violin, guitar, etc., in each of which reposes a portion of the history of music. Further echoes of the history of music enter through the medium of the transistor radio (the use of which as a musical instrument was pioneered by John Cage)” Cornelius Cardew, Towards an Ethics of Improvisation
AMM music is supposed to admit all sounds but the members of AMM have marked preferences. An open-ness to the totality of sounds implies a tendency away from traditional musical structures towards informality. Governing this tendency -reining it in- are various thoroughly traditional musical structures such as saxophone, piano, violin, guitar, etc., in each of which reposes a portion of the history of music. Further echoes of the history of music enter through the medium of the transistor radio (the use of which as a musical instrument was pioneered by John Cage)” Cornelius Cardew, Towards an Ethics of Improvisation
Member of: Eddie Prévost
Goodbye 20th Century
25th Anniversary Edition. Goodbye 20th Century is a double album of covers of Avant-garde recordings by Sonic Youth and collaborators. SYR4 features works by avant-garde classical composers such as John Cage, Yoko Ono, Steve Reich, and Christian Wolff played by Sonic Youth along with several collaborators from the modern avant-garde music scene, such as Christian Marclay, William Winant, Wharton Tiers, Takehisa Kosugi and others. The album received mixed reviews, but most critics praised the gro…
Grain
The meeting of AMM guitarist Keith Rowe with Burkhard Beins on percussion, two studio sessions and one live recording, sparse and subtle improv of the highest standard.
Connections (1970-1974)
Formed in Cambridge in 1969 by Tim Souster and Roger Smalley, Intermodulation started out as a 4 piece group with the addition of Robin Thompson and Andrew Powell (who soon moved on to other Cambridge projects, including a pre Chris Cutler Henry Cow). Powell was replaced by Peter Britton, and this incarnation of the group remained for the duration of their existence.
Having releasing a box set of works by Gentle Fire it felt necessary to do the same with Intermodulation and thus complete the ot…
The Secret Handshake With Danger (Vol. One)
Eddie Prévost, a preeminent musician in the UK improvised music scene and founding member of legendary AMM, might be equally renowned for his generous, decades-long mentorship. Both talent and Prévost’s mentorship are on display in this new album, The Secret Handshake with Danger, Volume One which features five musicians (Binker Golding on Saxophones, Henry Kaiser on Guitar, N.O. Moore on Guitar, Olie Brice on Double Bass and Eddie Prévost on Drums) improvising from a lifetime of collaboration. …
Do Disturb
Capturing two exceptional concerts at London's Cafe OTO in 2021 & 2022, in the launch of a new quartet expanding the longstanding trio of N.O. Moore on electric guitar, John Edwards on double bass and Eddie Prévost on drums, with Alan Wilkinson on baritone & alto saxophones, and for one performance on each night, tenor saxophonist Nathaniel Catchpole joining.
"Launch show for the quartet to mark the release of new CD 'EMPoWered' on Brooklyn's 577 Records. Edwards, Moore and Prévost have comprise…
Collider
*In process of stocking* Or, 'whose drum is it, anyway?'
Recording of a drum solo concert given at Network Theatre, London on 6th February, 2012
Easter Monday Music
*In process of stocking. 200 copies limited release, CDr format* On Easter Monday of 2019, friends and colleagues reunited at London’s iconic improvisational space Café Oto. The four, Ken Ikeda (Synthesizer), Massimo Magee (Electronics, Saxophone), Joshua Weitzel (Shamisen), Eddie Prévost (Percussion) had met and played together many times in the years prior—usually in the context of Eddie Prévost’s London Improvisation Workshop—but had never performed a public concert together. The group's avan…
John Tilbury plays Terry Riley
There are certain works by minimalist pioneer Terry Riley that are rightly celebrated as classics, paradigm-shifting masterpieces that exerted a wide influence within classical music, but also well beyond its often hermetic borders. Hello, “Baba O’Riley!” But there is so much more in his repertoire deserving the same accolades. On “Terry Riley: Keyboard Studies”, released by Another Timbre, one of the premiere contemporary music labels of our time, three mid-1960s masterpieces are interpreted by…
An Uncommon Music for the Common Man
* 2021 stock * Percussionist, Improviser and AMM founding member Eddie Prévost's fourth book presents a fascinating series of reflections and challenging insights on music in its various forms, and the development of improvised music at the intersection of contemporary compositional and conceptual forms; alongside a personal history of Prevost's life and his relationship with music.
"Part personal history, part provocation, here is a compelling book about musical improvisation. But it's also abo…
The Great Learning
** CD housed in a 4-panel digipak. Comes with 12-page booklet ** Tone Glow Records is proud to present a special archival recording of Paragraph 1 and Paragraph 7 from Cornelius Cardew's The Great Learning. Conducted and formed by American composer Dean Rosenthal, the Montréal Scratch Orchestra featured 14 or so like-minded experimental music enthusiasts who performed the pieces at Redpath Hall on the McGill University campus in 1996. This release arrives on Cardew's 85th birthday and follows Ro…
Shifting Currents
The recordings for the piece were gathered over the course of a year from Huddersfield, Stirling, Aberdeen (United Kingdom), and s’Hertogenbosch (The Netherlands). These were used to create an installation consisting of over 100 tracks that were remixed in real time during each performance. The set up varied from show to show, sometimes playing through 6 speakers and 3 subs, and at other times, through 12 speakers etc. The performers were positioned at the centre of the audience, who in turn, we…
High Laver Reflections
Matchless Recordings presents a live concert by Eddie Prévost, Daniel Kordik and Edward Lucas recorded at All Saints Church, in High Lave, Essex, England during Spring 2019.The album includes four tracks performed by Eddie Prévost - Percussion, Daniel Kordik - Modular Synthesiser, and Edward Lucas - Trombone.
"Four improvisations at All Saints Church, High Lave, Essex, England, during Spring 2019." - Matchless
Along Came Joe
Recorded at Freedom of the City festival, London, England on 1st May 2006.
Nessuno
“In 2011 Pauline Oliveros, Roscoe Mitchell, John Tilbury and Wadada Leo Smith opened the AngelicA Festival with 3 days of concerts… they performed solos and duets (Pauline and Roscoe; John and Wadada), and finally, for the first time ever, these 4 distinct musical voices performed together, as a quartet…Over time AngelicA (which is 26 years old) has always tried to bring together different worlds, even ones that were very far apart from each other (although distance is nothing but an illusion if…
Uncertain Outcomes
Two concerts of experimental improvisation from Eddie Prevost and Christian Wolff, two giants of conceptual improvisation and composition, recorded at Ikletick in London in 2015 and at Dartmouth College, in Hanover, New Hampshire in 2016; with superb pacing and brilliant execution, these dialogs between keyboard and percussive instruments explore unique sound worlds with depth, inquisitiveness, and a sense of wonder.
13 Thirteen
Keith Rowe and Michael Pisaro: 13 Thirteen | On this two-and-a-half hour, semi-improvised opus, the two guitarists and composers approach finely wrought detail and vast empty space in ways that can warp one’s perception of time itself. On this two-and-a-half hour, semi-improvised opus, the two guitarists and composers approach finely wrought detail and vast empty space in ways that can warp one’s perception of time itself."On this two-and-a-half hour, semi-improvised opus, the two guitarists and…
Music for Piano and Strings by Morton Feldman. Volume 3
At its best Feldman's music can take our breath away, providing a revelatory experience, a transparency which has no need of argument. Thinking back to Piano and String Quartet there are moments of extraordinary beauty when, through a sudden change of register, darkness enshrouds the music; elsewhere the string sound enshrouds the piano arpeggios. Morton Feldman seems to occupy a metaphysical space and encroaches on the domain of spirituality normally associated with religion. Thus art w…
Goldsmiths
An extended group improvisation and compositions by Lely, Sarah Hughes, and Jurg Frey, subtle and beautiful performances by Angharad Davies (violin), Rhodri Davies (electric harp), Michael Duch (bass), Lina Lapelyte (violin), John Lely (objects & electronics) & John Tilbury (piano).
Two pianos and other pieces, 1953-1969
A double CD of music for multiple pianos from what is arguably the most experimental and interesting period of Morton Feldman's development as a composer. Some of the pieces have been very rarely performed or recorded, and have probably never been in better hands. The music featured on these two discs testifies to the intensity of Feldman's experimentation with notation and sound during the 1950s and 60s. Considering the works chronologically one senses the composer trying out, teasing and deve…
All Change
Recorded in concert at The Network Theatre, Waterloo in London, 2012, the trio of Tom Chant on saxophone, John Edwards on bass and Eddie Prevost on drums present a tour de force of modern free jazz with great technical and conversational power.