Brion Gysin
Brion Gysin (1916 – 1986) was a painter, writer, sound poet, performance artist and inventor of experimental devices born in Taplow, Buckinghamshire. He is best known for his use of the cut-up technique, alongside his close friend, the novelist William S. Burroughs. With the engineer Ian Sommerville he also invented the Dreamachine, a flicker device designed as an art object to be viewed with the eyes closed
Brion Gysin (1916 – 1986) was a painter, writer, sound poet, performance artist and inventor of experimental devices born in Taplow, Buckinghamshire. He is best known for his use of the cut-up technique, alongside his close friend, the novelist William S. Burroughs. With the engineer Ian Sommerville he also invented the Dreamachine, a flicker device designed as an art object to be viewed with the eyes closed
Permutations (Book)
The first collection of the Beat mentor’s long-influential permutation poems—one of the earliest examples of computer-generated literature
Junk
"Wewantsounds is delighted to reissue Brion Gysin's cult avant funk album produced in Paris by Ramuntcho Matta in the early '80s. The hugely influential Brion Gysin who, with his friend William Burroughs, was revered by the likes of David Bowie, Brian Jones, Laurie Anderson, Genesis P-Orridge, is accompanied here by Matta and French post punk stalwarts Yann Le Ker on bass (from the group Modern Guy) and Frederic Cousseau on drums (from Suicide Romeo) plus special guests including Don Cherry, Ell…
Jilala
** First time these tracks appear on vinyl – Pressed on 180 Gram Black Vinyl. Limited Edition of 300 Copies ** Historic Moroccan Sufi Trance recorded in 1965 by artists/writers/poets Brion Gysin and Paul Bowles. Authentic Moroccan trance ritual music by contemporaries of Master Musicians of Jajouka.
Until Now, Jilala has been a much sought-after phantom in relation to their better-known musical and spiritual contemporaries, The Master Musicians of Jajouka. Culled from three and a half hours of…
William Burroughs & Brion Gysin
** Limited Edition 180g vinyl. No digital. Officially licensed from the British Library, The Estate of William S Burroughs, and The Estate of Brion Gysin ** Rare recordings of beat/cut-up writers and artists William S. Burroughs and Brion Gysin. Comprises the complete recording of Burroughs reading live in Liverpool in 1982, plus performances by Gysin of a selection of his permutated poems, as well as home recordings made by the pair in Paris in 1970. All recordings are taken from original tapes…
Soft Need 23
**Edition of 431 copies** Alga Marghen in collaboration with Expanded Media Editions is proud to present the final issue of “Soft Need”, a publication centered on the work of William Burroughs and expanding its deep influences into contemporary consciousness.
Founded in 1973 as a reaction to the aftermath of a three weeks’ stay across Xmas and New Year’s with Brion Gysin and Burroughs by their confidant Udo Breger, “Soft Need“ had its roots in the underground press of the previous two decades a…
Soft Need 23 (Art Edition)
**Art Edition. De-luxe edition of 69 signed and numbered copies including two 7” records and two Baryt-Fine-Art photo prints (18x24cm) “William Burroughs in the Bunker, NYC 1981” and “Ian Sommerville at 8, Duke Street, London 1973” signed by Udo Breger.** Alga Marghen in collaboration with Expanded Media Editions is proud to present the final issue of “Soft Need”, a publication centered on the work of William Burroughs and expanding its deep influences into contemporary consciousness.
Founded …
The Cut Ups
** Private edition, limited to 150 copies ** Side A is a dizzying montage of quirky shots of legendary Beat Generation writer William S. Burroughs and noted surrealist artist Brion Gysin in 1966, this nearly 20 minute avant-garde short features repeated articulations of such random things as “Hello,” “Where are we now?,” and “Look at that picture” instead of music or standard dialogue. The narrative is decidedly nonlinear and perplexing, with no discernible plot whatsoever as we see images of Gy…
Brion Gysin: His Name Was Master
Brion Gysin (1916–86) has been an incredibly influential artist and iconoclast: his development of the “cut-up” technique with William S. Burroughs has inspired generations of writers, artists and musicians. Gysin was also a skilled networker and revered expat: together with his friend Paul Bowles, he more or less constructed the post-beatnik romanticism for life and magic in Morocco, and was also a protagonist in an international gay culture with inspirational reaches in both America and Europe…
Bruits Du Beaubourg
A previously unpublished and obscure sound work by the famous artist Brion Gysin... ‘Bruits du Beaubourg’ or, quite literally, the concrete noises coming from the builder’s yard of the Beaubourg recorded on location in June 1977. Different layers of sounds that, with the natural development of the piece, create an hypnotic soundscape. Abstract and concrete. The recording comes from the original masters that Ramuntcho Matta personally got as a gift from Gysin himself; and Matta generously offered…
Back In No Time
Reissue of a tape originally released in the Staaltape Documentatie Serie. Brion Gysin (1916-1986) dabbled with surrealism in the 1930s, lived in the Interzone of Tangier in the 1950’s, traveled the Algerian Sahara and was resident in the Beat Hotel in Paris. He introduced William Burroughs to the cut-up method and invented the Dream Machine, a hypnotic light device with the power to induce hallucinations. This tape is an interview conducted by Harry Hoogstraten in the early 1980s. In 195…
The American Avant-Garde in the 20th Century
Following on from our popular primer A Young Person's Guide to the Avant-Garde, LTM now offers a more comprehensive overview of American avant-garde music in the 20th century.Commencing with early pioneers Charles Ives and George Antheil (including the celebrated, Futuristic Ballet Mechanique of 1924), this chronological double disc collection also includes pieces by émigré arrivals in the New World such as Leo Ornstein, Dane Rudhyar and Edgard Varèse, as well homegrown composers including Henry…
FLicKeR
“Really, I think, behind everything, he was trying to teach people to see differently.” Genesis P-Orridge, on Brion Gysin...This award-winning documentary about poet, artist, calligrapher and mystic Brion Gysin, portrays the life and legacy of an artist who believed art could revolutionize human consciousness. FLicKeR chronicles Gison’s complex ideas, friendships and influence with some of the 20th century’s key counterculture figures, such as William Burroughs, Kurt Corbain and Marianne Faithfu…
Live in London 1982
'Autumn 1982, Brixton, London, Brion gysin, the eternal accomplice of William Burroughs, renews the methods of performance by reciting texts, hastily brought together: Tessa, a member of Slits, Steve, of Rip, rig and panic, Jail, of Penguin café orchestra and Ramuntcho Matta on guitar. Ramuntcho, in the style of Brion, called this session 'white funk'. Most of the texts were written upon meeting Burroughs, at the time of the invention of the cut-up. The influence that Brion gysin has had on cont…
One night @ 1001
As the inventor of the Dreamachine ("the first objects made to be viewed with closed eyes"), a prolific writer, painter and calligrapher, Brion Gysin also found time amongst his cramped schedule to set up a restaurant (The Thousand and One Nights) in Tangier, where he proceeded to provide a stage for the best in Moroccan groups specialising in exorcism or trance (particularly the Master Musicians of Joujouka who enjoyed an extended residency). An archive album comprised of these recordings, the …
Poems of poems
His record presents some of the most important experiments in cut-up and recording technique by the famous poet and artist, Brion Gysin. Originally recorded in 1958 at the histori- cal Beat Hotel in Paris: ‘Language is an abominable misunderstanding which makes up a part of matter. The painters and the physicists have treated matter pretty well. The poets have hardly touched it. In March, 1958, when I was living at the Beat Hotel, I proposed to Burroughs to at least make available to literature …