Chris Forsyth
Evolution Here We Come
"It’s been a minute since we’ve thought much about ‘evolution.’ Most folks these days seem focused more on change, which perhaps is as it should be—change involves things we can more readily control, or so we think. Surrounded by more global catastro…
First Flight Redux (Harrington Dub)
On “First Flight Redux” Dave Harrington takes a scalpel to the multi-tracks of "First Flight" (LP/DL, Algorithm Free) remixing the raw material into something else entirely.
Intensity Ghost
Intensity Ghost is the first studio release by Chris Forsyth with the Solar Motel Band (the new group formed in the wake of his critically acclaimed 2013 solo record Solar Motel) and it's a career-defining statement of purpose and a near virtual …
Third
We’ve been great fans of ‘The Duchess of Oysterville’, the first outing from the duo of Chris Forsyth & Nate Wooley on cd some years ago on Creative Sources (with a follow-up later on Chocolate Monk), and had been looking for an opportunity to work w…
Kenzo Deluxe
Guitarist Chris Forsyth is a unique voice in the realm of American music, having emerged from the challenging free form expressionism of his old group Peeesseye with a lyrical command rare in any genre. His newest work brings his trademark lyricism t…
Dreams
Dreams is a reissue of Chris Forsyth's second solo album. In 2009 Forsyth pressed up 100 LPs for a European tour and created quite an uproar of approval by the heads who managed to score a copy. Now available again, Dreams rightfully shows Forsyth at…
Paranoid Cat
Paranoid Cat is Philadelphia guitarist Chris Forsyth's third solo album and first for Family Vineyard -- a sprawling, harmonically-charged side-long suite backed by a clutch of compositions merging raw and delicate American roots traditions. After mo…
![I/D/V 02 [GUITAR]](https://cdn.soundohm.com/data/products/2023-10/R-1861828-1248508255-jpeg.jpeg.500.jpg)
I/D/V 02 [GUITAR]
A series of 7” records of 1 minute tracks and lock grooves. Focus of each volume is on one particular instrument and on the ways in which invited artists address the specifics of duration as defined by the given format. Duration here is not considere…