Christian Wolff
Wolff was born in Nice in France, moving to the United States in 1941 and become an American citizen in 1946. He studied classics at Harvard University and upon graduating took up a teaching post there which he kept until 1970 when he began to teach classics and music at Dartmouth College. While at Harvard, Wolff associated himself with the composer John Cage and the group around him (Earle Brown, Morton Feldman). His early work includes a lot of silence. Later pieces often give a degree of freedom to the performers, and some works, such as Changing the System (1973), have an explicitly political element.
Wolff was born in Nice in France, moving to the United States in 1941 and become an American citizen in 1946. He studied classics at Harvard University and upon graduating took up a teaching post there which he kept until 1970 when he began to teach classics and music at Dartmouth College. While at Harvard, Wolff associated himself with the composer John Cage and the group around him (Earle Brown, Morton Feldman). His early work includes a lot of silence. Later pieces often give a degree of freedom to the performers, and some works, such as Changing the System (1973), have an explicitly political element.
Sveglia
In May 2022, at the age of 88, Christian Wolff performed once again at AngelicA, nine years after the monographic concerts the festival had dedicated to him in 2013 (documented on the cd album Angelica Music, IDA 030). Among the greatest and most singular living composers (in 1950, at a very young age, he was already a member of the legendary New York School along with Morton Feldman, Earle Brown and John Cage), for the opening of the thirty-second edition of the festival he presented a world-ex…
Trio IX / Exercises
The American composer Christian Wolff (b. 1934) is the last living representative of the New York School (Rauschenberg, Rothko, etc.). Wolff was not even an adult when he studied with Grete Sultan and John Cage. Wolff’s music was much more politically motivated than that of Feldman and Cage, which is evident on this new Wergo album by Trio Accanto. The album features first recordings made in close collaboration with Wolff in the studios of Deutschlandfunk Cologne/Germany. Wolff's great “Trio IX …
I Like To Think Of Harriet Tubman
*2022 stock* 'A true Leninist would argue that art in a smoothly running socialist state would become redundant and disappear, though while waiting for such a perfect society to come about, we have an idea of what socialist literature, painting, sculpture and cinema are like. But what does socialist music sound like? Luigi Nono? Eisler? Robert Wyatt? The Ex? Well, all four. and you may add Christian Wolff to the list. Like fellow experimental composers Cornelius Cardew and Frederic Rzewski, Wolf…
Look She Said (Complete Works For Bass)
** 2021 Stock ** “The double-bass – the paradox of its large size and basically quiet sound, and its low registral grounding – has long attracted me. I’ve also been fortunate in knowing outstanding double-bass players.” – Christian Wolff This disc collects all of Wolff’s large body of works for the bass, including a piece for solo electric bass guitar. Two of the works were written specifically for Robert Black, who prepared these pieces with Wolff. The composer attended all of the recordings se…
Two Orchestra Pieces
This recording is the first ever devoted to the orchestral music of Christian Wolff (b. 1934) and thus documents a little-known aspect of his wide-ranging work. John, David (1998) introduces in its second part a prominent role for solo percussionist, playing a wide range of pitched and non-pitched instruments, including marimba, glockenspiel, a variety of drums, wood and metal instruments and other sources, the exact choice left to the performer. Rhapsody (2009), in contrast, uses instruments of…
Where Are We Going, Today
Christian Wolff, piano, objects, charango, flute. Antoine Beuger, voice, whistles, EWR recordings (1995) of Christian Wolff’s “Stones”.Antoine Beuger started composing music in 1990 and has released on his own label, Edition Wandelweiser Records, as well as Erstwhile Records. Beuger’s work is best exemplified by two releases, his first, Calme Étendue (Spinoza) and A Young Person’s Guide to Antoine Beuger. Calme Étendue (Spinoza) is an album that attempts to take the 17th century philosopher Spin…
Uncertain Outcomes
Two concerts of experimental improvisation from Eddie Prevost and Christian Wolff, two giants of conceptual improvisation and composition, recorded at Ikletick in London in 2015 and at Dartmouth College, in Hanover, New Hampshire in 2016; with superb pacing and brilliant execution, these dialogs between keyboard and percussive instruments explore unique sound worlds with depth, inquisitiveness, and a sense of wonder.
Berlin Exercises
Christian Wolff on Berlin Exercises: "'Exercise' indicates relatively shorter pieces in which the process of work, of practicing and of trying things out within specified limits, in short a kind of discipline in process, are being attempted. I regard them as both exercises in composing and for performers, especially as the performers function as members of an ensemble." Your first encounter with the music of Christian Wolff leaves you with the impression you’ve just heard (or played, or re…
Incidental Music and Keyboard Miscellany
“Incidental Music and Keyboard Miscellany, though both consisting mostly of quite short musical items, have as a whole different origins and different shapes. Keyboard Miscellany is an ongoing collection, a place to deposit occasional pieces which seem to have no place else to go. The earliest is “Variation on Morton Feldman’s Piano Piece 1952” (1988). The piece came about when I was asked to contribute an analysis of a Feldman piece to a collection of essays on Feldman’s music. To do this I tri…
Looking Around
Christian Wolff, prepared piano, whistles, stones. Michael Pisaro, electric guitar, harmonica, stones. Recorded in 2014. Chistian Wolff (1934), American composer of avant-garde music. Michael Pisaro (1961), guitarist andcomposer, member of Wandelweiser. The album was mastered by Joe Panzner and designed by Yuko Zama
Angelica Music
The music of Christian Wolff has long occupied the fertile borderland between composition and improvisation, as both are usually understood. More a set of suggestions than a writ of prescriptions, his scores can take the form of graphic symbols floating freely against a white background—as in 1968’s Edges—or of pitches notated and other parameters left unspecified, as in the Exercises. He is on record as having said that a score is only a means to an end, the latter consisting of the performance…
8 duos
Born in 1934, Christian Wolff is the last surviving member of the group of composers that also included Morton Feldman and Earle Brown, which gathered around John Cage in New York in the 1950s. Wolff's own music has remained faithful to that Cageian experimental tradition ever since, and the eight works for pairs of instrumentalists here show how, in the right hands, the varying degrees of freedom his works allow their interpreters can produce astonishingly beautiful results. The common denomina…
Kompositionen 1950 - 1972
A portrait of Christian Wolff, documenting the composer's early activity through recordings made close to the time of their composition from artists including Cornelius Cardew, Frederic Rzewski, David Tudor
Percussionist songs
Matchless Recordings presents a live concert by Christian Wolff and Robin Schulkowsky recorded at Poggiolo fram, Pozzuolo, Umbria, Italy on April 22-24 2003.
The album includes fifteen tracks performed by Christian Wolff - composition, melodica, Robin Schulkowsky - percussion.
"Rooms talk to me. I send out a sound, the space answers. The first message I picked up from the old barn in Umbria was 'yes'.Christian Wolff and I had been thinking, speaking about, even planning a CD with his solo percus…
Early Piano Music (1951-1961)
Early Christian Wolf piano music (written 1951-61), performed by: John Tilbury & Christian Wolff (pianos), Eddie Prevost (percussion). Studio recordings from 2001/2. "During the period when these works were composed (1951-61), Christian Wolff was closely associated with John Cage. Morton Feldmon, Earle Brown and David Tudor (they are sometimes referred to together as the New York School'). Feldman later remarked that he was profoundly indebted to Christian Wolff ('I think of him as my artistic c…