CM von Hausswolff
Carl Michael von Hausswolff, Swedish composer, visual artist and curator, is considered one of the referential figures in the field of performance audio and radical music. Developing his research on the physicality of sound, he makes use of video, tape recorders, radar and sonar exploring electricity, frequencies, architectural spaces and paranormal electrical interferences. Always interested in the phenomenon of EVP (Electronic Voice Phenomena, voices from other dimensions intercepted as audio frequencies recorded to tape) von Hausswolff works to bring hidden elements to light. A past collaborator with The Hafler Trio, he is a veteran of the electronic music scene for more than twenty years and has collaborated with, among others, Erik Pauser, Leif Elggren and John Duncan.
Carl Michael von Hausswolff, Swedish composer, visual artist and curator, is considered one of the referential figures in the field of performance audio and radical music. Developing his research on the physicality of sound, he makes use of video, tape recorders, radar and sonar exploring electricity, frequencies, architectural spaces and paranormal electrical interferences. Always interested in the phenomenon of EVP (Electronic Voice Phenomena, voices from other dimensions intercepted as audio frequencies recorded to tape) von Hausswolff works to bring hidden elements to light. A past collaborator with The Hafler Trio, he is a veteran of the electronic music scene for more than twenty years and has collaborated with, among others, Erik Pauser, Leif Elggren and John Duncan.
Aliases: Carl Michael von Hausswolff
Operations Of Spirit Communications
Die Stadt is very pleased to announce the release of a long time project, an LP by Carl Michael von Hausswolff. C.M. von Hausswolff is a prolific sound composer for almost 20 years now who lives and works in Stockholm/Sweden. He was the founder of now defunct Swedish label Radium and still is one of the two King's of Elgaland-Vargaland (together with fellow artist Leif Elggren). His works (also under the name PHAUSS in his early years) have been released on labels such as Touch, Sub Rosa, Fire, …
Still Life - Requiem
Conceptualized (2010-2013), composed and produced (2014-2017) by Carl Michael von Hausswolff in Palma (Majorca) and Stockholm. Still Life - Requiem is a musical piece consists only of sounds emitted and extracted from physical matter using emission spectroscopy as the sole basic technology. Acknowledgements to Linköping University (IFM), Sweden. Still Life - Requiem consists of one piece with the same title and is divided up into two to fit the LP format. The piece is, as the title suggests,…
Rhapsody in Stockholm
Limited edition of 100 copies. Tetsuo Furudate aided by Lars Akerlund, Carl Michael Von Hausswolff, Leif Elggren and Dror Feiler. Recorded at EMS in Stockholm in Feb. 2016. Many thanks to EMS and Minoru Sato. Tetsuo Furudate is born and lives in Tokyo. He started his career in experimental film and video art in 1981, and then he gradually turned toward music through performing art, contributing to the development of the Japanese noise music in its early period. He has spread his activities throu…
Squared
Squared Squared consists of two longer pieces. a) is a recording of a live performance executed at ZKM in Karlsruhe. It is an abstract piece of music that has evolved during the time the composer has performed live – since 1980. For the composer, generally, a live performance is always the “same thing”, but listening to the early recordings it occurs that the music has changed drastically – only the format is still there. This is analogue to life in general – Earth looks the same like alwa…
(1)
Leslie Winer is an artist and author living and working in France. Earlier releases include Witch (recorded in 1990, released in 1993), & That Dead Horse (recorded in 1994, released in 2010), Always Already (2011), and the retrospective compilation Leslie Winer &c. (WHO 003CD, 2012). She has collaborated with Jon Hassell, Bomb the Bass, Mekon, and her words and voice were heard on a track on CI by Diamond Version (Carsten Nicolai and Olaf Bender) (2014). As of 2015, she is co-editor and co-execu…
Dark 80ies
CM von Hausswolff used to co-run DS Art Gallery and the publisher/record company/organizer Radium 226.05 in Göteborg, Sweden, during the 1980s. Meanwhile he was also a part of the duo Phauss with Erik Pauser as well as engaged in the rock bands Blue For Two, Psychonauts and Evil Dead Goofball. He was also active in the visual art group VAVD and the combo Elggren, Liljenberg, Pauser and von Hausswolff doing mainly live-installations and performance art.
CM von Hausswolff writes (liner notes for '…
Matter transfer
Limited to 300 copies. Hand numbered. All tracks composed at The Castle, 2006, and pre-mastered at La Hacienda, 2008, by Carl Michael von Hausswolff. Recorded at Frgfabriken Center for Contemporary Art and Architecture, Stockholm, Sweden, in connection with the exhibition Matter! by Carl Michael von Hausswolff (12-channel audio composition) and Anita Gordh (visuals), 2006, curated by Jan man. Matter Transfer (model 4 and 5) was installed 2009 in Stavanger, Norway, within the series Enter…
Because Tomorrow Comes #4
Comes in digipak with 12-page booklet. Volume 3 of this forum and magazine for sound-art in the form of an audio CD. It compiles contributions from artists who have chosen for the acoustics as working field, starting from the visual aspect and going to the musical one, then trying to promote the teachings of their sound art. The final purpose is to present it as a 'listenable exhibition'. So, a magazine to listen to. Featuring Carl Michael Von Hausswolff, Gal, Maria De Alvear, Miki Yui, Alvin Lu…
800 000 Seconds In Harar
'CD digipak. CM von Hausswolff says: 'I was approached by my old friend and Radium 226.05 colleague Ulrich Hillebrand, now director of Angered Theatre in Göteborg. He informed me that there was a new play in the process of being written by author and theorist Michael Azar called 'Jag r en annan' (I is another) stemming form the famous letter written by Arthur Rimbaud in his youth. The play uses Rimbaud's life from being a young poet in Charleville ending with him being the trader in Harar,…
split LP
A split album by two masters of 'loud drone music' with an entirely electronic background. Piotrowicz already surprised us with 'Lasting Clinamen' on CD (see review in Vital Weekly 621), and this is now continued with 'Clinamen 3', also recorded using analog modular synthesizer. He plays what seems a loud, looped drone (no doubt repeated within the machine), which is piercingly loud at the start, but just like his great CD, he knows how to create a subtle piece music after that. It grows and it …
Graf Spee
Special limited to 50 copies, ART EDITION comes on white vinyl with a signed and hand-numbered inserts by the artists. "deep, long-form works by c.m. von hausswolff, each acting as the sound component to a separate collaborative audio-visual work with juan pedro fabra and jan håfström, respectively ...“graf spee i” is a masterfully executed tone poem, involving a floating a pulsing, root-fifth sine cluster sporadically adjoined by a repeating ghostly figure ; it’s among von hausswolff’s more en…
Basic
Carl Michael von Hausswolff's first major domestic release. As a composer he has been the main sound organizer in the duo Phauss; he has also worked with The Hafler Trio, and is currently performing live in the group Ocsid with Graham Lewis (Wire, Dome). As a visual artist, he is co-founder of the conceptual state of Elgaland-Bargaland, which hosts a worldwide array of embassies and consulates, and who physical territory is described as 'all borderlines between existing states and areas at sea.
perhaps I arrive - music for Atatürk Airport, Istanbul
This double disc set includes some of the most unusual sounds you will have heard from Carl Michael von Hausswolff. The story goes like this. Von Hausswolff was chosen by the 1997 Istanbul Biennal to create a sound installation for Atatürk Airport. His classic sound combining low frequency rumblings, very monotonous oscillations and hissy non-narrative sequences was deemed too confusing for the commutors. It was feared, von Hausswolff’s sound installation might be mistaken for an alarm and would…
s/t
Released in conjunction with a live performance that took place at the 'Lagerhaus' Bremen on 26. September 2003. Exclusive tracks by all three artists. John Duncan's 'The Gossamer Dispatch' is another fine example of his work with Shortwave sounds and a sort of more aggressive version of his acclaimed 'Phantom Broadcast' CD. C.M. von Hausswolff delivers a spoken word piece for the first time 'The way The Breeze Lays'. 'The Gobblestone Is The Weapon Of The Proletariat. No 8' by Leif Elggren is a …
Three Overpopulated Cities Built By Shortsighted Planners...
Minimalist sound artist CM Von Hausswolff gives his two cents on the state of overdevelopment in various urban environments the world over in this, his second disc for the Sub Rosa label. It's hard to say precisely how the music here relates to town planning: Von Hausswolff concentrates on conjuring the kind of stark, austere glitch-driven soundscapes found on his work for labels like Raster Noton, using what sounds to be entirely synthetic sources, so again, it's difficult to establish any conc…
Operation of Spirit Communication
Features two unreleased tracks recorded in 2006 - in his installation The Complete Operations Of Spirit Communication, Carl Michael von Hausswolff takes up central themes of his previous work and adapts them for a display especially created for the series O.K Spektral
Our telluric conversation
'23five Incorporated proudly presents Our Telluric Conversation - the second collaborative album from John Duncan and Carl Michael von Hausswolff. This is an album which Duncan describes as having been galvanized by magnetism. In a semantic sleight of hand, Duncan and Hausswolff reveal magnetism through a duality of meanings. One on hand, they speak of the physical phenomenon of charged objects that exert an attraction or repulsion upon other objects; yet on the other, magnetism can be defined t…
There are no crows flying around the hancock building
In August 2003, Lampo invited Swedish artist CM von Hausswolff to do a project specific to Chicago. Intrepid traveler that he is, Hausswolff ascended to the top of the 100-story John Hancock Building and collected sounds from the open-air observation deck. While taking in the sights, he recorded building vibrations, passing breezes and overheard speech from tourists. Later, in his Stockholm studio, he added a series of feedback rotations to suggest crows (guardians or enemies?) encircling the co…
Two Films
Including the films 'Hashima, Japan 2002' (installation and documentary versions) and 'Al Qasr, Bahriyah Oasis, Egypt 2005'. Plus 'filmmakers in conversation'. 'Straddling the line between documentary and audio-visual meditations on landscape, the Hausswolff-Nordanstad filmic partnership taps both the detritus of human civilization and its uncanny ability to withstand the forces of nature. In 'Hashima, Japan 2002' we are given a portrait of the Battleship Island off the coast of Nagasaki, a form…
Leech
With his works the swedish artist Carl Michael Von Hausswolff takes interest in revealing and using accoustic, visual, social and cultural phenomena. For the cd Leech he acts as a parasite on works by Olafur Eliasson, Carsten Höller, Tommi Grönlund-Petteri Nisunen and Richard James. In the three first pieces he sucked energy-sound out from the electric functions of those works; sounds that normally can not be heard. On James' work he bruises the skin surface as leeches usually do before they pen…