Conrad Schnitzler
Conrad Schnitzler has been an institution in the German electronic music scene for thirty years. He studied with Joseph Beuys in the mid 1960’s, and in the late sixties joined the then fledgling German rock band Tangerine Dream. He added a bizarre, conceptual approach to Tangerine Dream that catapulted the band to legendary status; Schitzler left after that first album, forming with his friends Moebius and Roedelius the band Kluster. Since the demise of Kluster, Schnitzler has released dozens of albums, cassettes and CDs, both on his own and on various labels around the world.
Conrad Schnitzler has been an institution in the German electronic music scene for thirty years. He studied with Joseph Beuys in the mid 1960’s, and in the late sixties joined the then fledgling German rock band Tangerine Dream. He added a bizarre, conceptual approach to Tangerine Dream that catapulted the band to legendary status; Schitzler left after that first album, forming with his friends Moebius and Roedelius the band Kluster. Since the demise of Kluster, Schnitzler has released dozens of albums, cassettes and CDs, both on his own and on various labels around the world.
Rot (CD)
First 1997 CD re-issue on Plate Lunch of the wild electronic first album from 1973 former Tangerine Dream / Kluster memember and one of the most peculiar and adventurous electronic explorers of the German scene.
Zug (LP)
First vinyl re-issue on M=minimal of the very rare privately released "red cassette" from 1974 of minimal rhythmic/floating electronic music by former Tangerine Dream / Kluster memember and one of the most peculiar and adventurous electronic explorers of the German scene.
Auf Dem Schwarzen Kanal (12"EP)
Very rare original 1980 EP on RCA with four pieces of NDW/avantgarde-dance electronic music by former Tangerine Dream / Kluster memember and one of the most peculiar and adventurous electronic explorers of the German scene.
Contrasts (2 tapes)
1988 double-cassette set on Auricle released in an edition of 200 hand-numbered copies by the two outstanding Berlin electronic musicians.
Deutsche Elektronische Musik 2 (Record A) (2LP)
First volume of the Soul Jazz's superb introduction to experimental German rock and electronic Musik from 1971 to 1983, a 2013 2LP set featuring A.R. & Machines, Can, Roedelius, Michael Rother, Popol Vuh, Michael Hoenig, Agitation Free, D.A.F., Harald Grosskopf, Amon Düül II, Conrad Schnitzler & Wolf Sequenza, Bröselmaschine, Eno Moebius & Roedelius, Gila, Wolfgang Riechmann.
Conal
Conal arrived in 1981 on the Norwegian independent Uniton Records, in a run of 4,000 copies, at a point when Conrad Schnitzler was long past being a German secret. The founding member of Kluster and a brief early presence in Tangerine Dream had spent the 1970s building a body of work largely outside the record industry, issuing a torrent of self-released cassettes and LPs whose titles almost all open with the syllable Con, completed by a second that points somewhere. By the start of the 1980s th…
Windmills
*150 copies limited edition* On the website fancymoon.com, CON himself describes 'Windmills' as Electro Cosmic Metal Industrial. It comprises 33 tracks and represents a continuous body of electronic music. The album was recorded and performed in the same vein as 'III Kugeln', serving as its predecessor, and is made up of four “solo electric pieces”: Sack, Turbine, Raumknoten, and Fenster. As FdW noted in his review of 'III Kugeln', this is not ambient, not dance music, not musique concrète, not …
Upwards
*150 copies limited edition* The music on 'Upwards' is constantly surprising and as always, it's expansive and incredibly captivating. The work comprises 19 "electric miniature" compositions, and one could say they all lead nowhere – and this is true, because CON has always valued the journey itself rather than the destination. It is intensely rich and beautifully remastered by Guillermo Pizarro at Vitória Régia Studios.
No Borders (LP)
Rare and great post-industrial experimental compilation edited by the Haters' GX Jupitter-Larsen presenting very obscure Canadian projects available only here - Si Monkey, .08, Xyster and L.C.D. Grey - plus the outstanding Italian master M.B, privately released in a numbered edition in 1982. With booklet.
Rr·concerrt
*150 copies limited edition* Like all concerts by Conrad Schnitzler, this one is unpredictable and always captivatingly beautiful. A masterfully crafted mix of four solo works, all located in close proximity to the RR album itself. There are few such works in the entire discography, and most of them are included in our top 100.
Memory
*150 copies limited edition* 'Memory' is a saturated, multifaceted poem, a work of sound art set against a backdrop of shimmering cosmic space. It is a sonic excursion into memory, reflecting both the light and the darkness of our consciousness. Moving forward and transcending many boundaries, Conrad Schnitzler remains true to the mood established at the very beginning of this 60-minute cinematic work.
Convex
Convex is one of a series of LPs that Schnitzler released himself in the 1980s. It is one of his LPs that convey virtually no visible information. Only the title is printed in large letters on the cover of Convex, and in tiny letters that are easy to overlook, it says: "Cover Conrad und Richard." The labels on the original LP indicate that one side is called "Convex" and the other "Concav." That's all the information there is."On Convex, as on many of his other albums, Schnitzler definitely used…
Control
"Control was created during a phase of Schnitzler's work in which his friendship with Peter Baumann (formerly of Tangerine Dream) allowed him to try out and use new electronic sound generators and peripheral technologies. He never used these innovations merely for their own sake, but always put them at the service of his artistic flair for experimentation. His signature style is clearly recognizable on Control.
The album seems to be a kind of compilation of different musical approaches. Tracks 5…
Silberland Vol 3: The Ambient Side Of Kosmische Musik (1972–1986)
Double LP version. On their last trip to Silberland, hurtled along the chrome highways and glass skyways of the kosmische landscape, powered ever onwards in perpetual motorik motion. This time, however, the Hamburg imprint opt for an unhurried itinerary, coasting far beyond the familiar rhythmic terrain to immerse listeners in the ambient side of this alternative Allemagne. Building on the tape loops, tone poems, and minimalist compositions of the '60s avant-garde, these musicians utilized the s…
DronosWalze / Dron
With DronosWalze / Dron, Conrad Schnitzler revisits and redefines the drone form, crafting a dual album that foregrounds his singular approach to electronic minimalism. These expansive pieces radiate immersion and mechanical elegance - each a testament to Schnitzler’s restless exploration and uncompromising sonic vision.
Control (LP)
Control captures Conrad Schnitzler at a pivotal moment in his solo career, with recordings made between 1979-1981 at his home studio in Berlin. Following his departure from Kluster and his brief tenure with Tangerine Dream, Schnitzler had fully committed to his vision of electronic music as pure sonic exploration. Where Convex explored minimalist repetition and icy atmospheres, Control reveals a different facet of Schnitzler's artistry. The album showcases intriguing electronic patterns, tape ma…
Convex (LP)
Conrad Schnitzler was a prolific German experimental musician and co-founder of West Berlin's Zodiak Free Arts Lab, an early member of Tangerine Dream and founder of the band Kluster. After leaving Kluster in 1971, Schnitzler embarked on an extensive solo career, pushing the boundaries of experimental electronic music. Originally released as a private pressing in 1982, Convex stands as one of Schnitzler's most compelling and underrated works. A minimalist album composed of shrill loops and disso…
Gelb
The second chapter in Schnitzler's color trilogy of pure electronic minimalism. Released in 1981 on Edition Block, Gelb continues the radical sonic experiments begun with Grün, stripping electronic music to its most stark and uncompromising essence. The original Edition Block pressing is exceptionally rare and highly sought after by collectors of minimal electronics, early industrial sound, and the German underground. "The chronology of Schnitzler's solo releases in the 1970s -- and even more so…
Gruen
Electronic minimalism at its most hypnotic and uncompromising. Released in 1981 on Edition Block, this is pure Schnitzler—no concessions, no commerciality, just the sonic vision of one of Germany's most radical electronic pioneers. Former Tangerine Dream and Kluster member Schnitzler strips away all excess, constructing strange, pulsating soundworlds from primitive synthesizers and tape manipulation. Grün unfolds like a series of sonic experiments, each track a self-contained universe of repetit…
Drei Kugeln
*100 copies limited edition* Totally concentrated, this album captures the birth of new ideas almost every minute – each emerging, disappearing instantly, and making way for the next. Reminiscent of Elliott Sharp’s 'Phlogiston' and the works of Roland Kayn, it balances mystique with accessibility. A masterpiece and a true classic of electronic music.