Creel Pone treatment of this Private-Press LP of late-70s spectral computer music by Daniel Arfib. Aside from Conrad Cummings’ review of the LP in the fall 1981 issue of Computer Music Journal, I’ve seen nary a mention of Mssr. Arfib’s early Digital Synthesis work, which seems something of a glaring omission in the historical annals given the particularly misted nature of these pieces, often utilizing an upgraded spec of Stockhausen’s rhythm-to-pitch methodologies & sharing something in common w…