David Hoyt Kimball

Edition of 400. In the twilight of the 1960s, as Italian cinema reached new creative heights, a parallel universe of musical experimentation was quietly flourishing in the studios of Rome and Milan. The production of soundtracks for both major and minor Italian films had given birth to another business venture - one that proved less profitable but infinitely more creative and liberated from client constraints: the composition of music libraries. Now, Musica Per Immagini presents the first reissu…