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*2023 stock* "On a summer-like evening of May 2012 in Milan, Italy, three master improvisers played together for the first time, and created music full of spontaneity and ethereal beauty at JapzItaly – Jazz Aid for Japanese Children. At a superficial level, Andrea Centazzo – the idiosyncratic composer and percussionist renowned for refined finesse – and Akira Sakata – the iconoclastic reedman famed with volcanic emotional display – would make an ‘odd’ musical team. Despite this presumption, guid…
*2023 stock* "This is quite an attention-catching band, with its two very clever trombones styles, a piano fully explored both inside and outside, and a truly stunning multi-effects percussions set. As a quartet, the musicians had never played together until that particular evening of the Ictus’ 35th anniversary Festival. Yet what we hear from the very first bars is a band in the communion of the moment, painting together greatly textured music with many surprising turns. Their creative energies…
*2023 stock* "On September 23, 2010, the day following Andrea's Kennedy Center appearance, two of my colleagues in the Twenty-first Century Chamber Ensemble, Janel Leppin (cello) and Mike Sebastian (reeds), came over to my home to jam. It was the anniversary of Coltrane's birth -- thus, "impressions" in this work's title to honor the master's legacy. I set up my recording rig to capture what I could. It was, in Andrea's words, "battlefield conditions": his expansive percussion rig in the living …
*2023 stock* "What happens when you multiply limitlessness by infinity? You absolutely do not know. Which is why it's such a great idea to toss Henry Kaiser and Andrea Centazzo into the same reaction chamber. As one of the West Coast's premier freakers for some three decades, Kaiser has made a career of sticking his guitar in unpredictable places. Dude's also an experimental-film-&-lit buff and an ace scuba diver, and grows radioactive coral on Neptune.Meanwhile Centazzo has crashed regularly ou…
*2023 stock* "When I had asked Steve Lacy how he should intervene with the percussion behind Lacy’s thematic statements and subsequent improvisations; the enigmatic Lacy replied: “Play what you feel.” Since then, this has been the guiding principle behind each work of art and everyday action of my artistic life. Here you can hear what Steve Lacy did mean saying that. This CD is dedicated to his memory. Even if we spent just short periods together I always kept a great memory of him in my heart: …
*Dead stock copies coming from the artist's archive. Possible wear due to the long storage* Limited and numbered first edition of 300 copies, signed by the artist. This incredible triple LP box contains the masterpieces of the percussive art of Andrea Centazzo. Realized in 1980, this album took Andrea Centazzo at the peak of his percussionist career.Indian Tapes is not, as one might be led to think, an album inspired by the music of native Americans (which consists mostly of simple monadic and …
*Dead stock copies coming from the artist's archive. Possible wear due to the long storage* Andrea Centazzo, LaDonna Smith and Davey Williams met for the first time in December 1978. An exquisite and celebrated example of improvised music.
* Dead stock copies coming from the artist's archive. Possible wear due to the long storage * Great drummer Andrea Centazzo and multi-instrumentalist Guido Mazzon recorded together in Italy in 1976 and released their album that year.
*Dead stock copies coming from the artist's archive. Possible wear due to the long storage* Studio recordings of this amazing trio. Henry Kaiser and Toshinori Kondo would like to dedicate this album to the spirit and memory of Aquirax Aida, 1946-1978. All tracks are free improvisations; heard as played.
*Dead stock copies coming from the artist's archive. Possible wear due to the long storage* Original scene music by Andrea Centazzo with the collaboration of Roberto Mannuzzi on sax and electronics and Alessandra Doria on keyboards for the theatre piece Jacques e il suo padrone (Jacques And His Master) written by Milan Kundera.
*Dead stock copy coming from the artist's archive. Possible wear due to the long storage* Pier Paolo Pasolini's lyrics in Friuli dialect from the collections "Poesie Dimenticate" (Società Filologica friulana, Udine, 1976) and "Tal cûr di un frut" (Edizioni Friuli, Tricesimo, 1953) are edited by Luigi Ciceri. All lyrics used thanks to the courtesy of professor Andreina Ciceri. Digitaly mixed and recorded in Bologna april 1987/august 1988.
* Dead stock copies coming from the artist's archive. Possible wear due to the long storage * Incredible recordings of the trio of Andrea Centazzo in collaboration with David Moss and Alex Cline.
* Dead stock copies coming from the artist's archive. Possible wear due to the long storage * Stunning radical impro session three Italian heavy weighs of the genre, recorded in 1975. Percussion, Drums, Synthesizer, Sistema Ictus 75 by Andrea Centazzo, Saxophone [Soprano, Tenor] by Maurizio Giammarco, Double-bass, Piano by Bruno Tommaso
* Dead stock copy coming from the artist's archive. Possible wear due to the long storage *Compositions by Sylvano Bussotti played by percussionist Andrea Centazzo, recorded in 1982.
Dead stock copy coming from the artist's archive. Possible wear due to the long storage Studio recordings of this incredible trio of Italians Andrea Centazzo and Giancarlo Schiaffini together with British sax legend Lol Coxhill.
* Dead stock copy coming from the artist's archive. Possible wear due to the long storage * The Italian imprint, Ictus, was founded in 1976 by percussionist and composer, Andrea Centazzo, and his wife Carla Lugli. Running for just under a decade, until relaunching during the mid-2000s, the label produced a couple of dozen highly highly celebrated releases, the majority of which loosely fall under the banner of free jazz. Ictus’ second batch of releases from the label’s historic archives logica…
* Dead stock copy coming from the artist's archive. Possible wear due to the long storage * On the same trip to the United States that produced “U.S.A. Concerts” and “Environment for Sextet”, Andrea Centazzo also connected with the San Francisco-based Rova Saxophone Quartet, formed the previous year by Jon Raskin, Larry Ochs, Andrew Voigt and Bruce Ackley (all playing various saxophones). While not as well-known now as they once were, over the last 40+ years the ensemble has produced dozens of…
*2023 stock* "In February 2010 my good friend, pianist Nobu Stowe, invited me for some concerts in the Baltimore area. Since in the same period I was scheduled to perform in duo with John Zorn in New York, I gladly accepted. What thrilled me was the idea to play again with Nobu and with some terrific musicians that I never had the chance to perform with Dave Ballou, Daniel Barbiero and Achille Succi. The quintet recorded some of my compositions structured in the way to present instrumental combi…
*2023 stock* "On February 20th 2010 I had the privilege to start my musical collaboration with Don Preston, performing live a concert of improvised music at the South Pasadena Conservatory of Music. A very versatile keyboardist who deserves much greater recognition, Don is one of the few synthesizer players to develop his own sound on the instrument. Preston may be best known as the keyboardist with Frank Zappa's Mothers of Invention, but is first and foremost a fine jazz pianist who has worked …
*2023 stock* After being inspired by contemporary artists and later by Far East culture, composer/percussionist/video artist Andrea Centazzo founded in Leonardo Da Vinci a new lymph for his multimedia concept. The music while retaining his contemporary flavor is widely open to all influences, namely sacral music. The show and music material is divided in 6 parts each inspired by a different subject of Leonardo Da Vinci genius.