Emmanuelle Parrenin is a French singer and multi-instrumentalist who plays hurdy-gurdy, harp, spinet and dulcimer. She took part in the French folk revival of the 1970s and is best known for Maison Rose, the solo album she recorded in 1977, which found a cult following after it was reissued. Parrenin's father Jacques led his own string quartet. At 19 she was part of the group around the Paris folk club Le Bourdon, and she collected traditional songs in France. She recorded La Maurmariée with Phil Fromont and Chateau Dans Les Nuages with Fromont and Claude Lefebvre.
The soundtrack to Murnau's Nosferatu composed / improvised / played by the trioof Emmanuelle Parrenin, Quentin Rollet and Jérôme Lorichon. The book accompanying the CD contains four versions of the Nosferatu story by four French artists: Marie-Pierre Brunel, Foolz, Caroline Sury and Alexios Tjoyas.
"Always at the helm, the sound magician Jean-Marc Foussat offers us four new releases from his catalogue. In April 2022 in Le Mans, this champion of combinations between electronics and acoustics brought together Emmanuelle Parrenin on the hurdy-gurdy, a very old instrument that is sometimes considered the ancestor of the synthesizer (!) and Quentin Rollet on the saxophones, an "impossible" trio if ever there was one. Yet these instruments are in perfect harmony, blending and harmonising in the …
*2022 repress.* An album such as this obviously owes a lot to the atmosphere in which it was recorded, which we can imagine was magical. We know it took place in Fromentel, Normandy, in a farm converted into a studio by the producer Jacques Denjean, known for his work with Dionne Warwickor Françoise Hardyas well as having been a member of the Double Six. It was also at Fromentel, that Denjean would record two fantastic albums with Albert Marcoeur. When Emmanuelle Parrenin followed in his footste…
It was some line up, even for the most open-minded: Emmanuelle Parrenin and her musicians, in 1981, opening for the Clash in Paris, at the Zénith! Unsurprisingly, the crowd roared the name of the English band as soon as the French musicians appeared on stage. Didier Malherbe responded with a saxophone improvisation with all the others joining in behind. If we believe the musician improvising, rather than following the cult playlist of Maison Rose, was what saved them. Created from previously unp…
An immersive record of free improvisation from the French trio of analog synth player Jean-Marc Foussat, trombonist Christiane Bopp, and vocalist Emmanuelle Parrenin, 4 works inspired by a still life painting by Duane Keiser, each an impressive evolution and transmutation of sound in dream-like environments that envelop then surprise its listeners.
Imagine Prometheus, the thief of fire, the father of civilization, had been spellbound by the sirens chanting and never felt pain, when the eagle bit his liver. Total enchantment, created by sound to overcome the pain of existence. A sound, styled by the ideal harmony of body and soul. And yet, the pain is still there, hidden between the notes, driving a romantic vision of salvation.
If Prometheus could have translated his fictitious epiphany into singing, it might sound like Ghédalia Tazartès’s…