Emmanuelle Parrenin
Haut-Coeur
"Always at the helm, the sound magician Jean-Marc Foussat offers us four new releases from his catalogue. In April 2022 in Le Mans, this champion of combinations between electronics and acoustics brought together Emmanuelle Parrenin on the hurdy-gurdy, a very old instrument that is sometimes considered the ancestor of the synthesizer (!) and Quentin Rollet on the saxophones, an "impossible" trio if ever there was one. Yet these instruments are in perfect harmony, blending and harmonising in the …
Maison Rose
*2022 repress.* An album such as this obviously owes a lot to the atmosphere in which it was recorded, which we can imagine was magical. We know it took place in Fromentel, Normandy, in a farm converted into a studio by the producer Jacques Denjean, known for his work with Dionne Warwickor Françoise Hardyas well as having been a member of the Double Six. It was also at Fromentel, that Denjean would record two fantastic albums with Albert Marcoeur. When Emmanuelle Parrenin followed in his footste…
Pérélandra
It was some line up, even for the most open-minded: Emmanuelle Parrenin and her musicians, in 1981, opening for the Clash in Paris, at the Zénith! Unsurprisingly, the crowd roared the name of the English band as soon as the French musicians appeared on stage. Didier Malherbe responded with a saxophone improvisation with all the others joining in behind. If we believe the musician improvising, rather than following the cult playlist of Maison Rose, was what saved them. Created from previously unp…
Nature Still
An immersive record of free improvisation from the French trio of analog synth player Jean-Marc Foussat, trombonist Christiane Bopp, and vocalist Emmanuelle Parrenin, 4 works inspired by a still life painting by Duane Keiser, each an impressive evolution and transmutation of sound in dream-like environments that envelop then surprise its listeners.
Jours de grève
Imagine Prometheus, the thief of fire, the father of civilization, had been spellbound by the sirens chanting and never felt pain, when the eagle bit his liver. Total enchantment, created by sound to overcome the pain of existence. A sound, styled by the ideal harmony of body and soul. And yet, the pain is still there, hidden between the notes, driving a romantic vision of salvation.
If Prometheus could have translated his fictitious epiphany into singing, it might sound like Ghédalia Tazartès’s…
Volturnus / Balaguère
2017 Release. Great hypnotic record featuring Emmanuelle Parrenin (Hurdy Gurdy, Harp, Crystal Bowl), Eat Gas (Electric Guitar, Acoustic Guitar, SH-101, Prophet), Etienne Jaumet (Moog, Oto Bim)