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1992 release ** "Eric La Casa and Sylvie Larouche's first album of lush, cinematic ambience and unsettling atmosphere from 1992. La Casa's sense of drama and timing might sound familiar to those who know his (entirely excellent) later work with field recordings."
2025 stock ** "On July 10th 2001, Guionnet (alto sax), Warburton (violin) and La Casa (microphones) explored the acoustics of the Pré Saint Gervais Metro station in Paris, riding the elevators, taking the stairs, experimenting real-time music in daily life. A reference, between site-specific improvisation and sound art."
Kindling #1: Parazoan Mapping #2 by Taku Unami and Eric La Casa is the first edition of an ongoing series of artist-run digital+paper sound-art releases, only available as a newspaper plus digital file. Through their individual practices, Taku Unami and Eric La Casa have contributed greatly to what we think about how we listen and practice sound and music, and often indirectly challenging where these two tightly linked categories might collide or overlap. Parazoan Mapping #2 continues their publ…
** 2021 Stock. Book (24 pages 15x15cm) + CD. Limited edition of 250 copies. Texts Français / English. ** Stereophonic versions based on the recordings and mixes used for the 4 sound installations. Surface-témoin / Show surface (2005) by Jean-Luc Guionnet & Eric La Casa. De la dilation du paysage / Enlarging the landscape (2006) by Michaële-Andréa Schatt & Eric La Casa. Double exposition / Double exposure (2010) by Seijiro Murayama & Eric La Casa. Tentative d’épuisement (sonore) d’un lieu / Attem…
With fifteen untitled vignettes and varying source material, Parazoan Mapping often feels like an aural scrapbook. And when looking through any scrapbook, the different photos and pieces of ephemera always point to something bigger: a sort of unraveling of the people contained within. The pictures of your family’s vacation from several years ago may not explicitly show it but you very well understand how then compares to now that feeling of joy when you conquered your first wave after hours…
2025 stock ** "In 2010, Jean-Luc Guionnet and Éric La Casa were invited by Arika to the Uninstal festival in Glasgow (Scotland) to carry out a series of recordings with some inhabitants of this city, in their home spaces. Based on predefined rules, including the single-sequence shot as a recording method, these people became the actors in a story about their everyday life. Guionnet and La Casa considered this work as a composition under the form of a score with four phases."
An extraordinary document of an experiment in which three improvisers - Pascal Battus (rotating surfaces and found objects), Bertrand Gauguet (saxophones) and Eric La Casa (microphones) - played at a working building site in Paris, adapting their playing to integrate the sounds and gestures of the workers at the site.