Francisco Meirino
They say the world is built for two
*100 copies limited release* Two live sets of collaborations: One set is Vomir/Meirino collaboration electro-acoustics heavy-textured noise, the other one is Roro's shit-folk altered live by Meirino's machines...
"Ghosts, baby goats, vacuum cleaners, a sad sleepy world"release text by Norma
Shattered Reel(m)s
Tip! *200 copies limited edition* «a desperate act of randomness» the tape recorder’s on/off switch «am I lying to myself ?» «wings on the pavement» «put your ear against the wall» «can you hear them crying ?» «remember me to push you away» «escape the making of the world» another short percussive pattern «he walks, greeting my fall» tiny bells «I hate glass» a rumble crush - carbonic acid «I am nothing» a drone - a rusty motor - a fly - resonance feedback «there is nothing here» the sound of a…
The Imitation Of An Action
These recordings are based on the idea of acoustic instruments imitating electronic sounds created by a live performer. The core, structure, and length of the pieces are defined by a graphic score that leaves room to the musicians for the imitation of those sounds.
This work is a commission by Archipel Festival and Ensemble Contrechamps, with the support of the Nicati-de Luze foundation.
13'36 10'42 12'48
*In process of stocking* These live recordings were lost and forgotten in our archives, more than a decade later, they were found on a dusty external hard drive in Meirino’s home studio. Re-discovered, edited, mixed, and mastered in 2021.Artwork and mastering by Francisco MeirinoComes in a digipack with matt printing, features artwork collage by Francisco Meirino and live pictures by Lisa Seitz & Megan Jankowski.
Maiandros
Testimony to the first encounter of the trio during a concert given at the cave12 on the 28.10.2020, on the same evening of the new Covid announcements which brought on a re-confinement in France, and eve to a six-month long shutdown of cultural places in Switzerland. A concert from which we emerged staggering and with burning ears due to the ongoing crisis surrounding us. A masterful sonic performance. Before silence.
Drawing from the dense and intense sound material of the evening, Francisco M…
La Gueule Du Loup
Recorded at GRM Studios, Paris, 2015. Edition of 300 copies. "La Gueule Du Loup" explores raw improvisation in a crude, almost cruel manner. On stage the two musicians build musical sets free of pre existing structures or recorded sounds. The electronic matrix arises from the modules and is immediately propelled into the atmosphere. The two unpatched modular sythesizers first suggest a virgin circuit. Patches are built during the performance. Cosmetic memory plays a secondary role here, catapult…
A New Instability
In 2019, the power-acoustic musician Francisco Meirino presented A New Instability, a commission for the venerable Ina-GRM in Paris. Of course, this institution is the pre-eminent center for the research and study of electro-acoustic music dating back to the founding of Groupe de Recherches Musicales in 1958 by Pierre Schaeffer. To this day, Ina-GRM continues to be at the vangarde of the electro-acoustic composition, and it is quite an accomplishment and very appropriate for Meirino to receive s…
Dedans / Dehors
* 2020 Stock. Edition of 200. * As with Luc Ferrari, it is an assemblage of recorded sequences in which we recognize a succession of various events and we reconstruct in our imaginary a possible narrative that may have been at the origin of these sounds. This is not the sound landscape (Soundscape or Field recording) whose neutrality of the author must be one of the characteristics. It is not reportage. Above all, it involves the assembly, by montage and superposition, of sounds of different ori…
Hear After: Matters of Auditory Paranoia
**200 copies** "Francisco Meirino's work in my humble opinion speaks for itself. I'm just incredibly honored to be able to put this out for him and help promote it. If you really need a description to go on though, here is my brief thoughts on it. Masterful pacing and layering of eurorack textures, vertigo inducing frequencies, immersive field recordings, broken electronics and reel-to-reel tape. Francisco has a technique that I like to call "slow cuts" where he will make you zone out on a certa…
Nonmenabsorbium
Prolific Swiss electronic composer Francisco Meirino (Misantropic Agenda, Entr'acte, Antifrost) and Basque country’s most prominent experimental musician Miguel A. Garcia aka Xedh (Crónica, Idealstate) team up and go for the rawest yet most carefully built electronic experimentation. No-input mixer, modular synth, field recordings & magnetic fields find themselves at the core of this true gem of radical electronic music, savvily handcrafted with by two experts of the genre.
Surrender, Render, End
First and foremost, Surrender, Render, End is an electro-acoustic dialectic, unremittingly engaged in a pugilist conflict between art and accident. The Swiss noise-composer Francisco Meirino began working on the skeleton for this piece in 2014 as a multi-channel, modular synth patch, which has been in an ongoing state of modification through public diffusions and private rumination. Meirino posits the album as a metaphysical puzzle of manipulated tape, atonal synthesis, and concrete sound. He is…
Beyond Repair
Beyond Repair is its latest solo cd. Eleven short tracks for modular synth, home made electronics and tape recorders. A true union between coarse substance of analogical devices and voltage of tense electronics. The core of Beyond Repair is the fusion of its contrasts. Permanent tension between chiselling and bare deconstruction, meditation and frontal sound, cold stasis and unstable dynamics. Eleven tracks that run without pause as a single composition that hits like a strong cut-up aggression…
Sous La Chambre, Sans Le Savoir
Mysterious collaboration between Francisco Meirino and Roro Perrot in which electronic music weaves his sticky web on amplified sounds and voices yelling in a dreamlike distance.
Travaux
Composed entirely from field recordings made at Rue Sainte-Beuve in Lausanne, Switzerland, between 2012 and 2013.
Untitled Phenomenas In Concrete
Composed between 2008 and 2011, 'Untitled Phenomenas In Concrete' is a piece made out of 85 HighC/UPIC* sessions and 18 external sounds (recordings of snow falling, bones cracking, magnetic fields and insects). *UPIC is a computerised musical composition tool, devised by the composer Iannis Xenakis. It consists of a digitising tablet linked to a computer, which has a vector display. Interested by Xenakis' approach and wanting to draw the sound before hearing it, Francisco Meirino spent nearly fo…