We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Special 10% discount on all in stock items until Sunday at midnight!

Gate

Archive Fever - New Zealand Underground Sound in Fanzine Interviews 1991­­–1999
Bomb! A book collecting interviews, artwork and texts of New Zealand underground sound artists from fanzines in the years 1991-1999.  Collected by Noel Meek. Texts by Noel Meek, Bruce Russell, Seymour Glass (Bananafish) and Nick Cain (Opprobrium). Cover illustration by Stefan Neville (Pumice).308 pages, format: 18 x 24 cmInterviews with: Alastair Galbraith, A Handful Of Dust, Omit, Bruce Russell, Gate, Surface Of The Earth, Sandoz Lab Technicians, The Dead C, Witcyst , Roy Montgomery, Dadamah De…
Winter Songs
8mm Records’ latest - Gate’s "Winter Songs" - gathers three long form works of hazy fuzzed out guitar drones from the The Dead C’s Michael Morley, that amount to engrossing meditative expanses at the borders of ambient music, minimalism, and stoner rock. Inward looking and delicate, while bubbling with fury and life, it stands among our absolute favorite releases from one of the most interesting artists working today, and rides high among the best albums of the year so far.
Gate & Control Unit
New official full length studio album by Micheal Morley's Gate, joined here by Ninni Morgia and Silvia Kastel's Control Unit! Six hallucinatory tracks of free noise blast, abstract electronics and industrial landscapes. A radical new effort by two projects at the apex of their creative power. Cover Art is a painting by Morley's himself. Limited to 300 copies.
Saturday Night Fever
"Saturday Night Fever takes the concept of the movie of the same name and stretches the night a bit later, the fever a bit higher to the point where the party ends up blending into something much more sinister and wild. What starts out as a disco drumbeat with funky guitar swagger and melodic horns may slowly deteriorate into some sort of corroded ambient loop that eventually morphs into melodic horn samples. Basically every track is subverting its own gestures, carving out a narrative of …
Moths
Michael Morley, Nina Canal, Sara Stephenson : electric guitars. Recorded by Roland Groenenboom at De Player, Rotterdam, August 2009 mixed at My Pit, Port Chalmers, 2011. Artworks: Eric Claridge Owl Moth & Mothface 2012 oil on canvas 30,5 x 30,5 cm each. Limited to 300 copies. Labels: Bimbo Tower Records & Dilettante Courtoisie.
Damned Revolutions
SUPERB! Dead C guitarist Michael Morley is finally back with a new Gate LP, after two years, and what a comeback! “Damned Revolutions” has all the traits of Gate’s classic LPs like “Guitar” and “The Monolake”: it starts with dark and fuzzy guitar drones, that build up to create a dense wall of distorted resonance, at times accompanied by sparse electronics and sustained by spectral beats and bass pulses. When vocals break in, it’s magical and poetic, his moaning reminiscent of pre-war blue…
The Dew Line
Deluxe gatefold sleeve reissue of this all-time classic of deformed rock song and avant guitar downs from Michael Morley of The Dead C: originally issued in 1994 by Table Of The Elements/Precious Metal, this new edition re-masters the original while adding five bonus tracks from the same time period and re-jigging the running order for maximal wipe-out.. Michael Morley has trawled through his extensive collection of unreleased tracks from the original recording period to integrate a furth…
A Republic Of Sadness
Gate is the long-dormant alias of The Dead C's Michael Morley, who releases A Republic Of Sadness as the first Gate release in over ten years. The New Zealand avant-garde lynchpin is on tremendous form for this record, creating a dreamlike procession of slowed down loops, heavily treated vocals, jarring electronic textures and even beats. The first two tracks prove especially powerful, with 'Forever' elegantly crackling through a swathe of string sampling while pitched-down vocals utter…
1