John Cage
American composer, philosopher, writer and printmaker. He was educated in California and then made a study tour of Europe (1930-31), concentrating on art, architecture and music. On his return to the USA he studied music with Richard Buhlig, Adolph Weiss, Henry Cowell and Arnold Schoenberg; in 1934 he abandoned abstract painting for music. An interest in extending the existing range of percussion instruments led him, in 1940, to devise the 'prepared piano' (in which the sound is transformed by the insertion of various objects between the strings) and to pioneer electronic sound sources.
American composer, philosopher, writer and printmaker. He was educated in California and then made a study tour of Europe (1930-31), concentrating on art, architecture and music. On his return to the USA he studied music with Richard Buhlig, Adolph Weiss, Henry Cowell and Arnold Schoenberg; in 1934 he abandoned abstract painting for music. An interest in extending the existing range of percussion instruments led him, in 1940, to devise the 'prepared piano' (in which the sound is transformed by the insertion of various objects between the strings) and to pioneer electronic sound sources.
Music for Merce Cunningham
2008 repress, featuring a 24-bit Hi-Definition remaster; originally released in 1991. Volume 4 in the Music of Cage series. The first audio document between John Cage & Merce Cunningham. It includes a 55-minute piece called "Five Stone Wind" performed by David Tudor (live electronics), Takehisa Kosugi (amplified violin, live electronics, bamboo flute) and Michael Pugliese (clay pots and tapes) as well as a 19-minute version of the classic "Cartridge Music" (same 3 performers, "using phonograph c…
Sound Forms for Piano: Cage/ Cowell/ Johnston/ Nancarrow
“... in the past, the point of disagreement has been between dissonance and consonance, it will be, in the immediate future, between noise and so-called musical sounds.” — John Cage The most characteristic features of American music are its eclecticism and innovation. The works presented here are perfect examples; their only common feature is that they were written for a piano altered in some way.
The disc opens with the eerie, wailing cries of Henry Cowell’s (1897-1965) The Banshee. In order …
Rumori alla Rotonda
Live recording at the Rotonda del Pellegrini, Milan, January 21st, 1959 featuring John Cage, Morton Feldman, Juan Hidalgo, Leopoldo La Rosa, and Walter Marchetti. Among all the events involving John Cage during the long stay in Europe that followed his controversial appearance at Darmstadt Ferienkurse in September 1958, the concert he held in Milan on January 21st perhaps represents a less well known episode.
Featuring Cage's intervention both as composer and performer of one's own work as well …
Cabaret per Nulla
This album comes from the love for Music. Contemporary music, but also Songs. From the love for History and People. From the observation of a stage before and after a concert. And from Friendship and Collaboration.Erik Satie and John Cage were two musicians of great influence and supreme coherence. In their rigorous path they choose the road to astonishment. On the road to their artistic ideal they met the “music”, when others only loosely saw it. Satie and Cage are, now historically, two compos…
Freeman Etudes, Books One and Two
John Cage's Freeman Etudes are the modern equivalent of Paganini's virtuoso solo violin etudes. Each etude is completely notated down to the smallest detail, and the composer states "...are as intentionally as difficult as I can make them...So I think that this music, which is almost impossible, gives an instance of the practicality of the impossible." The detail and complexity of these etudes give them a unique and unusual spot in Cage's oeuvre.
These first two books (there are 8 etudes p…
Sonatas and Interludes
This landmark recording of John Cage’s prepared piano works performed by Mario Bertoncini was recorded back in December 1991. The sonatas are divided into four groups, each divided by the less overtly structured, rhapsodic interlude pieces. Bertoncini sensitivity to the displaced sonic characteristics of the piano is remarkable and suggests a rigorous dedication to Cage’s work.
Freeman Etudes, Books Three And Four
This CD presents the first recording of the second half of John Cage's Freeman Etudes for violin. Those familiar with the previously-released volume of this work will already know what to expect: the bewildering complexity of the Etudes and the astonishing virtuosity of Irvine Arditti's performance.
Convinced that the later, more complex etudes were unplayable, Cage abandoned work on the Freeman Etudes in 1980, after completing the first sixteen and beginning the eighteenth Etude. It wasn't…
One11 And 103
A performance for camera person and light, One11 is a film without subject. There is light but no persons, no things, no ideas about repetition and variation? Chance operations where used with respect to the shots, in black and white. The light environment was designed and programmed by John Cage and Andrew Culver, as was the editing of the film.The orchestral work 103 musically accompanies One11. Like the film, 103 is 90-minutes long, divided into seventeen parts - its density varies from solos…
From Zero
Four films on JOHN CAGE by Frank Scheffer and Andrew Culver. Mode celebrates its 20th Anniversary in 2004 with the release of a major film on John Cage by renowned Dutch director Frank Scheffer in collaboration with Cage's long-time associate Andrew Culver. The group of films, entitled From Zero, are:* 19 QUESTIONS: Cage answers 19 questions on a variety of subjects, using chance operations to determine the duration of his colorful and often witty answers. A unique opportunity to view the Cagean…
A tribute
From the liner notes of Eric Salzman: “John Cage wrote for keyboards throughout most of his life. Most famously, he invented the so-called "prepared piano" but he also wrote for unprepared piano in both traditional and untraditional ways. His later piano works employ an almost ferocious complication and virtuosity at the outer limits of performer possibility. Earlier he used electronic extensions, chance and performer collaboration in complex ways. His early keyboard music was written for himsel…