*2026 stock* The title says it: a deliberate, joyful return to bebop fundamentals from the Kenji Mori quintet, recorded at a moment when the language could already feel like a stylistic choice rather than a default. By 1982 the Japanese jazz scene had moved through its modal, free and fusion phases, and Be-Bop '82 is in part a record about choosing to stand somewhere: a claim that the bebop vocabulary still had real things to say. Mori plays with the kind of warmth and confidence that comes from…