"All is alive in Liza Lim's music, permeated by unstressed urgency. It's hard to think of anything less Kafkaesque than her Annunciation Triptych, in which she shatters the Romantic trope to pieces, rebuilds it in other ways, and uses the orchestra as a historical and cultural prism wherein the women - Sappho, Mary, and Fatimah - are portrayed as sources of transhistorical light in every movement. Each 'prism-orchestra' is, moreover, an assemblage itself, filtering its figure's radiance in unpre…
Liza Lim's song cycle Tongue of the Invisible (2010-11) after Hafiz, for improvising pianist, baritone and 16 musicians, recorded live in Cologne by Uri Caine, Omar Ebrahim and Ensemble Musikfabrik under André de Ridder.