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Luc Ferrari

Luc Ferrari (1929 – 2005) was a French composer, particularly noted for his tape music. In 1954, Ferrari went to the United States to meet Edgard Varèse, whose Déserts he had heard on the radio, and had impressed him. The use of ambient recordings was to become a distinctive part of Ferrari's musical language. Ferrari's Presque rien No. 1 (1970) is regarded as a classic of its kind. In it, Ferrari takes a day-long recording of environmental sounds at a Yugoslavian beach and, through editing, makes a piece that lasts just twenty-one minutes. 

Luc Ferrari (1929 – 2005) was a French composer, particularly noted for his tape music. In 1954, Ferrari went to the United States to meet Edgard Varèse, whose Déserts he had heard on the radio, and had impressed him. The use of ambient recordings was to become a distinctive part of Ferrari's musical language. Ferrari's Presque rien No. 1 (1970) is regarded as a classic of its kind. In it, Ferrari takes a day-long recording of environmental sounds at a Yugoslavian beach and, through editing, makes a piece that lasts just twenty-one minutes. 

Tautologos and other early electronic works
Luc Ferrari is among the best known of the early electronic music pioneers. He was director of the Groupe de Recherches Musicales from 1959 to 1960, working closely with Pierre Schaeffer, and his music played a decisive role in defining the range of musique concrète. But he went further to become one of the most radical composers of his time, and this CD, with its incisive character and exceptional sounds, marks the starting point for his artistic evolution. The compositions include 'Etudes aux …
Acousmatrix 3
Third volume in the Acousmatrix series. "A lovely work of electro-acoustic music by one of the French pioneers of musique concrete, Petite Symphonie Intuitive Pour un Paysage de Printemps ('Little Intuitive Symphony for a Spring Landscape') recreates the composer's experiences during a climb toward sunset on the Causse Mejean, a high plateau in the Massif Central, including his recollection of a shepherd's flute and its reverberations across the landscape. The flute sounds and multiple echoes co…
Cycle des souvenirs
2023 restock. First ever release of a large scale electroacoustic piece five years in the making that revisits numerous periods from Luc Ferrari's five decades of work. From the composer's liner notes: "I have been composing a new series of works under the general title Exploitation des Concepts. The point is to take concepts I have been experimenting with throughout my entire life as a composer, and to put them to use in every possible direction: in instrumental as well as electroacoustic music…
Far-west news (1998-99) episodes 2 and 3
Far-West News is the late Luc Ferrari's three-part aural travelogue of time that he and his wife Brunhild Meyer spent in the American Southwest in 1998. Far-West News strains familiar categories of genre; as Ferrari himself writes, 'It's not a report or a soundscape, not a Hörspiel or an electronic work, not a portrait or a recorded reality exhibit, not a transgression of reality or an Impressionist account, not a so on or so forth. It's a composition....[C]omposition in some cases, especially i…
Interrupteur/Tautologos 3
Luc Ferrari -- along with Pierre Schaeffer, Pierre Henry, François Bayle, and others -- is one of the pioneers of the particular style of tape music known as 'musique concrète'. More significantly, he must be counted as one of the most complexly, most idiosyncratically compelling of post-War composers. Ferrari has time and again ranged far afield of musique concrète, and Interrupteur/Tautologos 3 is one such foray into instrumental music. But what a setting-forth! Mon dieu! These particular real…
Les protorythmiques
This recording is taken from a live concert which took place at the Musique Action Festival in France on Thursday the 26 of May 2005. Initially Luc Ferrari and erikm were invited to present "Les Protorythmiques" at Musique Action 2005, a work composed around a new 'open working process' in which sounds and compositional parts could be substituted and transformed in an almost improvisational setting, this however was not to pass due to Luc Ferrari's health, at which point Thomas Lehn was invited …
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