Lucy Duncombe

Lucy Duncombe and Feronia Wennborg compose a modern symphony for virtual choir on 'Joy, Oh I Missed You', muddling sound poetry with Nuno Canavarro and ‘Systemische'-style machine-damaged surrealism. It's mindbogglingly good, like a mashup of Lee Gamble's 'Models', Akira Rabelais' 'Spellewauerynsherde' and Robert Ashley's timeless 'Automatic Writing’ screwed to perfection in a mode that will also appeal if you’re into work by Kara-Lis Coverdale, Nozomu Matsumoto, Theo Burt, Olli Aarni, Sydney Sp…

Tip! Theatric melodrama from Glasgow’s Lucy Duncombe, making a grand debut on 12th Isle sure to appeal to fans of Julia Holter, Lyra Pramuk, Enya  Sibling piece to a longer, self-released tape (‘The Rapture of Cellular Accretion’), the two works of ‘Brace/Mend’ accomplish a lofty scope with soaring, consonant strings, organ and skilfully operatic vocals enacted by Lucy Dumcombe and co-produced by the artist with Kenneth Wilson and William Aikman.     ‘Brace’ sees Lucy’s elegiac vocals deftly spi…