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Maurizio Bianchi

Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations. Bianchi became religious and withdrew himself from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions

Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations. Bianchi became religious and withdrew himself from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions

Member of: Maribor, Vértice
Tutti Quanti Sognano Porno (Compiuti I Dieci Anni)
2018 release ** "Le Cose Bianche is the power-electronics project founded by Giovanni Mori in 2007 dedicated, in the best tradition of early industrial, to abrasive and dissonant sounds. The themes addressed by Le Cose Bianche are scabrous and often …
Regel
Oblio, a brand new imprint dedicated to reissues from the moodier spectrum of Italian experimental music, launches into action with the first ever fully remastered vinyl reissue of Maurizio Bianchi's 1982 private press masterstroke “Regel”. A seminal…
Endometrio / Endometrio De-Composto
*2022 stock* "Towards the end of 1982, I was living a moment of creative stagnation, and for avoid the risk of repeating myself with sterile modular secrations, I had an arterial idea: filering ancient recordings of mine through the aid of an Aiwa mu…
S.F.A.G. / S.F.A.G. De-Composed
*2022 stock* "Ante-facts : after the disintegrative period of my production (from “Symphony for a Genocide” to “Das Testament”), the purchase of a misanthropic echo-machine and the consequent decay of the electric-analogue machinery, my efforts was r…
The Last Technocide
*2022 stock. Limited edition of 300 copies.* September 30 2016 will be an historical date for lovers of true Industrial muzak! In fact this will be the date in which one of the fathers of Industrial, none less that Mr. Maurizio Bianchi / M.B. will pl…
Material Modulations
"Second and final collaborative work by MB [Maurizio Bianchi] & MO [Mauthausen Orchestra], recorded before the premature departure of Pierpalo Zoppo the man behind Maurhausen Orchestra (R.I.P.).In the modulatory system, sounds are extracted from a ba…
Spiritual Noises
Historical collaboration between two of the fathers of Italian (and not only Italian) Old-School Industrial, Maurizio Bianchi and Mauthausen Orchestra."Creating noise is determined by the presence of an original particle to which randomly apply an al…
Vir-Uz
2012 release ** The legendary M.B. / Maurizio Bianchi and the vulcanic Andrea Ics Ferraris team up for a special collaboration titled Vir-Uz. Their symbiosis has generated deep and intimate tracks around the biblical figure of Job, as you can read in…
Apokalypsis XXIII
2011 release ** "In August 2010, Maurizio Bianchi officially announced his retirement from musical scene. "Apokalypsis XXIII" is his last ever electronic music album, recorded in Summer of 2010. All the latest albums appeared after that are in fact r…
KRMN
Working with the same source material, sound artists Maurizio Bianchi & Francisco Lopez create individual works produced from the impartial de-oxidation of sonorous carbon-containing modular compounds. "'KRMN-FL' and 'KRMN-MB' were both created with …
Genologic Technocide
2006 release ** "Aided by musician M.D.T. (aka the Museum of Torture), this time leaving Maurizio Bianchi concessions acoustic Antarctic Mosaic and MI Nheem Alysm (where an upright piano hammers for 10 minutes a tether claustrophobic) to resume the s…
Electrostatic Deflection
2007 release ** "Electrostatic Deflection" is a new industrial-music masterwork, created through collaboration with Maurizio Bianchi, and Israeli musician Maor Appelbaum. It's represents Bianchi's more extreme direction... a sample of whats comming i…
Elisionem
2006 release ** "'The 'elision' in the traditional music is a coercive and systematic dispositive necessary to assimilate two syllabic notes in one only. The 'elisionem', in the avant-gardist branch, is a sound absorbent course used amalgamate variou…
Cycles
2004 release ** Edition of 200 copies. "Cyclic composition with electronic elements fertilized during the 6027 A.M."
Dates
Ees'T records is happy to announce a further step into the Maurizio Bianchi new production, a new compact disc which completes the Trilogy starting with the previous Colori and First Day-Last Day. This time the author concentrates on Time, or the ine…
First Day Last Day
Conceived in the same direction of the previous CD titled Colori, this new work found its bases in the revaluation of the events the started the Creation, when an intelligent and complex act of sublime love started our physical universe off, transpos…
Mutation For A Continuity
Very few are aware of the beginning of Maurizio Bianchi's adventures? Before starting the complex and compelling production of many records and tapes in the early eighties under the M.B. trademark, Maurizio Bianchi was documenting the new music scene…
The Plain Truth
2014 repress, originally released in 2000. First issued on the Broken Flag label in the UK in an edition of 500 in 1983. A different style, providing some distance from all his previous works; a more expansive experimentation with multiple layers …
Endometrio
2014 repress. Originally issued as a private LP edition of 400 copies in 1983. De-composition for synthetic sounds and electronically generated noises. Here M.B. distanced himself from the movement of the industrial Bruitists, introducing his "b…
Carcinosi
"Originally issued as a private LP in an edition of 400 copies in 1983. MB de-composition for bionic organisms and concrete sounds. A sound that refuses both the cold logic of the fetish electronic computer-man-of-the-year and the sterile exasperatio…
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