Victoria One reissues "Armageddon" by The Maze, digitally restored for new audiences. Featuring original 1968 tracks plus rare bonus content, this release offers the definitive psychedelic legacy of late 60s San Francisco.
*2024 stock* The openness of Lucier's instructions belie the difficulty in dealing with the idea of how one can translate a sound from one medium into another and what kind of transformation of information takes place in that exchange. While interpreting this work, a musician becomes intensely aware of the processes by which one listens, both consciously and subconsciously; how one is constantly decoding sounds in one’s environment, filtering out essential and non-essential information, discerni…
The music on this album originates in the interactive sound installation The Body Imitates the Landscape by artist Adi Hollander: she designed a collection of ergonomic objects that are meant to transform music into vibrations felt through the entire body. Hollander was inspired by the Japanese book Karada by Michitaro Tada about the ‘school of the body’. Hollander and Claudio F. Baroni made a live version of the installation where Baroni’s music, performed by Maze, was experienced live by the p…
Fifth release in the MFR Contemporary Series. The Amsterdam-based ensemble MAZE (La Berge, Calderone, Davis, Kyriakides, Hijmans, van Houdt) realises two works by Annea Lockwood, both built around graphic scores derived from photographs of natural systems. Bayou-borne, for Pauline (2016) is dedicated to Pauline Oliveros and uses a map of Houston's bayous; Jitterbug (2007) interprets rocks from the Continental Divide with Lockwood's pre-recorded aquatic and terrestrial insect sounds.