The following commentary was written about three books by Richard Long from the late 1970s: “Throughout these publications, the photographs are definitive records of moments within a landscape, whether of a single geometric form made with material fr…
In Unshelfmarked: Reconceiving the artists’ book, Michael Hampton vets the medium’s history, postulating a new timeline that challenges the orthodox view of the artists’ book as a form largely peculiar to the twentieth century. Post-Deweyed, these wo…