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Nate Morgan

Nate Morgan (1953-2013) was a Los Angeles jazz pianist and composer, a key figure in the city's creative music community. A student of Joe Sample and Hampton Hawes, he joined Horace Tapscott's UGMAA collective as a teenager, going on to work alongside Arthur Blythe, Bobby Bradford, Pharoah Sanders and Azar Lawrence, among others. He recorded three albums for Nimbus West and was conductor of the Ujaama Ensemble. A stroke in 2008 ended his performing career.

Nate Morgan (1953-2013) was a Los Angeles jazz pianist and composer, a key figure in the city's creative music community. A student of Joe Sample and Hampton Hawes, he joined Horace Tapscott's UGMAA collective as a teenager, going on to work alongside Arthur Blythe, Bobby Bradford, Pharoah Sanders and Azar Lawrence, among others. He recorded three albums for Nimbus West and was conductor of the Ujaama Ensemble. A stroke in 2008 ended his performing career.

L.A.'s Unsung
Nine rare tracks from the Nimbus West archive, a map of Los Angeles underground jazz the world never heard enough of. Horace Tapscott, Nate Morgan, Jesse Sharps, Dadisi Komolafe, Roberto Miranda - the names that built UGMAA and the Pan Afrikan Peoples Arkestra, the movement that kept spiritual jazz alive in South Central for decades while the music industry looked elsewhere. "Desert Fairy Princess," "U.G.M.A.A Ger," "Prayer Of Happiness," "Mrafu," "Calvary" - titles evoking the Pan-African consc…
Live in Santa Barbara
"Yeah, I'm Nate Morgan. I'm going to play with you all." That's how a teenage Nate Morgan introduced himself to Horace Tapscott after hearing The Giant Is Awakened on the radio and tracking down the Pan Afrikan Peoples Arkestra. Not "I want to" - "I'm going to." He'd already been studying with Joe Sample and Hampton Hawes, but Arthur Blythe's wailing saxophone on that Flying Dutchman LP had gone straight to his heart. A spiritual experience, he called it. Over the next decades, Morgan became a c…
Journey Into Nigritia
Journey Into Nigritia, released in 1983 on Tom Albach's Nimbus West, was a declaration of arrival. Morgan assembled a quartet built for spiritual exploration: firebreathing reedsman Dadisi Komolafe on alto saxophone, Jeff Littleton on bass, Fritz Wise on drums. The rhythm section would become Morgan's anchor - Littleton and Wise appear on all three of his Nimbus recordings. Six compositions. The album opens with "Mrafu," John Coltrane's influence immediately apparent - Komolafe gets right to wor…
Retribution, Reparation
One year after his debut Journey Into Nigritia, Nate Morgan returned to Tom Albach's Nimbus West studio with a statement so direct it left no room for ambiguity. The album's title alone - Retribution, Reparation - announced its politics. Where the first record had been a declaration of arrival, channeling Cecil Taylor's angularity and John Coltrane's spiritual seeking, this 1984 session was something else: a confident distillation of the Pan Afrikan Peoples Arkestra's communal fire into a surgin…
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