Nicholas Langley

Tip! *'Dijon Mustard' coloured vinyl, limited edition LP * Femme Fatales with big guns, coolly efficient assassins, highly sexed and impossibly beautiful kleptomaniacs, Paris Métro signs, wet cobbled streets – and neon, always lots of neon; the visual aesthetics of the Cinéma Du Look movement of the early 1980s to early 1990s were as important as the characters in the films themselves.Identified by Revue du Cinéma critic Raphaël Bassan in its May 1989 issue, ‘Cinéma Du Look’ principally revolved…