Nina Dragičević

Where sounding is understood as an exhibition of activity, vitality, and power, Nina Dragičević proposes that we analyse sonic phenomena in econo-political terms. In this essay—or is it perhaps a long love poem?—she dives into the sounding-listening dynamics and reveals them as class relations in which audibility is not an event following an occurrence of sound but a point in an intersectional class structure. With audibility, or rather the lack thereof, comes auditory poverty. And where there i…