We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Osvaldo Coluccino

Osvaldo Coluccino (1963), is a composer and poet. His compositions have been commissioned by Biennale Musica (Biennale of Venice), Milano Musica (Teatro alla Scala), Orchestra Sinfonica Nazionale della RAI (RAI Nuova Musica), Compagnia per la Musica in Rome, and have been also performed at several international festival

Osvaldo Coluccino (1963), is a composer and poet. His compositions have been commissioned by Biennale Musica (Biennale of Venice), Milano Musica (Teatro alla Scala), Orchestra Sinfonica Nazionale della RAI (RAI Nuova Musica), Compagnia per la Musica in Rome, and have been also performed at several international festival

Parallelo
Limited edition of 200 hand-numbered copies. All include an additional art card on 300gr satin-paper. Packaged in clear vinyl sleeve with folded insert. These abandoned ruins of the seventeenth century are located along a path that I often walk on, uphill, in silence, alone. Not exactly on the path but hidden, deeper into the woods, that place lies parallel to the path that leads to the top of a hill. Even if I do not go (necessarily, every time) inside, that place beyond attracts like a magnet,…
Absum
As in the Osvaldo Coluccino's own words: "Presence of the work, absence of the author. So muffled, vapor escaping from an old coffer, so dusty and apparently, in some ways, timbrically “primordial” and yet elusive, the first three compositions of the album unfold. The following three increase the dynamism and openness of the timbre.  As always in my albums, also in Absum a journey takes place along the tracks that, joined together, make it up. Even in this “raw” timbre paste, emblem of adherence…
Gemina
Beautiful brand new album by Osvaldo Coluccino (of Die Schachtel fame) who truly straddles the ever flimsy boundaries between classical and electronic music in a prodigious series of mixed duets CD (violin and piano, flute and piano, violin and viola, G flute and guitar, violin and cello, Bb clarinet and tenor saxophone, cello and piano, trombone and electronics). Very Higly Recommended!!
Dimensioni
Another welcomed return in our Zeit Series - his 2010 Neuma Q being one of the best received titles in the series - Osvaldo Coluccino presents a collection of his early (1997-2007) electroacoustic pieces. From the dark drones of Dimensioni (interspersed with the treated voice of Jacques Lacan) to the treated percussions of Nell'attimo, to the acousmatic brilliance of Dal margine, this CD is a journey into the brilliant head and the complex soul of one of the most interesting Italian cont…
Oltreorme
Four beautiful pieces for acoustic objects, performed, recorded and assembled by an Italian composer whose reputation has soared in recent years after previous CD releases on Col Legno, Neos and Another Timbre . Oltreorme is Coluccion's second work for acoustic objects (no musical instruments, electronic devices or post-production treatments) and suggests a new direction in Coluccino's music, engaging with notions of silence more closely and explicitly than in his previous compositions. M…
Stanze
In his interpretation of the music from Osvaldo Coluccino, Alfonso Alberti takes us by the hand to lead us part of the way through our innermost being.What we hear seems like fractured piano music, like notes and sounds scattered in space: in his “Stanze,” Osvaldo Coluccino uses the piano’s resonant body to generate resonances in the spaces within us. He removes the windows, eliminates all opulence, and confronts us with environments that lie within ourselves. The light and the dimensions keep c…
Atto
Superb brand new release by Osvaldo Coluccino, enetirely focused on Acoustics objects. 'On a practical level : I struck or rubbed the objects, I breathed onto them etc. I never left them in peace in their (false) status of amorphous objects, or with their forced function, or with a univocal voice. I provoked them so that the 'new side', springs out from them and resounds. It doesn't matter what category of object it is; what matters is the aesthetic outcome of its 'singing'. Ethic-Aestheti…
Neuma Q
The new addition to the Die Schachtel 'Composers' series, an utter immersion into the purest electronic sound, exploring a broad spectrum of electroacoustic phenomena, low-end drone, magically constructed and sequenced in a way that preserves its intimate feel
1