Peter Zummo
Very Slow Disco Suite
2007 release ** "In Very Slow Disco Suite (2006), De Bièvre slows down a disco song from 120 bpm to 20 bpm. Against this languid harmonic background, three musicians play material that is dictated at random by a microcontroller. In this way, De Bièvre tried to guarantee the spontaneity of the performance."
Bending The Tonic (Twice)
2005 release ** "Bending the Tonic (2004), a work for ensemble that November Music commissioned De Bièvre to compose. In this work, a computer records all the audio signals of the musicians (except for those of the contrabass and percussion) and plays these signals back according to a fixed temporal system. The harmonic basis is formed by a stereotypical blues progression, that De Bièvre stretches over 144 measures. The title refers to the importance of the tonic in blues music."
Thinking A View
*300 copies limited edition* Los Angeles artist Eddie Ruscha aka Secret Circuit hooks up with Downtown minimalist Peter Zummo for 'Thinking A View'. The duo take listeners to uncharted meridians of the mind through imaginary zones, realized via synthesizers, keyboards, drum machines, vibes, tapes, and clarinet from Ruscha. Meanwhile, Zummo helps paint these psychedelic Fourth World ambient zones utilizing various wind instruments; trombone, cornet, euphonium, and tuba which takes things into a k…
Zummo with an X
Arthur Russell, amplified cello and voice; Bill Ruyle, tabla, marimba; Peter Zummo, trombone; Rik Albani, trumpet; Guy Klucevsek, accordion; Mustafa Ahmed, percussion. with accuracy and humor, peter zummo (born 1948) often describes his unique music as 'minimalism plus a whole lot more.' he is an important exponent of the american contemporary classical tradition whose compositions explore the methodologies of not just minimalism, but also jazz, world music, and rock, while seeking to cre…
Experimenting with household chemicals
Experimenting With Household Chemicals' is a 1995 album by the laregly elusive post-minimalist Downtown experimenter Peter Zummo. Whilst possibly best known for his work on classic Arthur Russell recordings, he's been a mainstay of New York's vaunted experimental scene since the the mid-late '70s, but only released three solo albums proper. This is his 2nd, exploring "a trombone-specific method for generating melodic movement, as well as a collection of related, "spinoff" melodic material for en…