Philip Corner
Corner became interested in calligraphy during military service in Korea. While there he became enamored with Korean traditional music, particularly the jeongak composition Sujecheon. Many of his scores are open-ended in that some elements are specified, but others are left partially or entirely to the discretion of the performers. Some employ standard notation, whereas others are graphic scores, text scores, etc. His music also frequently explores unintentional sound, chance activities, minimalism, and non-Western instruments and tuning systems. Also in his oeuvre are piano pieces, choral works, electronic music, and more than 400 works.
Corner became interested in calligraphy during military service in Korea. While there he became enamored with Korean traditional music, particularly the jeongak composition Sujecheon. Many of his scores are open-ended in that some elements are specified, but others are left partially or entirely to the discretion of the performers. Some employ standard notation, whereas others are graphic scores, text scores, etc. His music also frequently explores unintentional sound, chance activities, minimalism, and non-Western instruments and tuning systems. Also in his oeuvre are piano pieces, choral works, electronic music, and more than 400 works.
Gamelan IX March
Big big Tip! Green Vinyl edition, it comes insert/score print, hand numbered. Edition 150 + 50. Live recordings from World Fair, Vancouver 1994 at Indonesian Pavillion Gamelan-IX-March prelude, featuring Gamelan Son of Lion.
Autumn Fair
Limited edition of 350 copies. Sold out at source To celebrate the 10th anniversary of Recital, we present Autumn Fair. A group LP comprised of 44 guest players (full list below), curated and edited together by Sean McCann. Autumn Fair aptly embodies the feeling of Recital as a record label; the infusion of abstract sound art and sentimental beauty – performed by both younger and older generations of artists. Oren Ambarchi - guitar, Ed Atkins - paper shredder, Jason Bannon - family, Derek Baron …
New York Piano
** Limited edition of 70 copies. The cassette comes with two laser printed inserts **
Gamelan in the New World, Vol. 2
**2020 stock** Gamelan in the New World: Vol. 2, released in 1982, is a teaching album, providing the listener with lyrics, scales, and a history of Indonesian music culture. Gamelan Son of Lion play keyed instruments that are constructed in the Javanese style. The group uses both the pelog and slendro tuning systems, sometimes in conjunction with one another within a single composition. The group is composed of ethnomusicologists and instrumentalists who are dedicated to playing and preserving …
Stones : Dreams
** Edition of 220 copies, it comes with a 16-page pamphlet ** Recital label head Sean McCann on Stones : Dreams: "The first audio document ever published by Fluxus artist Geoffrey Hendricks (1931-2018). There is a romanticism found in Geoffrey, that, in my mind, sets his work aside from his Fluxfriends. Known for his timeless sky paintings, applied to canvas, cars, clothes, and so on, the conceptual married the majestic. He was a master painter, whose work could have filled cathedral ceilings. I…
EXTREEMIZMS early & late
Extremes are extreme, extremely. For Philip Corner, a lifelong commitment to extremes - extreme expression, extreme beauty, extreme noise, extreme silence - developed a mastery of expression, any one extreme may result in all of the others. In gripping new recordings by the duo of Silvia Tarozzi, violin, and Deborah Walker, cello - with assistance from Rhodri Davies, harp, and Philip Corner, piano - Corner's early ensemble works from 1958 are paired with newer, late works from 2015-2016. The wor…
The Judson Years
It’s hard to overstate the importance of Philip Corner. For more than half a century he has been a cornerstone of the American musical avant-garde. A once student of Otto Leuning, Henry Cowell, Olivier Messiaen, and Dorothy Taubman, who went on to inherit John Cage’s legendary Modern Music class at the New School for Social Research. A founding member of Fluxus, Corner made waves fast, creating a body of singular work, both on his own and within ensembles like Gamelan Son of Lion and Tone Roads,…
Gamelan Coming & Going
Recorded in 1985, this long piece, unpublished until now, belongs to the Gamelan series, which Philip Corner has worked for years and counting dozens of pieces. In the word of the author, the piece, for two pianists "...represents one of the most “curious” manifestation in the Gamelan series. The increment-link, high-to-low, is maintained on the chromatic scale of the piano keyboard, giving durations from 1 to 88. However they are realized in both directions at the same time. And counted out lou…
conceptmusic
Conceptmusic is a work
that speaks for itself.
It is a solicitation.
It is a statement.
It is an object of art,
but also a musical object.
Actual and potential.
“conceptmusic” is a verbal score that leave you the
chance not only to perform but even to conceive
your own music.
It contains no "sounding" support.
Every box is numbered.
PoorManMusic
Homemade noise made by, among others, Philip Corner, Max Neuhaus, Steve Reich, James Tenney, Malcolm Goldstein, Jackson Mac Low, Dick Higgins, Alison Knowles, Carolee Schneemann, Jerome Rothenberg... the Technicians of the Sacred. Gift Event III: A Celebration for poets, musicians, and dancers, based on the orders of the Seneca Indian Eagle Dance and performed at the Judson Dance Theatre, Judson Memorial Church, New York City, March 21 and 22, 1967. A part of the Spring Happenings.
The legandary…
Battutosso / Bone Pulse (And Other Nature Musics)
Philip Corner's Battutosso / Bone Pulse (And Other Nature Musics) features recordings from 1989-97 of the US composer experimenting with bones, "the 100 most beautiful cows' bells", "breath, flute, and rubbing rock", and "Geoff Hendricks' xylophone sculpture". Compelling stuff, as always with Corner's work. Mastered by Silvia Kastel (Control Unit etc) and released on the Italy-based Ricerca Sonora imprint in an edition of 300 copies
Coldwater basin
* 180 copies * Anticipating Fluxus celebrations in 2012, alga marghen proudly presents one of the masterpieces from the glorious 60s, by master of ecstatic music Philip Corner. “Remember? When you made these things at home, on the best equipment you or your other poor friends could find? And you had that Japanese tape recorder with built-in mike; indeed that was the only piece of furniture on your tatami floor on the Lower East Side that summer of 1961”.A home recording of water running from a f…
DIY Canons
"The pieces on this CD are all based on the ideas in Larry Polansky's four voice canons, a series of pieces he began in 1975. These canons are usually "mensuration canons," which means that the tempi of successive voices is proportional to their start times, so that the voices end together. They also use simple ideas of moving through a list of permutations, and applying the elements of those permutations to various musical parameters. A set of Polansky's canons was produced on Cold Blue Records…
40 years and one
This man and his work represent the real "speculum musicae" of the past 40 years. The example of his music embodies a lifelong commitment to an integral radicalism. . . . this is a venerable tradition that Philip has written so eloquently about, and continued in his music. A tradition that stems from "Charlie" Ives through John Cage and Lou Harrison. All of these composers would ultimately admonish us to do one thing: to open our ears--and LISTEN! —Peter GarlandPerhaps the single most striking …
On tape from the Judson days
"'On tape from the Judson days. Remember? When you made these things at home, on the best equipment you or your other poor friends could find? Electronic music from the 1960s. And you had that Japanese taperecorder with built-in mike; indeed that was the only piece of furniture on your tatami floor on the Lower East Side that summer of 1961.' This compact disc presents tape music recorded between 1962 and 1963 for the friends meeting once a week in a loft in NYC. The first track, 'Lucinda Pastim…
More from the Judson years Vol. 2
2004 release. Excerpts from the liner notes of More from the Judson Years (Early 60s) Instrumental-Vocal Works Vol. 2, written by Philip Corner: "Everything Max Has" (1964), Max Neuhaus solo, recorded at the ONCE Festival, 1965. "A performance of Max's taking down all of his stuff; tons of equipment filling entire stages." "Big Trombone" (1963), Jim Fulkerson improvisation over tape collage. "Homage to Revere" (1962) for ensemble of copper-bottom kitchen utensils. "Punkt" (1961) for ensemble of …
More from the Judson years Vol. 1
2004 release. "Yet not to forget that extraordinary place where so much of the new and exciting performances at that most interesting time in New York, took place. There was a Theater there; and a place for the first Happenings. An Art Gallery... and later the famous Judson Dance Theater -- the site of Philip Corner's first performance. The concert was in early 1962, January 2nd, to be exact. Excerpts from the liner notes of volume one of More from the Judson Years, Early 60s, written by Philip …