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Pinkcourtesyphone

Arise in Sinking Feelings
Through the eye of the pinkish gate... Soft lights... cool evening breezes, toxic fumes, burnt champagne and supper for one... love and longing...disenchantment... and the murky meanderings of Pinkcourtesyphone. It is impossible for us to supply all the recipe ingredients needed for this, the sounds of soured romance, but we can at least dish up the musical setting on a deluxe digital porcelain platter (with a just few hairline cracks)... but only for an hour. A gourmet offering befitting a pall…
Elegant & Detached
2023 stock. This is the second full-length album from U.S. sound installation artist Richard Chartier aka Pinkcourtesyphone. Pinkcourtesyphone is an echo of an unfamiliar voice. Pinkcourtesyphone remembers two things you hold up to your face as a conduit to forgotten love. Pinkcourtesyphone permeates like a syrup-y dream. Pinkcourtesyphone is many things from many places. Pinkcourtesyphone is elegant and detached. This is the second full-length call from the Pinkcourtesyphone-line; a loquacious …
Shouting At Nuance
*In process of stocking. Limited edition of 300 copies.* Pinkcourtesyphone is the pseudonym for the Los Angeles based minimalist Richard Chartier. Under this moniker, Chartier indulges in an emotional torpor through his hauntological compositions for forgotten dreams with an opiated grandeur and subtle application of certain nostalgic camp. Shouting At Nuance glances back to Chartier’s earliest works that were recorded onto tape, with allusions to decay as an unrecognizable reconstruction of pas…
All Intensive Purposes
Richard Chartier’s Pinkcourtesyphone operates at nexus of recollecting 20th century anxiety and opulence. Over the course of this project he has created a lush and overtly queer sound world of drifting rouge atmospheres, smudged lipstick electronics and cavernous architectures that dwarf the sense of human interaction in favour of omnipotent acoustic voyeurism. All Intensive Purposes aches with a deep sense of longing, held aloft with tangible suspension. Voices and sounds float, haunting a murk…
Leaving Everything To Be Desired
**Limited Edition. Emboss, matte laminate sleeve, with insert card** The follow up to Pinkcourtesyphone’s previous collection of negative mood music ‘Indelicate Slices’ has arrived and it is even more of a sonic banquet than its predecessor. ‘Leaving Everything To Be Desired’ is a sumptuous serenade revealing with candor the essence of the many careful adjectives used for situational descriptions. Pinkcourtesyphone swerves range out of another interior from sparkling dream-soft shimmers of strin…
Indelicate Slices
All is lost, all is lost. Or is it? A poignant question from Pinkcourtesyphone. A haunting strain. A coat of gloss smeared. A scene recalled, a fond memory, a terrible lie in this new dark age of love. Suspended in that lush, lonely feeling, Pinkcourtesyphone implores you to hang breathless on the line, above the chandeliers in shimmering stasis that belie those desperate, shadowy passions underneath. A creak, a glance. Nothing is for certain anymore. That sentimental something echoed across cor…
Elision
Edition of 300. Pinkcourtesyphone reaches out and touches someone… in this case an international call with Dutch harpist extraordinaire, Gwyneth Wentink. Wentink weaves her magic on the triple harp a replica of a harp from around 1600 made of 3 rows of strings instead of the more common single row. The effect is a multi-timbral coalescence of mood, a conversation between layers. Pinkcourtesyphone thoughtfully folds, manipulates, and merges the gossamer resonances of the strolling fingers of Went…
A Ravishment Of Mirror
Los Angeles, a city of mirrors, twinkling lights, noir history, and deep secrets is the new home for Pinkcourtesyphone. This third full album explores Hollywood dreams and deception… meant to be slowly sipped. We all pretend but in Hollywood pretending is its dark sustenance… a plastic organic unity ready to enfold and repackage you. "Richard Chartier recently raised the curtain up on his interesting project Pinkcourtesyphone by a series of releases with thematic interconnections. His third full…
taking into account only a portion of your emotions
Formed from places, plastics, and particulars 2014-2016. Mastered at D&M, Berlin, September 2016. Design by Richard Chartier. The ongoing project by Los Angeles-based sound artist Richard Chartier (b.1971) sends you a new coded message of sumptuous distant drones and glacial orchestral heartrendings. Poised and polished slow motion pulsations tug at your emotions (but only a portion of them). For those listeners desirous of the output of The Caretaker, Angelo Badalamenti, William Basinski, and o…
Sentimental Something
Pinkcourtesyphone sends you a Sentimental Something from the depths of its obsessed heart. A sonic love note of smudged ink. Joined by the otherwordly Evelina Domnitch, friend and former cover model and vocalist on the acclaimed 2014 Description of Problem CD, which also featured contributions from Cosey Fanni Tutti, Kid Congo Powers, AGF, and William Basinski. On the central core, "Tears of Modernism," Miss Domnitch wields her dark magic on theremin, weaving a mournful kiss on the envelope fr…
Description Of Problem
Pinkcourtesyphone returns with Description of Problem, its 4th full length and most vital, disconcerting collection to date. If its debut, 2012’s Foley Folly Folio, sounded less like an echo chamber than a shattered hall of mirrors, and this year’s A Ravishment of Mirror captured the weary sighs of washed-up starlets gazing out into the perfumed smog of Los Angeles, Description of Problem is a busier signal indeed.An unprecedented group of vocal collaborators—including William Bas…
Foley Folly Folio
Pinkcourtesyphone is the not so secret alter ego of renowned sound artist Richard Chartier, and while it seems to be geared more towards a looser, more relaxed sensibility than the serious artist guise that is usually thrust upon him, it lacks none of his careful attention to structure and detail.  Quite a bit of the material on this compilation (recorded erratically between 1997 and 2011) could pass for his normal work, but throws enough curve balls to give it a distinct identity all its…
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