On Triton, Potemkine deliver a fiery blend of Mahavishnu‑esque fusion and French symphonic colour: rapid‑fire unisons, angular riffs and lyrical detours swirling around a core of high‑energy, jazz‑driven virtuosity.
Potemkine managed to blend in a very good way the basis of Zeuhl music with its prominent bass role and a lighthearted spirit of fusion with some 20th century contemporary music. They this deviate from the norm of “mainstream” Zeuhl, but they manage …
