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Russ Waterhouse

1 Minute 2 Midnight
Consisting of two side long explorations, what we have here is some prime one-man electro racket. The first side features “Hopewell,” a piece anchored by minimal rhythmic digital tics and glitches which gradually build in intensity to a white hot freak out while the second half’s “Too Many People” seems to blend field recordings and spacier electronic moves into a deeper ambient space. The whole thing flows like the work of an artist determined to obliterate the past, and ready to step out on th…
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