Ten years ago, a week before Christmas in 2002, Teruto Soejima, a Japanese experimental/avant-garde music critic, organized a festival at a small live venue called Knuttel House, located in the east side of Tokyo. Named as “Independent Underground Music Festival”, it was held with the following message by Mr. Soejima:
“Today in the advanced improvised music scene, new artists keep coming up one after another. In there, free jazz, contemporary music, techno, prog, traditional music, experimental …