The fact that Siegfried Fruhauf´s films have a certain hypnotic effect cannot be denied. Battles of material take place in them, they contain reflections and illusions, soundtracks filled with noise and visual interference signals run riot; at the same time all the structural experiments the filmmaker risks never rigidify in the merely theoretical. Fruhauf´s cinema is extremely atmospheric and decidedly non-academic. On the contrary, it presents itself as being radically undogmatic, alternating …