Stomu Yamashta
Stomu Yamashta, a Japanese percussionist and keyboardist has had a varied career. He has toured with the Chicago Chamber Orchestra, worked with the jazz-rock band Come to The Edge, and has recorded works by Henze and Maxwell Davies. From 1964-1969 he studied in the United States with both jazz and classical musicians. His earliest releases were interpretations of classical music or neo-classical pieces written especially for him. His 1971 album "Red Buddha" is an avant-garde all percussion solo work which has been repeatedly reissued. Beginning in 1972 Yamash'ta began recording jazz-rock fusion albums blended with Japanese traditional influences. He has written highly successful theatrical and multi-media shows like The Man From The East and Raindog, as well as the score of the "Shukumei" for the British Royal Ballet. His music has been used in films including "The Devils" and "The Man Who Fell To Earth.
Stomu Yamashta, a Japanese percussionist and keyboardist has had a varied career. He has toured with the Chicago Chamber Orchestra, worked with the jazz-rock band Come to The Edge, and has recorded works by Henze and Maxwell Davies. From 1964-1969 he studied in the United States with both jazz and classical musicians. His earliest releases were interpretations of classical music or neo-classical pieces written especially for him. His 1971 album "Red Buddha" is an avant-garde all percussion solo work which has been repeatedly reissued. Beginning in 1972 Yamash'ta began recording jazz-rock fusion albums blended with Japanese traditional influences. He has written highly successful theatrical and multi-media shows like The Man From The East and Raindog, as well as the score of the "Shukumei" for the British Royal Ballet. His music has been used in films including "The Devils" and "The Man Who Fell To Earth.
Hans Werner Henze / Peter Maxwell Davies / Toru Takemitsu
From the liner notes: The idea of music being visible can hardly be more convincingly perceived than in the playing of this musician. To begin with, sound, for Yamash'ta, is not an abstraction, but a mental and physical necessity. He is unable to execute musical textures per se: music to him means words, messages, calls, and self-affirmation, as though he were saying: Listen! I am still alive! Still alive!Aggression and defence are in his work. He knows everything about silence; that is why he u…
Man From The East
Originally released in 1973 for Island Records, “The Man from the East” was the soundtrack to a fascinating theatre-piece Yamashta presented in Paris and London in 1972. Several of these songs (‘Poker Dice’, ‘One Way’, ‘Memory of Hiroshima’) appeared on the film soundtrack of The Man Who Fell to Earth (1976) and have since attained mythical status among fans.
Freedom Is Frightening
Originally issued by Island in 1973. Stomu Yamash'ta is a master percussionist who studied jazz drumming at Berklee School of Jazz. In the 1970s, he recorded a string of innovative albums for Island records fusing his percussion talents with jazz, electronic and classical music. Freedom Is Frightening features a fine band, including Soft Machine bass guitarist Hugh Hopper and guitarist Gary Boyle. It was a fine achievement which propelled Yamash'ta to a wider audience which would eventually lead…
Floating Music
First ever UK CD release for this classic album from the master percussionist & ambient musician -- remastered from the original tapes. Extensive booklet with liner notes & fully restored artwork. Stomu Yamash'ta is a master percussionist who studied jazz drumming at Berklee School of Jazz. In the 1970s, he recorded a string of innovative albums for Island Records which utilized the talents of such leading musicians as Hugh Hopper, Maurice Pert, Steve Winwood, Michael Shrieve and Klaus Schulze, …
Red Buddah
Recorded in 1970 -- first issue 1971. First CD reissue of this incredible album of Stomu Yamash'ta. The 2 tracks performed by Yamash'ta are purely percussional. Yamash'ta is renowned worldwide for his work as an avant garde composer, and is deeply involved in the fields of 'musique contemporaine'. He also approached electronic music in the late 70s through a collaboration with Klaus Schulze." The 1st piece is composed for metal strings, tambury, cymbal, music saw, mandorin harp; the 2nd for stee…