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Szilárd Mezei

Look In To My Eyes, I​’​m Watching You
Outstanding violinist and improviser from Serbia Szilard Mezei in his latest studio recording! Alongside him on double bass are Zoltan Zoltán Csányi and percussion painter from Catalonia Vasco Trilla.
Before Then
*In process of stocking* A collection of four concerts, each presented on a single CD, from the chamber-oriented and technically superb trio of Tim Trevor-Briscoe on alto saxophone & clarinet, Szilard Mezei on viola and Nicola Guazzaloca on piano, captured at at Korzo Zenehaz in Hungary; Cultural Centre of Vojvodina in Novi Sad Serbi; Regional Creative Atelier in Serbia; and Harom Hollo in Budapest. "These recordings just flow on and on with an ease that is a pleasure to listen to, to share with…
Rested Turquoise
NoBusiness Records presents Rested Turquoise by Szilard Mezei Tubass Quintet. Recorded on 21-22nd August, 2018, KCNS, Novi Sad, Serbia. Recording engineer - Lazar Živanac. Mixed and mastered by Szilárd Mezei & Lazar Živanac. Liner notes by Alexander Hawkins. Cover graphic by Erzsébet Mezei. Photo by Aleksandar Stojković. Design by Oskaras Anosovas. Produced by Danas Mikailionis. Co-producer - Valerij Anosov.Ervin Malina - double bass (right)Ernő Hock - double bass (left)Kornél Pápista - tuba (ce…
Februari Fedontes
This is the first recording of Szilard Mezei released on LP. Synthesis of free jazz with some elements of folk music makes it an intrigue and challenging recording."Februári Fadöntés documents a fairly rare appearance on wax of Serbian-Hungarian violist / composer Szilárd Mezei, who's worked in formats ranging from string trio to orchestra, mostly in situations that allow a commingling of Hungarian folk forms (he also plays traditional music) and free improvisation. He's joined here on three sui…
Canons - 2nd Hoisting
Four extended compositions from the Tubass Quintet led by Szilard Mezei (performing on double bass instead of his usual viola) performing with a heavy group of 4 double bassists and tuba. An unusual configuration playing unusually named tracks (HEP 15, HEP 16, HEP 17 B, HEP 58/2), but clearly playing a unique rendering of jazz, swinging music from the lower end of the spectrum, with an open and accessible nature.