The Science Fiction Corporation

Back in 1968 a pair of Germanic behind-the-scenes sound librarians called Horst Ackermann and Heribert Thusek left a tiny, but indelible, pinprick on the history of German Pop in the misshaped form of a sexy horror cash-in concept album called Dracula’s Music Cabinet. Shelved at a micro-cosmic axis where Krautrock meets easy listening meets psychedelia the delayed reaction of this mutant concoction eventually exploded in the mid-1990s in the hands of a generation of ‘record diggers’ sending curr…